Late 20th Century Landscape Prints

This exquisite lithograph by Marino Marini (1901–1980), titled Miracolo (Miracle), from the album XXe Siecle, Nouvelle serie, XXXII Annee No. 35, Decembre 1970, originates from the 1...

Lithograph hand colored realized by Franco Marzilli. Edition of 80/99. Hand signed and numbered in pencil. Good condition with slightly diffuse foxing.

Limited Edition Lithograph, EA. 19 x 12.5 inches with border. Signed by Artist. Good Condition-shows signs of wear due to age and handling.

Original Continental Airlines travel poster. Linen backed in fine condition. Signed and numbered 35/50. This original Continental Airlines poster is an artistic representation of regional destinations prominently served by Continental Airlines in the past. The design is modern and bold, showcasing a unique black-and-white theme with strong, futuristic typography and graphical illustrations. Each city is creatively depicted using stylized imagery that resonates with its character—Oklahoma City features a cowboy motif, New Orleans embraces a jazzy, cultural essence, Dallas reflects the energy of movement, and Midland/Odessa highlights industrial and oil-centric themes. This limited-edition poster is printed in black and white. It features the destinations of Hawaii, San Francisco, Albuquerque and Portland Above each name is a design that represents each destination city. Hawaii has rows of palm trees and hula dancers. San Francisco has rolling hills and cable cars. Albuquerque has tribal Indians dancing. Portland has the cruise shipping. This image features the Saul Bass l967 Continental logo in the design. Continental Airlines was a major United States airline founded in 1934 and eventually headquartered in Houston, Texas. The airline was acquired by UAL Corporation, the parent company of United Airlines, on October 1, 2010. This is an original vintage Continental Airlines poster...

Artist - John Lutes (1926-2001) Title - Cay Runner Medium - Lithograph Year Published - 1980 Print Size - 29 x 22 in. Printer - J K Fine Art Editions Co., NY Cay Runner is an original hand drawn, limited edition lithograph, (not a photographically reproduced or digital print) by the American artist John D. Lutes created using traditional hand lithography techniques, proofed and printed in multiple colors on archival Arches paper 100% acid free. Cay Runner depicts a very detailed realistic rendition of a runner boat in still water, a solid light khaki grey sky serving as the backdrop for this quiet marine boat portrait. This is a rare limited edition lithograph by Mr. Lutes not often seen on the marketplace. Cay Runner is in excellent condition, unframed, pencil signed by John Lutes. Print size - 30 x 22 inches, unframed, excellent condition, hand signed in pencil by John Lutes Edition size - 300, plus proofs Year published - 1980 Printer - J K Fine Art Editions Co. NY John D. Lutes, born 1926 in Chicago, died 2001...

Artist: Walasse Ting (1929-2010) Title: Lucky Grasshoppers Year: 1981 Edition: 155/200 Medium: Lithograph on Waterford paper Size: 21.75 x 29.5 inches Inscription: Signed and numbere...

Duane Bryers, American (1911 - 2012) - His Family, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 14.5 x 22.5 in., Size: 21.5 in. ...

An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Sting Like a Bee Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil ...

This artwork Busy Street, Vienna" c. 1970 is a color etching by noted Austrian artist Robert Kasimir, 1914-2002. It is signed at the lower center in penci...

Original Les Vignobles de France - Cote du Rhone vintage wine map poster. Horizontal. Size 36.5" x 27". Archival linen backed and ready to fram...

Louisa Chase’s paintings are romantic in tone, alluding to the power of nature while serving as pictorial metaphors for her own state of mind. Drawing on her distinctive brand of Neo...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le Port, Amerique (The Port, America), originates from the 1970 folio Fernand Leger mes voyages avec un poeme d'arag...

Camille HILAIRE Torrent in the Woods Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

SOUVENIRS is an original, hand drawn stone lithograph by the French artist Andrée Bordeaux Le Pecq(1910-1973) printed using hand lithography techniques on archival printmaking paper ...

Etching realized by Franco Marzilli.  Hand signed and unnumbered. Artist proof. Very Good condition.

Etching hand colored realized by Franco Marzilli.  Hand signed and unnumbered. Very Good condition. This delicate etching by Italian artist Franco Marzilli captures the lyricism o...

Urbain HUCHET Paris : Alexandre III Bridge, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 15 x 18 cm (c. 6 x 7 in) Excellen...

This is the LAST one of this iconic landmark - the Rockefeller Center in winter! From a series of limited edition (of 175) - now sold out - of original etchings of New York City - fr...

Original Ski Western Airlines vintage travel and skiing poster. Professional archival acid-free linen backed in very good condition, ready to frame. Artist: Don Weller. Capt...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...

This exquisite collotype after Max Ernst (1891–1976), titled L’Evade (The Fugitive), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edition ...

