Laid Paper Landscape Prints

David Roberts RA Fortress of Akaba 1796 - 1864 First Edition lithograph Half plate: 107 Presented in a acid free mount

DAVID ROBERTS RA Sebaste, Ancient Samaria 1796 - 1864 First Edition lithograph Full plate: 44 Presented in a acid free mount Modern hand-coloured lithograph for the first edition o...

Etching on antique cream laid paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of three...

An elegant and delicate seascape of Brightlingsea Hard, Essex circa 1925 18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...

David Roberts RA The Holy Tree Of Metereah 1796 - 1864 First Edition lithograph Half plate: 227 Presented in a acid free mount

Subscription and first edition lithographs in stock Half plate: 9 Presented in a acid free mount Published by F.G. Moon & Son, London 1842-49.

First edition lithograph Full plate: 4 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon &...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170) Portfolio: Buck's Antiquities or Vener...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324) Portfolio: Buck's Antiquities or Venerabl...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...

DAVID ROBERTS RA Beit Jebrin, or Eleutheroplis 1796 - 1864 First Edition lithographs Half plate: 54 Presented in a acid free mount Modern hand-coloured lithograph for the first edi...

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52) ...

DAVID ROBERTS RA Tiberias Looking Towards Hermon 1796 - 1864 First Edition lithographs Full plate: 38 Presented in a acid free mount Modern hand-coloured lithograph for the first e...

DAVID ROBERTS RA Tomb of Joseph at Shechem 1796 - 1864 First Edition lithograph Half plate: 39 Presented in a acid free mount Modern hand-coloured lithograph for the first edition ...

David Roberts RA Town of Tiberias Looking Towards Lebanon 1796 - 1864 First Edition lithograph Half plate: 35 Presented in a acid free mount Modern hand-coloured lithograph for the...

David Roberts RA Karnak – View Across The Hall Of Columns 1796 - 1864 Subscription and first edition lithograph in stock Full plate: 182 Presented in a acid free mount

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...

Artist: Benjamin Cole (English, c. 1697-1783) Title: "The South West Prospect of St. Mary's Church in the Strand" Portfolio: The History and Survey of London from its Foundation to t...

David Roberts RA General View Of Ruins Of Karnak, From The West 1796 - 1864 First Edition lithograph Full plate: 163 Presented in a acid free mount Stunning sunset over the ruins, c...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

First Edition lithograph Half plate: 17 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844) Title: "Benevolent Cottagers" Year: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown...

Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed s...

Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...

Artist: Francis Drake (English, 1696-1771) Title: "York, from near the Confluence of the Rivers Ouse and Foss" (Plate 20) Portfolio: Eboracum: or The History and Antiquities of the City of York Year: 1736 (First edition) Medium: Original Engraving on light laid paper Limited edition: Unknown Printer: William Bowyer...

David Roberts RA Port of Tyre 1796 - 1864 First Edition lithograph Half plate: 68 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Rober...

David Roberts RA Portion of the Eastern Portico, Baalbec 1796 - 1864 Subscription and first Edition lithographs Full plate: 83 Presented in a acid free mount Original hand coloured ...

David Roberts RA General View of Tyre 1796 - 1864 Subscription edition and First edition Full plate: 69 Presented in an acid free mount Available in original hand coloured subscript...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

First Edition lithograph Half plate: 27 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales Year: 1726-1739 Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: Robert Sayer, London, UK Reference: Lowndes page 303-304; Upcott page 33 Sheet size (each): approx. 11" x 18.25" Image size (platemark) (each): approx. 7.75" x 14.75" Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition Notes: Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins. Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...

First Edition lithograph Half plate: 19 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

Subscription & first edition lithographs in stock Full plate: 2 Presented in a acid free mount David Roberts' The Holy Land. nPublished by F.G. Moon & Son, London 1842-49. This Vig...

Subscription edition and first edition lithographs in stock Full plate: 10 Presented in a acid free mount

An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...

David Roberts RA Medinet Abou, Thebes 1796 - 1864 Subscription and first Edition lithographs Full plate: 186 Presented in a acid free mount

David Roberts RA Siout 1796 - 1864 First Edition lithograph Half plate: 162 Presented in a acid free mount

David Roberts RA The Arch Across The Ravine, Petra 1796 - 1864 First Edition lithograph Half plate: 95 Presented in a acid free mount

David Roberts RA Tyre from the Isthmus 1796 - 1864 Subscription and first edition lithographs in stock Full plate: 71 Presented in a acid free mount This delicately coloured lithogr...

David Roberts RA Ruins of an Ionic Temple 1796 - 1864 Subscription and first edition lithographs in stock Half plate: 70 Presented in a acid free mount Modern hand-coloured lithogra...

David Roberts RA Ashdod 1796 - 1864 First Edition lithographs Half plate: 58 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' T...

David Roberts RA Askelon 1796 - 1864 First Edition lithographs Full plate: 57 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' ...

David Roberts RA Hebron 1796 - 1864 First Edition lithographs Full plate: 55 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' T...

DAVID ROBERTS RA Convent of St Saba 1796 - 1864 Subscription and first Edition lithographs Full plate: 51 Presented in a acid free mount Original hand coloured subscription edition...

DAVID ROBERTS RA The Dead Sea 1796 - 1864 First Edition lithographs Half plate: 50 Presented in a acid free mount In this lithograph, Roberts stands high up in the Ein Gedi hills. ...

DAVID ROBERTS RA Jericho 1796 - 1864 Subscription and first Edition lithographs Full plate: 49 Presented in a acid free mount Original hand coloured subscription edition and Modern...

DAVID ROBERTS RA Encampment of Pilgrims at Jericho 1796 - 1864 First Edition lithographs Half plate: 46 Presented in a acid free mount Modern hand-coloured lithograph for the first...

DAVID ROBERTS RA Jacob’s Well at Schechem 1796 - 1864 First Edition lithograph Full plate: 40 Presented in a acid free mount Modern hand-coloured lithograph for the first edition o...

First Edition lithograph Full plate: 34 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon...

First Edition lithographs Half plate: 29 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable ...

Subscription and first edition lithographs in stock Half plate: 23 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy La...

First Edition lithograph Half plate: 21 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

Available in the subscription and first Edition lithographs Half plate: 5 Presented in a acid free mount This is one of four sepulchres in the Valley of Jehoshaphat, on the east sid...

Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...