Screen Landscape Prints

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

This striking print, designed by renowned artist Ena Swansea for the American Dance Festival in 1999, is a captivating piece that embodies the dynamic energy and grace of dance. The ...

Max Epstein, Canadian (1932 - 2002) - Misty, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 70, Image Size: 17 x 18 inches, Size: 18.5 in. x 19 in. (46...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as repor...

An abstract black and white shadowbox drawing of a Greek column, with a unique handmade, hand printed, leather brown wood grain frame. According to Roberta Smith, Michael Hurson "......

This exquisite silkscreen by Faith Ringgold (1930–2024), titled Montgomery Bus Boycott, from the folio Letter from Birmingham City Jail, originates from the 2007 edition published by...

Kay Ameche, American (1904 - 2005) - Spring Fever, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Size: 22 in. x 26 in. (55.88 cm x 66.04 cm...

London Bestiary by Mychael Barratt Limited Edition Etching: Edition of 100 Image Size: H 66m x W 99.7cm Complete size of Sheet: H 76.9cm x W 112.1cm x D 0.1cm Signed and titled Sold ...

Life's a Beach Screen print, 1980's Signed lower right (see photo) Mr. Holch’s formal art training began at Trinity-Pawling School where he won their first annual art award. He conti...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 7 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition Size: 65, AP 5 Size: 33.5 x 31 in. (85...

Over the course of his career, John Grillo showed in 85 one-man and over 100 group exhibitions. One of the most influential of the San Francisco school...

Butterfly blossom by Anne Storno Limited edition print and hand signed by the artist Screenprint on paper Images Size: H:52 cm x W:40 cm Complete size of unframed work: H:52cm x L:40cm x D:0.1cm Sold unframed Please note that the insitu images are purely an indication of how a piece may look. I have always believed that butterflies are magical and that if one lands on you, you can make a wish! So delicate and beautiful, I adore them. They effortlessly glide from flower to flower embracing their opportunity for freedom and change. Signifying sunshine and beauty, butterflies are everywhere in our culture. Often people say how butterflies are inspiring and that they can motivate one to change for the better. Maybe it’s their stunning beauty, or the fact that through metamorphosis they inspire change in a short period. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Spring Landscape with Round Clouds - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) A grove of tre...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Orient Point. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 21 x 34 inches, Size: 30...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

A classic Rosenquist pop art composition with gold, turquoise, purple, pink, blue, green and yellow. Characteristically surreal and graphic, Rainbow incorporates bold geometric forms with painterly washes of color and airbrush texture. Rosenquist's signature gleaming metallic chrome texture can be seen on an inverted fork behind the glass of a golden window. Paper 25.25 x 30.25 in. / 64 x 77 cm Image 17 x 21.5 in. / 43 x 54.5 cm Lithograph with screenprint on cream-coloured Hodgkinson handmade Wookey Hole paper. Edition of 75 with 8 color trial proofs: this impression 8/8. Signed and dated 1972 lower right in pencil; titled, numbered 8/8 and labeled Color Trial Proof lower left in pencil. This graphic, colorful scene is based on Rosenquist’s 1962 oil painting of the same name, collected in the Museum Ludwig in Cologne. The artist used real glass and wood to construct windows for the original painting – here, house siding is abstracted to bold, black horizontal lines, and the window glass is printed in dark gold ink. At the top of the composition, a window with shutters pushed open is colored in turquoise, with sharp black shadows. The left-hand window pane is shattered, and to the right, the outline of an oversized...

Bauhaus by Mychael Barratt [2022] limited_edition and hand signed by the artist Silkscreen print on paper Edition number 20 Image size: H:22 cm x W:22 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Bauhaus is a limited edition hand made print by artist Mychael Barratt. As part of his series of artist's pets this print features a sausage dog running up the stairs inside the Bauhaus with its brutalist architecture. Inspired by a Oskar Schlemmers 1931 stairs painting...

Tim Southall Snow on the Hill Limited Edition Screen print Edition of 50 Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece ...

A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Radda Milton Glaser, American (1929...

Artist: Gene Davis (1920-1985) Title: Lilac Year: 1980 Medium: Silkscreen on Arches paper Edition: 247/250, plus proofs Size: 22.5 x 28.5 inches Condition: Good Inscription: Signed a...

Thomas Pradzynski 1951–2007 Internationally renowned Modern Realist, Thomas Pradzynski painted street scenes of cities throughout the world, but was inspired and captured the mood, t...

Max Epstein, Canadian (1932 - 2002) - Fishing Hole, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 35 i...

Titled in lower left corner ("Coast July No. 2") Numbered lower center ("9/23") Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63") Presented in a cream colored mat with foamcore backing. Mat size: 24"H x 28"W Paper size: 20"H x 26"W Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Homage to Thoreau. Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Image Size: 19.5 x 25 inches, Size: 27 ...

Max Epstein, Canadian (1932 - 2002) - Old MacDonald's Farm, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 53, Image Size: 17 x 18 inches, Size: 19 in....

Medium: Serigraphy (Silkscreen Printing). These are the original high quality serigraphs produced in partnership with Disney first released at D23. Edition: Varying Edition Sizes ba...

