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Medium: Paper
KCHO (Alexis Leyva Machado), ¨Untitled II¨, 2019, Woodcut, 44.7x31.1 in
Located in Miami, FL
Alexis Kcho Leiva (Cuba, 1970) 'Untitled II', 2019 woodcut, silkscreen on paper Intaglio 300 g. 44.7 x 31.2 in. (113.5 x 79 cm.) Edition of 30 ID: KCH-120 Unframed
Category

2010s Contemporary Paper Landscape Prints

Materials

Paper, Woodcut, Ink

Le Verte Galant (from Picasso Estate Collection)
Located in Aventura, FL
Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...
Category

1980s Cubist Paper Landscape Prints

Materials

Paper, Lithograph

"High Noon 1" Photography 40" x 30" inch Edition of 24 by Rob Woodcox
Located in Culver City, CA
"High Noon 1" Photography 40" x 30" inch Edition of 24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fash...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Archival Paper

Early 20th Century Santo Domingo Landscape Etching Proof
Located in Soquel, CA
Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart. Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...
Category

1920s Contemporary Paper Landscape Prints

Materials

Laid Paper, Drypoint, Etching

"Winter Wildfowling" Frank Weston Benson, Hunting Scene, Outdoors, Marshes
Located in New York, NY
Frank Weston Benson Winter Wildfowling, 1927 Signed lower left Etching on paper Image 8 1/2 x 7 inches Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England. Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.” Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.” In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure. In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth. This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.” The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions. Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member. Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works. Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.” Like the wash drawings before them, Benson’s watercolors proved...
Category

1920s Academic Paper Landscape Prints

Materials

Paper, Etching

Dark Beach Sunrise, Blue Nautical Cyanotype, Watercolor Paper, Vertical Seascape
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Dark Beach Sunrise" is a handmade cyanotype print portraying beautiful sunrise reflection on the beach. Details: + Titl...
Category

2010s Realist Paper Landscape Prints

Materials

Emulsion, Watercolor, Lithograph, Paper

Place de la Cour, Vienna
Located in Middletown, NY
Vienna: Chez Artaria. Engraving with hand coloring in watercolor on cream laid Van Gelder Zonen paper with a large heraldic watermark with a fleur-de-lys and a crown, 10 3/4 x 16 1/...
Category

Mid-19th Century French School Paper Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

"Polo Ralph Lauren Chicago" Architectural Rendering
Located in Bristol, CT
Amazing original architectural rendering on board (artist: C. Smith 1-97) for the Polo Ralph Lauren Chicago store at #730 No Mich Ave (which opened in 1998) designed by Naomi Leff (1...
Category

1990s Paper Landscape Prints

Materials

Paper, Lithograph

English early 20th century, An Irish Hare and a Mountain hare in a landscape
Located in Woodbury, CT
Wonderful Vintage Archibald Thorburn colored chromolithograph. The colors are amazing, giving the painting a really great appearance . Printed circa 1919, the picture is inscribed ...
Category

1910s Victorian Paper Landscape Prints

Materials

Paper

Diner
Located in New York, NY
ABOUT THIS PIECE: This photograph is of a movie set diner and Joshua tree lost in the desert near a place called Lake Los Angeles, California. ABOUT THIS ARTIST: Noel Kerns is a Tex...
Category

Early 2000s Paper Landscape Prints

Materials

Photographic Paper

Seascape X - large format photograph of monochrome blu water surface and horizon
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Photographic Paper, Archival Pigment, Giclée, Archival Ink, Archival Paper

Floral Triptych of Large Floral Bouquet, Botanical Cyanotype in Classic Blue
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s American Realist Paper Landscape Prints

Materials

Watercolor, Lithograph, Rag Paper

Voyage en poste; Galerie du Palais Royal
Located in Middletown, NY
By François Bellay after Jacques François Joseph Swebach-Desfontaines Voyage en poste; Galerie du Palais Royal Paris: J P Quénot, c1830. Stipple point engraving with extensive hand ...
Category

Mid-19th Century French School Paper Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

A ROAD LESS TRAVELED
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.
Category

1990s Realist Paper Landscape Prints

Materials

Paper, Lithograph

Peasant Family on the Tramp – after Rembrandt van Rijn
Located in Middletown, NY
Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...
Category

17th Century Old Masters Paper Landscape Prints

Materials

Laid Paper, Etching

Seascape XI Triptych - 3 large format photograph of blue ocean surface horizon
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic marine nature of oceanic water and cloudscapes Sea...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Photographic Paper, Archival Paper, Giclée, Archival Pigment

Low Tide, Brittany , Musée d Art Moderne, Paris, Ecole des Beaux-Arts, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Y. Ganne' (French, born 1931) with print and limitation, '167/275', lower left. Accompanied by a Certificate of Authentication from the Societe de Verification d...
Category

