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Style: Modern
Medium: Etching
Salvador Dalí­, "Le Chateau de Gala", original etching, hand colored, signed
Located in Chatsworth, CA
Salvador Dalí Le Chateau de Gala (Gala's Castle) from After 50 Years of Surrealism Original etching, hand colored 1974 Image size: 15 3/...
Category

1970s Modern Etching Landscape Prints

Materials

Etching

Brooklyn Bridge — Iconic New York City Landmark
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category

1920s American Modern Etching Landscape Prints

Materials

Etching, Aquatint

A view of the New York Public Library, looking uptown along 5th Avenue.
Located in Middletown, NY
New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...
Category

1920s American Modern Etching Landscape Prints

Materials

Archival Paper, Etching, Aquatint

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Etching Landscape Prints

Materials

Drypoint, Etching

The Whale s Back [Connecticut]
Located in Plano, TX
The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Etching

The glass mountain shattered David Hockney Fairy Tales from the Brothers Grimm
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Category

1960s Modern Etching Landscape Prints

Materials

Etching, Aquatint

The Helmsman
Located in Plano, TX
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category

1920s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Somewhere in France
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...
Category

Mid-20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

French Landscape - Original Etching by E. Corneau - 1930s
Located in Roma, IT
French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...
Category

1930s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Fifth Avenue Bridge.
Located in Plano, TX
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category

1920s American Modern Etching Landscape Prints

Materials

Drypoint, Etching

Marie Laurencin, Three Young Girls, from Antares, 1944
Located in Southampton, NY
This exquisite etching by Marie Laurencin (1883–1956), titled Trois jeunes filles (Three Young Girls), from the album Antares, eaux-fortes originales de Marie Laurencin (Antares, Ori...
Category

1940s Modern Etching Landscape Prints

Materials

Etching

Dark House
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

1930s American Modern Etching Landscape Prints

Materials

Etching

The Enchantress with the Baby Rapunzel by David Hockney Brothers Grimm Tales
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. The Enchantress with the baby Rapunzel references a Heironymus...
Category

1960s Modern Etching Landscape Prints

Materials

Etching, Aquatint

Madison Square, N.Y.C.
Located in Middletown, NY
New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with some minor spots of ligh...
Category

Mid-20th Century American Modern Etching Landscape Prints

Materials

Etching

A Gable in the Grande Rue, Lisieux
Located in New Orleans, LA
This image is the 3rd etching created by Arms. It was printed byGrederick Reynolds in an edition of 116. Referenced as Fletcher #3 the image is the second in his Gable series. Lis...
Category

1910s American Modern Etching Landscape Prints

Materials

Etching

Seventh Avenue Canyon, from New York in Etchings
Located in Middletown, NY
New York: 1939. Etching on light weight wove paper, 13 3/4 x 10 3/4 inches ( 350 x 273 mm); 15 1/4 x 12 inches; sheet (383 x 300 mm); full margins. Signed in pencil in the lower mar...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Etching

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Wrexham Tower, Yale University
Located in Middletown, NY
Etching with aquatint on watermarked cream laid J Perrigot Arches paper, 15 7/8 x 9 3/4 inches (400 x 248 mm), full margins. Signed, dated, and dedicated to the the artist Ruth Knobl...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Cathedral of Saint Cyr and Saint Julitta, Nevers
Located in Middletown, NY
Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...
Category

Mid-20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Rouen; The Cathedral of Notre Dame from the South
Located in Middletown, NY
Etching on F.J. Head & Co. watermarked cream laid paper, 8 1/8 x 7 5/8 (205 x 184 mm), full margins. Signed and dated in pencil, lower margin. Illustrated in Dorothy Noyes Arms, Chur...
Category

1920s American Modern Etching Landscape Prints

Materials

Laid Paper, Etching

To the Sea
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category

1960s American Modern Etching Landscape Prints

Materials

Aquatint

The Street - Etching by Maxime Juan - Early 20th century
Located in Roma, IT
The Street is a print realized by Maxime Juan in the early 20th century. Signed on the plate Etching on paper Good condition with slight foxing.
Category

Early 20th Century Modern Etching Landscape Prints

Materials

Etching

The Enchantress in her Garden David Hockney Fairy Tales from the Brothers Grimm
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...
Category

1960s Modern Etching Landscape Prints

Materials

Etching, Aquatint

View of Saint Peter s Square - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
Etching realized by Giuseppe Malandrino in the early 1970s. Hand-signed by the artist in pencil on the lower right corner. Edition of 199 Excellent condition.  This artwork repre...
Category

1970s Modern Etching Landscape Prints

Materials

Etching

L Homme-Chat, Paroles peintes I, Ossip Zadkine
Located in Southampton, NY
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category

1960s Modern Etching Landscape Prints

Materials

Etching

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Church at Chichicastenango
By Jesse F. Reed
Located in Myrtle Beach, SC
Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...
Category

1960s American Modern Etching Landscape Prints

Materials

Etching, Aquatint

Chartres, The Magnificent
Located in Middletown, NY
Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Laid Paper, Etching

The Gothic Spirit
Located in Plano, TX
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Etching Landscape Prints

