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Style: Modern
Medium: Engraving
Picabia, Composition, Du cubisme (after)
Located in Southampton, NY
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Landscape Prints
Materials
Drypoint
$6,716 Sale Price
20% Off
Robin Hood
s Bay - Engraving by Edward Frencis Finden - 1845
Located in Roma, IT
Robin Hood's Bay is an original etching realized in 1845 by E.Finden.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
1840s Modern Engraving Landscape Prints
Materials
Engraving
Trees - Etching - 20th Century
Located in Roma, IT
Trees is an lithograph on paper realized by an unknown artist in the 20th Century.
The artwork is in good condition.
Category
20th Century Modern Engraving Landscape Prints
Materials
Engraving
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Amiens; The Cathedral of Notre Dame, from the Lower Town
Located in Middletown, NY
A superb impression from the artist's own collection.
Etching with drypoint on watermarked FJ Head & Co. handmade laid paper, 10 3/4 x 9 7/8 inches (272 x 252 mm); sheet 18 1/8 x 14 ...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Drypoint
The Barnyard
Located in Middletown, NY
An extremely scare impression of an image Landeck etched while touring Europe after his graduation from Columbia University.
Drypoint etching on Japon paper, 9 11/16 x 9 7/8 inches ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Jacques Maret, Untitled, from Alternation, 1946
Located in Southampton, NY
This exquisite etching by Jacques Maret (1900–1980), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, ...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Street Booth, Tokyo, New Year
s Eve
By Martin Lewis
Located in Middletown, NY
A superb impression of Martin Lewis's consummate image of Japan.
Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East
Drypoint, 1930-1931
Signed in pencil lower right (see photo)
Initialed and dated the the plate above the pencil signature
From: Cincinnati Series (8 Plates), this No. 2
Edition: 155, completed May 4, 1931
Delivered to Fellheimer & Wagner, 1931
Louis Conrad Rosenberg
1890-1983
An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
The Bridge of Sighs, Venice, by Walter Henry Sweet
John Shapland
Located in Middletown, NY
Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Engraving
French Village with Church - Etching by Eugene Corneau - Mid-20th Century
Located in Roma, IT
French Village with Church is an artwork realized in the first half of the 20th century by Eugène Corneau.
Etching and drypoint on paper. Monogrammed in pencil by the artist on the ...
Category
Mid-20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Vegetation I
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
La Promenade Sur Le Port
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Promenade Sur Le Port, 1933, engraving, signed in pencil lower left. Reference: Godefry 482, Sylvain Laboureur 482, second state (of 2); from the...
Category
1930s Modern Engraving Landscape Prints
Materials
Engraving
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Fallscape
By Peter Milton
Located in San Francisco, CA
This artwork titled "Fallscape" 1961, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 15/40 in pencil by ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Spring Night, Greenwich Village
By Martin Lewis
Located in Plano, TX
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$24,000 Sale Price
20% Off
A Sunset in Ireland.
Located in Plano, TX
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Windy Night, Stockholm.
Located in Plano, TX
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Mornings with Judd (Second state)
By Peter Milton
Located in Middletown, NY
Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61].
Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
Category
1970s American Modern Engraving Landscape Prints
Materials
Engraving, Etching, Archival Paper
Fonte Nuova, Siena
Located in Middletown, NY
Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...
Category
Late 19th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Southampton, NY
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category
1940s Modern Engraving Landscape Prints
Materials
Etching, Engraving, Drypoint
$6,716 Sale Price
20% Off
Vegetation III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation III" 1963, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, titled, dated and numbered 14/50 ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Marshland
By Peter Milton
Located in San Francisco, CA
This artwork titled "Marshland" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered 31/40 in pe...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Colosseum (First State)
Located in Middletown, NY
Copper plate engraving on cream wove paper, 18 1/4 x 13 3/8 (462 x 338 mm), full margins. Signed in pencil, lower right. Edition of 20. First state (of 2). Minor uniform toning, and ...
Category
Mid-20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Engraving
Guardians of the Spire (Amiens Cathedral Number 2)
Located in Plano, TX
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
The Fair
Located in Plano, TX
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$2,450 Sale Price
30% Off
Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions.
New York: 1904.
Drypoint with aquatint on watermarked, cr...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
A Gale at Port Errol
By James McBey
Located in Plano, TX
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
The Cabin - Drypoint by Francis Saymour-Haden - 1877
Located in Roma, IT
The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877.
Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...
Category
1870s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Ludgate Hill
Located in Plano, TX
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Restaurant in Mott Street
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.”
CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art
C.F.W. Mielatz
American, 1860-1919
Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival.
The reference is Rose 183. It...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Palazzo dell
Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint, Etching
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Engraving Landscape Prints
Materials
Archival Paper, Engraving, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Ruff
s Farm
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Handmade Paper, Laid Paper, Drypoint, Etching
Gris, Composition, Du cubisme (after)
By Juan Gris
Located in Southampton, NY
Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...
Category
1940s Modern Engraving Landscape Prints
Materials
Engraving, Etching
$6,716 Sale Price
20% Off
Composition, Portrait de A. Decaris, Albert Decaris
Located in Southampton, NY
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings.
ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24.
In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
The Workshop (Stirling)
Located in Plano, TX
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
Victor DeWilde, The Anchor (San Francisco), 1930s
Located in New York, NY
Born in Tamines, Belgium, Victor DeWilde (1903-1977) settled in San Francisco around 1925. He studied at the California School of Fine Arts, SF, and California College of Arts & Crafts, Oakland. During the 1930s he taught at Commerce Evening High School and then worked on the WPA Art Education Program. His colleagues included Robert McChesney, Otis Oldfield, George Post...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)
Located in New Orleans, LA
Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...
Category
Early 20th Century American Modern Engraving Landscape Prints
Materials
Mezzotint, Aquatint
Composition, Portrait de A. Decaris, Albert Decaris
Located in Southampton, NY
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings.
ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24.
In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...
Category
1950s Modern Engraving Landscape Prints
Materials
Engraving
$716 Sale Price
20% Off
Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category
1930s American Modern Engraving Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
7 A. M. St. Louis
By Art Werger
Located in New Orleans, LA
It's early morning I'm St. Louis in this 2002 mezzotint that is signed and numbered
Art Werger’s lyrical suburban scenes are evocative of boyhood summer evenings while his city imag...
Category
21st Century and Contemporary American Modern Engraving Landscape Prints
Materials
Mezzotint
Charing Cross - The Statue of Charles I.
Located in Plano, TX
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Engraving Landscape Prints
Materials
Drypoint, Etching, Aquatint
$780 Sale Price
20% Off
Capturas
Located in New Orleans, LA
4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca.
We are ...
Category
21st Century and Contemporary Modern Engraving Landscape Prints
Materials
Engraving, Drypoint
$455 Sale Price
35% Off
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Evening, Port of Genoa
Located in Plano, TX
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Engraving Landscape Prints
Materials
Drypoint
$760 Sale Price
20% Off
A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category
1930s American Modern Engraving Landscape Prints
Materials
Drypoint
Engraving landscape prints for sale on 1stDibs.
Find a wide variety of authentic Engraving landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Loggan, Adriaen Collaert, David Lucas, and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving landscape prints, so small editions measuring 0.01 inches across are also available