Mid-20th Century Paper Landscape Prints

Materials

Paper, Lithograph

Mornings with Judd (Second state)
Located in Middletown, NY
Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
Category

1970s American Modern Paper Landscape Prints

Materials

Engraving, Etching, Archival Paper

Dépt. De L’Ariège, Dépt. De la Vendée, from Atlas National de France Illustré
By Louis Francois Couche
Located in Middletown, NY
Two (2) historiated engraved maps, each 11 1/4 x 16 7/16 inches (285 x 418 mm) with handcoloring, on wove paper, the latter engraved by C. Smith after Couché fils, published by Combe...
Category

Mid-19th Century French School Paper Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

SECLUSIONS
Located in Aventura, FL
Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...
Category

Late 20th Century Contemporary Paper Landscape Prints

Materials

Paper, Screen

SECLUSIONS
$250 Sale Price
50% Off
MT. SHASTA
Located in Aventura, FL
Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 17.5 x 29.25 inches. Image size: 11.75 x 23.75 inches. Edition of 250. Artwork is in excellent condition. ...
Category

1980s Contemporary Paper Landscape Prints

Materials

Paper, Screen

MT. SHASTA
$125 Sale Price
75% Off
Gulpiyuri - large scale landscape photograph by Massimo Vitali (artist framed)
Located in San Francisco, CA
large format photograph of Gulpiyuri, a flooded sinkhole with inland beach in Northern Spain, by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographica...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper

Fine Etching of Municipal (Midway) Airport Chicago by Kent Hagerman
Located in Chicago, IL
A fine & captivating etching of Municipal (Midway) Airport Chicago by artist Kent Hagerman. Artwork size: 7" x 10". Archivally matted to 12" x 16". Kent Hagerman, also known as ...
Category

1950s American Modern Paper Landscape Prints

Materials

Paper, Etching

Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category

Early 19th Century English School Paper Landscape Prints

Materials

Handmade Paper, Engraving, Etching, Aquatint

"Snug Harbor" Etching of a Romantic Harbor Scene 1928
Located in Soquel, CA
"Snug Harbor" Etching of a Romantic Harbor Scene 1928 Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper. Image, 6"H x 8"W Sheet, 9.75"H x 12"W ...
Category

1920s American Impressionist Paper Landscape Prints

Materials

Laid Paper, Etching

Piranesi, Hand Coloured Period Engraving, Vue d un Superb Palais de Rome
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category

Late 18th Century Baroque Paper Landscape Prints

Materials

Paper, Ink, Watercolor

Fountains of Rome; Fontana e castello dell Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625. Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discoloration in the margins and on the verso, the image area remains clean and bright. The inscription in the lower margin reads Paulus Quintus Pont. Maxim ... anno DNI MDCXII Pontif.s sui Septimo' and in the margin 'Fontana e castello dell'acqua Paola a S.Pietro Montorio sul Gianicolo, condotta da Paolo V, vicino a Bracciano, Architett.a di Giovanni Fontana', and signed at left 'G.B.Falda del. et inc.' and at right 'G.Iac.Rossi le stampa in Roma alla pace co priv. del SP', and the number '11' in the lower right corner. Printed in 1691. [Bartsch/Le Pientre graveur XXI.241.13] Book I, plate 11: Fountain of San Pietro in Montorio, from "Le fontane delle ville di Frascati nel Tusculano con li loro prospetti" ("The fountains of the Villas of Frascati in Tusculano and their prospects"); a set of four books on fountains published by Giovanni Giacomo De Rossi (Italian, Rome 1627–1691), after Giovanni Francesco Venturini (active ca. 1650–1700) and Giovanni Battista Falda...
Category

Early 17th Century Old Masters Paper Landscape Prints

Materials

Laid Paper, Engraving, Etching

Amida, a Deity of Japan – English School, 18th century
Located in Middletown, NY
Amida, a Deity of Japan; One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earliest period to the present time Vol...
Category

Late 18th Century English School Paper Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Martin Lewis Original Etching, 1928 - “Rain on Murray Hill”
Located in Phoenix, AZ
Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...
Category

Early 20th Century Paper Landscape Prints

Materials

Paper

Bain-Froid Chevrier; Chevrier s Cold-Bath Establishment, "School Baths", Paris
Located in Middletown, NY
Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...
Category

Mid-19th Century French School Paper Landscape Prints

Materials

Laid Paper, Etching, Engraving

Boathouse along the Tisza River; Tiszlapart
Located in Middletown, NY
Etching with aquatint on buff wove paper, 11 3/8 x 15 1/2 inches (287 x 392 mm), full margins. Signed, titled, and numbered 99/100 in pencil, lower margin. In good condition with som...
Category

