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Maurice de Vlaminck, Bouquet of Flowers, The Painters My Friends, 1965 (after)
1965

$1,196

$1,49520% Off

£915.16

£1,143.9520% Off

€1,047.41

€1,309.2720% Off

CA$1,689.07

CA$2,111.3320% Off

A$1,835.73

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CHF 983.78

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MX$22,288.97

MX$27,861.2220% Off

NOK 12,350.78

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SEK 11,453.47

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DKK 7,822.89

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About the Item

This exquisite woodcut after Maurice de Vlaminck (1876–1958), titled Bouquet de fleurs (Bouquet of Flowers), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition published by Editions d'art Les Heures Claires, Paris, and printed by Atelier Raymond Jacquet, Paris, May 20, 1965. Bouquet de fleurs (Bouquet of Flowers) captures Vlaminck’s instinctive power and emotional intensity, translating his Fauvist energy into a sculptural play of line and texture. The image radiates vitality and spontaneity, embodying the artist’s lifelong devotion to nature’s raw expressive force and his pursuit of emotional truth through form and color. Executed as a woodcut on grand velin d'Arches paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the exceptional standards of Editions d'art Les Heures Claires, Paris, and the master craftsmanship of Atelier Raymond Jacquet, Paris. Artwork Details: Artist: After Maurice de Vlaminck (1876–1958) Title: Bouquet de fleurs (Bouquet of Flowers), from the folio Les Peintres mes amis (The Painters My Friends), 1965 Medium: Woodcut on grand velin d'Arches paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Editions d'art Les Heures Claires, Paris Printer: Atelier Raymond Jacquet, Paris Catalogue raisonne reference: Monod, Luc. Manuel de l’amateur de livres illustrés modernes, 1875–1975. Ides et Calendes, 1992, illustration 11485. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Peintres mes amis (The Painters My Friends), published by Editions d'art Les Heures Claires, Paris; printed by Atelier Raymond Jacquet, Paris, May 20, 1965 Notes: Excerpted from the folio (translated from the folio), The lithographs by Derain and Van Dongen were printed by Lucien Detruit. Those by Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavailles, Terechkovitch, and Carzou were printed by Mourlot Freres. Those by Picasso and Buffet were printed by P.-J. Ballon. The lithograph by Miro was printed in the workshop Arte, which also printed, in phototype, the frontispiece. The etchings by Villon and Zadkine were printed by Manuel Robbe. That by Braque was printed by A. and P. Crommelynck. The wood engravings and printing of the illustrations by Vlaminck, Rouault, Pascin, and Utrillo were done by Raymond Jacquet. The texts by Andre Warnod, collected by his daughter Jeanine Warnod, were hand-set in De Roos type, size 24, and printed in Paris on the presses of Daragnes. Printing completed on May 20, 1965. Justification of the edition, III examples on large velin d'Arches containing the original copper plates inked for one intaglio illustration; a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; a color separation of one lithograph; and a complete suite of the illustrations on Arches—numbered I to III. XVI examples on large velin d'Arches containing a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; a color separation of one lithograph; and a complete suite of the illustrations on Arches—numbered IV to XIX. XXI examples on large velin d'Arches containing a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; and a complete suite of the illustrations on Arches—numbered XX to XL. XL examples on large velin d'Arches containing a complete suite of the illustrations on Arches—numbered XLI to LXXX. CLXX examples on large velin d'Arches—numbered LXXXI to CCL. About the Publication: The folio Les Peintres mes amis (The Painters My Friends), published in Paris in 1965 by Editions d'art Les Heures Claires, stands among the most ambitious postwar French printmaking collaborations. Conceived as a celebration of modern art’s greatest masters, the volume unites original graphic works by Vlaminck, Matisse, Picasso, Chagall, Braque, Villon, Derain, Zadkine, Miro, and others, alongside critical essays by Andre Warnod. Each plate was executed under the supervision of Paris’s foremost ateliers—Mourlot Freres, Lucien Detruit, P.-J. Ballon, Manuel Robbe, and Raymond Jacquet—representing the finest techniques of lithography, etching, and woodcut. This luxurious folio exemplifies the artistry and craftsmanship of mid-20th-century French printing, merging text, image, and handcraft into a unified artistic statement. A triumph of the livre d’artiste tradition, it remains a vital record of the enduring creative dialogue between the painters, printers, and publishers who defined the visual culture of their time. About the Artist: Maurice de Vlaminck (1876–1958) was a revolutionary French painter and writer whose fearless use of color, movement, and emotion helped define Fauvism and shape the course of modern art. A self-taught visionary, Vlaminck co-founded the Fauvist movement alongside Henri Matisse and Andre Derain, introducing a radical style marked by explosive color, expressive brushwork, and a complete break from academic tradition. Deeply influenced by Vincent van Gogh’s impassioned technique and Paul Cezanne’s structural discipline, he fused raw energy with compositional rigor to create landscapes and still lifes that vibrate with emotional power. His early works—painted in the “Cradle of Fauvism” at Chatou—ignited the Parisian avant-garde, earning him a reputation as one of the most instinctive and daring artists of his generation. Unlike his contemporaries Pablo Picasso, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who explored abstraction, surrealism, and conceptual experimentation, Vlaminck remained devoted to direct, visceral expression, using paint as a vehicle for pure emotion. His art evolved from the blazing chromatic intensity of Fauvism to a more somber, structured lyricism that bridged the gap between Expressionism and modern realism. Vlaminck’s bold gestural style and instinctive approach influenced generations of artists, from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning, and Anselm Kiefer, all of whom drew inspiration from his authenticity and defiance of convention. His landscapes and village scenes—rendered with thick impasto, turbulent skies, and luminous contrasts—capture the enduring vitality of rural France and the tension between chaos and serenity. Vlaminck’s work is represented in major museums worldwide, including the Centre Pompidou, Musee d’Orsay, Metropolitan Museum of Art, and Tate, where it continues to resonate for its emotional immediacy and masterful handling of color and form. Standing alongside innovators such as Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Vlaminck remains one of the defining forces of 20th-century modernism. The highest auction record for Maurice de Vlaminck was achieved by Paysage de banlieue (circa 1905), which sold for $22,482,500 USD at Christie’s, New York, on May 8, 2011, reaffirming his legacy as one of the most influential and collectible painters in modern art history. Maurice de Vlaminck Bouquet de fleurs (Bouquet of Flowers), Vlaminck Les Peintres mes amis (The Painters My Friends), Vlaminck Les Heures Claires, Vlaminck Raymond Jacquet, Vlaminck grand velin d'Arches, Vlaminck collectible print.

Creation Year:
1965
Dimensions:
Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
Medium:
Lithograph
Movement Style:
Modern
After:
Maurice de Vlaminck (1876-1958, French)
Period:
1960-1969
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465215295682

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