Materials

Drypoint, Etching

Ludgate Hill
Located in Middletown, NY
Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...
Category

Early 20th Century Modern Etching Landscape Prints

Materials

Drypoint, Etching, Aquatint

Port Glasgow - Etching by W. H.Bartlett - 1845
Located in Roma, IT
Port Glasgow is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain". Good conditions with...
Category

1840s Modern Etching Landscape Prints

Materials

Etching

The Biggest of All; Telephone and Telegraph Building.
Located in Plano, TX
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Drypoint, Etching

Landscape #4 - Etching by Camille Corot - 1850s
Located in Roma, IT
Landscape #4 is a beautiful original etching realized by Camille Corot in the middle of XIX Century. Image Dimensions: 18.5 x 25.5 cm Very good conditions. Includes passepartout....
Category

Mid-20th Century Modern Etching Landscape Prints

Materials

Etching

The Church of St. Francis and the Natizone; Cividale
Located in Middletown, NY
1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...
Category

Mid-20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Landscape with a Mountain Lake - Original etching with aquatint
Located in Paris, IDF
Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of C...
Category

21st Century and Contemporary Modern Etching Landscape Prints

Materials

Etching, Aquatint

La Bella Venezia
Located in Middletown, NY
(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...
Category

1930s American Modern Etching Landscape Prints

Materials

Etching

A Hong Kong Canal Boat
Located in Middletown, NY
Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...
Category

Mid-20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Laid Paper, Watercolor, Aquatint

St. Marks on the Bowery - Famed New York City Landmark
Located in Myrtle Beach, SC
'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...
Category

1930s American Modern Etching Landscape Prints

Materials

Etching, Aquatint

Coenties Slip
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Category

Late 19th Century American Modern Etching Landscape Prints

Materials

Etching, Drypoint, Handmade Paper

The Pool of London.
Located in Plano, TX
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category

1910s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Fourteenth Street. The Wigwam. (Tammany Hall).
Located in Plano, TX
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category

1920s American Modern Etching Landscape Prints

Materials

Etching

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Porta del Paradiso, Venezia
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Laid Paper, Etching

Saint Catherine s Belfry, Honfleur
Located in Middletown, NY
Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...
Category

Mid-20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...
Category

1930s American Modern Etching Landscape Prints

Materials

Drypoint, Etching

Ostend Horse
Located in Plano, TX
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category

1920s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Rio del Santi Apostoli, Venice.
Located in Plano, TX
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category

1920s American Modern Etching Landscape Prints

Materials

Etching

Evening Moon, color etching renowned printmaker Signed/N, ex Denver Art Museum
Located in New York, NY
Kathan Brown Evening Moon, 1962 Color etching on wove paper Hand signed, titled, dated and numbered 30/100 by Kathan Brown on the front 18 3/4 × 27 3/4 inches De-accessioned from the...
Category

Mid-20th Century Modern Etching Landscape Prints

Materials

Etching

Old Houses, Byres Road, Partick (Scotland)
Located in Middletown, NY
Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category

Early 1900s Modern Etching Landscape Prints

Materials

Laid Paper, Etching

Central Park, Modern Aquatint Etching by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - Central Park, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 4/10, Image Size: 8 x 9.5 inches, Size: 19 in. x 22 in...
Category

1980s Modern Etching Landscape Prints

Materials

Etching, Aquatint

Guardians of the Spire; Amiens Cathedral Number 2
Located in Middletown, NY
Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...
Category

Mid-20th Century American Modern Etching Landscape Prints

Materials

Drypoint, Etching

Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category

Early 20th Century American Modern Etching Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Forum of Minerva, Assisi, Italy
Located in Middletown, NY
Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...
Category

Early 20th Century Modern Etching Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Provence, France Fine Art Aquatint Etching - “Legendary Provence"
Located in Soquel, CA
Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick Beautiful aquatint etching of a sunset over iconic Provence French town, Go...
Category

1970s American Modern Etching Landscape Prints

Materials

Aquatint, Laid Paper

Hand Signed in Pencil Etching Cafe de Paris Visage de Maisons Maurice Vlaminck
Located in Surfside, FL
Maurice Vlaminck Le Cafe de Paris, Pl. X, from Visage des Maisons, c. 1927 (Walterskirchen 132) Etching on Van Gelder laid paper, signed in pencil, trial proof with the blindstamp o...
Category

1920s Modern Etching Landscape Prints

Materials

Etching

Chelsea Old Church, London
Located in Plano, TX
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Etching Landscape Prints

Materials

Drypoint, Etching, Aquatint

San Marco [Venice].
Located in Plano, TX
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Etching Landscape Prints

Materials

Drypoint, Etching, Aquatint

Out of My Window. (Vista; My Own; De Ma Fenêtre)
Located in Plano, TX
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category

20th Century American Modern Etching Landscape Prints

Materials

Etching

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Etching Landscape Prints

Materials

Drypoint, Etching

Etching landscape prints for sale on 1stDibs.

Find a wide variety of authentic Etching landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuseppe Malandrino, Giuseppe Vasi, Frans Hogenberg, and John Taylor Arms. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching landscape prints, so small editions measuring 0.01 inches across are also available