Early 20th Century Modern Paper Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

"Impressionist Creek" Large Landscape Serigraph Blue Green Turquoise Water Sun
Located in Austin, TX
By J. Torrents Llado 35" x 24" Serigraph, Edition 53/75 Signed, bottom right. Unframed This brilliant and expressive serigraph captures a dynamic view of a creek within a densely f...
Category

20th Century Impressionist Paper Landscape Prints

Materials

Archival Paper, Screen

Digital Creator Landscape Painter Animation Pink Trees Magical Realism Light
Located in Norfolk, GB
Artwork details: Jamie Williams, Nightlies, image 30cm x 30cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 3/20 verso, 2022 Jamie Williams is an e...
Category

2010s Contemporary Paper Landscape Prints

Materials

Archival Ink, Archival Paper

“Flower Seller, Notre Dame”
Located in Southampton, NY
Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L. Almasy. Depicts a Parisian flower girl selling her bouquets with the iconic cathedral of Notre Dame. Handwritten bottom left in pencil, original etching 136/295. Handwritten in pencil by the artist lower right, L. Marianne. Condition: excellent. Provenance: Sarasota, Florida estate. Professionally matted with a one inch solid oak frame in a medium walnut stain. Overall 24 by 19 inches. Marianne Almasy...
Category

1980s Academic Paper Landscape Prints

Materials

Archival Paper, Etching

Algae with Bubbles, Blue, White Unique Cyanotype, Desert Modernism Forms, Paper
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...
Category

2010s Art Nouveau Paper Landscape Prints

Materials

Paper, Monotype

Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category

Late 19th Century French School Paper Landscape Prints

Materials

Laid Paper, Etching, Drypoint

Rothenberg
Located in Middletown, NY
Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...
Category

Early 20th Century Naturalistic Paper Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

The Road to Heaste, Isle of Skye, Scotland, Black and White Large Landscape
Located in London, GB
The road to Heaste, Isle of Skye The road to Heaste on the Isle of Skye with a view of Beinn na Caillich and Blaven beyond. THE ROAD TO HEASTA, ISLE OF SKYE, 2012-2013 Fine Art Gic...
Category

2010s Romantic Paper Landscape Prints

Materials

Plate Glass, Archival Ink, Archival Paper, Photographic Paper, Giclée, A...

Sign Of The Time - large scale photograph of conceptual motivational billboard
Located in San Francisco, CA
Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...
Category

21st Century and Contemporary Conceptual Paper Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

Illuminated Dendrology - Dimensional Forest
Located in New York, NY
ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned bac...
Category

2010s Paper Landscape Prints

Materials

Photographic Paper

Dorothy and John Taylor Arms M.D. MCMXXV
Located in Middletown, NY
Etching on cream wove paper 5 7/8 x 3 3/8 inches (150 x 86 mm). Signed and dated in pencil in the lower margin. First state (of 2), before the removal of the inscription in the lowe...
Category

1920s Paper Landscape Prints

Materials

Handmade Paper, Etching

Fin de Journée
Located in Middletown, NY
Paris: Sagot, 1889. Wood engraving on cream laid Japon paper with full deckle edges, 8 3/8 x 5 3/4 (212 x 145 mm). Signed, numbered 9/35, and inscribed "1er Etat" in pencil in the l...
Category

Late 19th Century French School Paper Landscape Prints

Materials

Handmade Paper, Woodcut

Desert Crossing - large scale black and white photo of dramatic desert landscape
Located in San Francisco, CA
DESERT CROSSING by Frank Schott from a series of black and white photographs capturing the Golden State's vast desert landscapes 48 x 72 inches / 122cm x 183cm signed edition of...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment, Black and ...

Cemetery (from "Oil is History" Collection)(Classic Car, Graveyard, Vintage)
Located in Kansas City, MO
Louise Marler Cemetery (from "Oil is History" Collection)(Classic Car, Graveyard, Vintage) Archival Giclee Print 2007 Edition: 10 Image Size: 14.25 x 11.75 inches (36.19 x 29.84 cm) ...
Category

1970s Modern Paper Landscape Prints

Materials

Archival Paper, Wood, Giclée

Calming Sea Ripples in Blue, Hand Printed Nautical Blueprint, Mediterranean Life
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...
Category

2010s Abstract Geometric Paper Landscape Prints

Materials

Emulsion, Mixed Media, Watercolor, Photographic Paper, Monoprint, Monotype

Tim Southall, A Game of Chess, Contemporary Art, Affordable Art, Art Online
Located in Deddington, GB
Tim Southall A Game of Chess Limited Edition Screen print Edition of 75 Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece m...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Paper, Screen