Max Epstein, Canadian (1932 - 2002) - Old Stone Bridge, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Size: 30 x 44 in. (76.2 x 111.76 cm)

Max Epstein, Canadian (1932 - 2002) - Big Foot Country, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 50, Image Size: 13 x 20 inches, Size: 15 in. x 2...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...

Frank Sinatra IV by David Studwell. Hand pulled screen print of music icon Frank Sinatra. 58x36cm Edition of 30 Signed by the artist

Artist: Robert Rauschenberg (1925-2008) Title: Human Rights 1981 Year: 1981 Medium: Silkscreen and lithograph on wove paper Edition: 41/100, plus proofs Size: 31 x 23 inches Conditio...

Medium: Screenprint Year: 2021 Image Size: 11 x 18 inches Edition of 25 After over-exploitation led to a collapse in the green turtle population, the area is now used by conservatio...

Marion McClanahan, American (1921 - 1993) - Purple Cloud, 21 Aps, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: AP 50, Image Size: 22.5 x 30 inches, Si...

Artist: Charles Magistro Title: Valley Hose Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300 Paper Size: 30 x 35 inches

Kay Ameche, American (1904 - 2005) - Walden Pond in Winter, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 17 x 21 inches, Size:...

Max Epstein, Canadian (1932 - 2002) - Autumn Leaves, Year: 1980, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 99, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Clare Halifax has hand printed an 8 colour screen print depicting the Golden Gate Bridge in San Francisco, California. Printed onto Somerset Satin Paper 300gms with deckle edge. The ...

"Door County Wisconsin" is an original silkscreen by Schomer Lichtner. The artist signed the piece lower right in pencil and in the screen. This piece feat...

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

Tomas Sanchez El Testigo, 2025 UV pigment print 27 x 22 in Ed. 153 of 425

Artist: Dale Chihuly (1941) Title: Basket Series Year: 2013 Medium: Intaglio and acrylic on Waterford paper Edition: 143/160 Size: 37 x 25 inches Inscription: Signed and numbered by ...

Artist: Thomas McKnight (American, 1941-) Title: "Maidstone" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white S...

Jack Hofflander, American (1920 - 2003) - Country Balloon Fair, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, S...

Jack Hofflander, American (1920 - 2003) - Spring Balloons, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: ...

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...

Artist: Donald Sultan Title: Mimosa with Red Year: 2021 Medium: Silkscreen with enamel inks, flocking, and tarlike texture on Rising 4-ply Museum Board Sheet: 42 x 84 inches (106.7 ...

Barbican Piano Pond by Claire Halifax Limited edition print and hand signed by the artist Screen Print on Paper Image size: H:22cm x W:55cm Complete size of unframed work: H:22cm x W:55cm x D:0.1cm Sold unframed Please note that insitu images are purely an indication of how a piece may look Barbican Piano Pond is a limited edition Screen Print by artist Claire Halifax, featuring koi fish in a tiled mosaic pond at the Barbican, London. Claire resides in London and in this particular print you can see her uniques experience and perspective of London pushing through as she narrows into a view of fishes moving around a decorative pond. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

Edition Details: Year: 2021 Class: Art Print Status: Official Numbered Run: 73/150 Technique: Screen Print Paper: Thick Cream Speckletone Size: 24 X 18 Markings: Numbered "Shepard F...

Year: 2020 Designer: Rob Corradetti (Killer Acid) Technique: Screen Print Colors: 7 Size: 18" x 24" (45.72 x 60.96 cm) Quantity: Limited edition of 1000 prints Paper: Neenah Stardream Onyx Pearlescent Stock Markings: Each print is personally signed and numbered by the artist. Dive into the mesmerizing world of Variant with this exclusive GID Edition band poster...

Ski paradise by Anne Storno [2021] limited_edition and hand signed by the artist Screenprinting Edition number 30 Image size: H:58 cm x W:40 cm Complete Size of Unframed Work: H:70 ...

Biagio Civale, Italian/American (1936 - ) - Two Masts, Year: 1984, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 121/250, Size: 20 x 26 in. (50.8 x 66.04 cm)

Biagio Civale, Italian/American (1936 - ) - Under the Snow, Year: 1989, Medium: Screenprint, signed in pencil, Size: 13 x 15 in. (33.02 x 38.1 cm)

This screenprint was created by New York-born artist Saul Chase (b. 1945). The beauty of Chase's work arises out of the inherent contradiction between his subject and the rendering. ...

The sublime, or the amalgamation of the terrifying and the awe-inspiring, is encapsulated by the crashing wave that dominates this surrealist landscape. Artist: Clarence Holbrook Ca...

Bill Schenck Waco Serigraph 7/58 1981 Hand signed, date and numbered by Schenck in pencil. 25.75 inches H. x 25 inches W. 'Waco' is classic early example...

Peter Kalen - West Hill, Year: 1968, Medium: Screenprint on thin wove paper, signed, titled and numbered in pencil, Edition: 2/15, Image Size: 15 x 11 inches, Size: 16.75 x 12 in. (...