La Grosse Horloge (Côté de la Fontaine) by C.H. Toussaint - 1880
Located in Middletown, NY
Rouen: Rouen Augé, 1880. Etching and engraving on Arches laid paper with a partial watermark, 9 3/4 x 6 1/4 inches (241 x 157 mm), full margins. In very good condition with an exper...
Category

Late 19th Century French School Paper Landscape Prints

Materials

Handmade Paper, Etching

Passaic Meadows (In the Newark Meadows)
Located in Middletown, NY
Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...
Category

Late 19th Century Realist Paper Landscape Prints

Materials

Laid Paper, Etching

Magnolia Night and Day Diptych (Two 8.5 x 11" hand-printed cyanotypes)
Located in Oakland, CA
These are two separate 11 x 8.5 inch (45 x 60 cm) hand-printed original cyanotype photographs sold sold together. They are the same image but one is printed from the negative and the...
Category

2010s Contemporary Paper Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Musicians Viewing the Full Moon , Large Japanese Color Woodblock Print, Biwa
By Ogyu Tensen
Located in Santa Cruz, CA
Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947) A large, early-20th-century, hand-colored Japanese woodblock sho...
Category

1920s Paper Landscape Prints

Materials

Paper, Fiberboard, Woodcut

Dripping Paint, Handmade Cyanotype Monotype on Watercolor Paper, Blue and White
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...
Category

2010s Modern Paper Landscape Prints

Materials

Paper, Monotype

Moulins de Hollande
Located in Middletown, NY
Etching on cream laid paper. 5 7/16x7 7/16 inches (137 x 188 mm). Scattered toning, age stain, and scattered minor defects consistent with age. Second state (of 3). [Delteil 14] Jo...
Category

19th Century Dutch School Paper Landscape Prints

Materials

Laid Paper, Etching

Christo and Jeanne-Claude, Art Postcard: The Pont Neuf Wrapped (Hand Signed)
Located in New York, NY
Christo and Jeanne-Claude Art Card: The Pont Neuf Wrapped (Hand Signed by Christo) Offset lithograph postcard Boldly signed in black marker Christo et Jeanne-Claude Provenance: gifte...
Category

1980s Pop Art Paper Landscape Prints

Materials

Postcard

Sign Of The Time - large scale photograph of conceptual motivational billboard
Located in San Francisco, CA
From a series of conceptual motivational roadside signs in iconic California landscapes, captured with a large format camera to allow epic scale print sizes with incredible image det...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment, Archival Ink

A Winter s Evening Wood Engraving, Smithsonian, Carnegie, Brooklyn Museum, AIC
Located in Santa Cruz, CA
Signed lower right, 'G. Mortensen' for Gordon Mortensen (American, born 1938) and dated 1979. Titled lower left, 'A Winter Afternoon' with number and ...
Category

1970s Paper Landscape Prints

Materials

Mulberry Paper, Engraving

Paris, The Pont Neuf , Post-Impressionist, Fernand Léger, Musée d Art Moderne
Located in Santa Cruz, CA
Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931). Signed lower right, 'Y. Ganne', inscribed lower left, 'Epreuve d' Artiste' (Artist's Proof) and cre...
Category

Mid-20th Century Paper Landscape Prints

Materials

Paper, Lithograph

Deckchairs on the Beach , Hand-Colored Screenprint
Located in Santa Cruz, CA
Signed lower right, 'Margie Dickson' (American, 20th century) and dated 1990; additionally inscribed lower center 'hand colored screen print' with number and limitation, '5/20' and t...
Category

1990s Paper Landscape Prints

Materials

Paper, Screen

Hand painted Proof-Gladiolus Common Blue-British Awarded Artist-English Cottage
Located in London, GB
"Gladiolus Common Blue" marks the latest project by Shizico Yi, a continuation of her renowned "Sunlit Series." Initiated in late spring 2023 and extending throughout the years where...
Category

2010s Abstract Expressionist Paper Landscape Prints

Materials

Gesso, Oil, Acrylic, Archival Paper

Unicorns Behind Bars
Located in New York, NY
ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...
Category

2010s Paper Landscape Prints

Materials

Photographic Paper

Shift Scape, Contemporary Architectural Composition, Minimal Geometric Lines
Located in AIX-EN-PROVENCE, FR
Medium : Archival pigment print on Archival Photographic paper 300Gsm. Artist : Fabien Granet Subject : Shift Scape II (Title) This contemporary artwork by Fabien Granet features a d...
Category

21st Century and Contemporary Contemporary Paper Landscape Prints

Materials

Photographic Paper, Archival Pigment

Paper landscape prints for sale on 1stDibs.

Find a wide variety of authentic Paper landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Frank Schott, Kind of Cyan, Addison Jones, and Clare Halifax. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper landscape prints, so small editions measuring 0.01 inches across are also available

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