Robert Petersen The Clocktower Exhibition (Hand signed and inscribed), 1979 Offset lithograph poster (hand signed and warmly inscribed) Warmly signed and inscribed "For Marilyn Love ...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Wolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed ...

Suhas Roy - Landscape AP - 19/12 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : He is one of the biggest and the most enduring names in the genre of Indian...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite lithograph after Richard Lindner (1901–1978), titled Rear Window, from the album XXe siecle, Nouvelle serie, XLIe Annee, No. 53, Hommage a Richard Lindner, originates ...

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

This exquisite lithograph after Kees van Dongen (1877–1968), titled La Matchiche (La Matchiche), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates fr...

Medium: Etching Edition of 100 Year: 1971 ImageSize: 16 x 11.5 inches Signed, titled and numbered etching from the edition of 100. An humorous look at Adam and Eve surrounded by ani...

This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Untitled #2, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 27 in. x ...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Artist: Michel Delacroix (1933) Title: La Sortie du Chenil Year: 1988 Edition: LXXVII/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon pap...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

Artist: Richard Haas, American (1936 - ) Title: Manhattan View from Governor's Island (Color) Year: 1999 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 85 ...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Ed Ruscha Nine Swimming Pools and a Broken Glass (HAND SIGNED), 1976 Limited Edition Artist's Book Boldly signed by Ed Ruscha on the first front end page 7 × 5 1/2 inches This is the...

Artist: Albrecht Steinert (German, 1925-?) Title: "Ettal Abbey" *Signed and dated by Steinert in pencil lower right Year: 1984 Medium: Original Etching on unbranded heavy white wove ...

Nicolas de Staël (after) Paris : Seine River with Eiffel Tower Stone lithograph after a painting Printed in Mourlot workshop On Arches vellum 50 x 65 cm (c. 20 x 26 inch) Excellent...

This exquisite lithograph by Paul Wunderlich (1927–2010), titled Frau mit Lorbeer (Woman with Laurel), from the album XXe Siecle, Nouvelle serie, XXXIXe Annee, No. 48, originates fro...

This exquisite collotype after Max Ernst (1891–1976), titled Petites tables autour de la terre (Little Tables Around the Earth), from the album Max Ernst, Histoire Naturelle (Natural...

John Baeder Berkshire Diner - 1980 Print - Serigraph on Somerset paper Paper Size - 30'' x 22'' in. Edition: Signed in pencil and marked from the edition of 250 John Baeder's calcula...

An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Guiding Light Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil Edi...

Desert Bracelet ( Essence of time ) is a signed limited edition ( 58 /250 ) lithograph from the TIME suite by Salvador Dali. Published by Levine and Levine, NY, 1977. The su...

James Hagen 'Windy Waters" Original Serigraph C.1984 Serigraph dimensions 13" wide x 16" high Frame dimensions 23.5" wide x 27.5" high Very good conditi...

Artist: Michel Delacroix (1933) Title: Le Rendezvous Year: 1988 Edition: CXXXVI/CL; 150 Arabic Numerals on Rives paper, 150 Roman Numerals on Japon paper, and 25 APs on Rives paper M...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph IX, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, N...

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der wiedergefundene Frieden (The Peace Restored), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Ger...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Fest (The Celebration), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Daco-Verlag Gunter Blase, Stuttgart, and printed by Lichtdruck AG, Zurich, Dielsdorf, September 1989. This authorized edition, issued under the direction of Vava Chagall, presents one of Chagall’s most joyful and expressive interpretations of Homer’s epic. In Das Fest, Chagall transforms the revelry of ancient feasts into a luminous vision of human connection, music, and harmony, rendered with his signature lyricism and dreamlike color palette. Executed on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper, this lithograph measures 14.88 x 11.69 inches. Unsigned and unnumbered, as issued. The edition exemplifies the exceptional quality and precision of Lichtdruck AG’s craftsmanship, reproducing the depth and richness of Chagall’s original lithographs with remarkable fidelity. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Das Fest (The Celebration), from Homer, Die Odyssee (The Odyssey), 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Dimensions: 14.88 x 11.69 inches Inscription: Unsigned and unnumbered, as issued Date: 1989 Publisher: Daco-Verlag Gunter Blase, Stuttgart Printer: Lichtdruck AG, Zurich, Dielsdorf Condition: Well preserved, consistent with age and medium Provenance: From the folio Homer, Die Odyssee (The Odyssey), Daco-Verlag Gunter Blase, Stuttgart, 1989 Notes: Excerpted from the folio (translated from German), Imprint—The French edition, L'Odyssée, with the original lithographs by Marc Chagall was published in 1974/75 in a CCL-example edition by Fernand Mourlot, Paris. In 1989, with the authorization of Mrs. Vava Chagall, the German-language edition of the Odyssey in two volumes was published by Daco-Verlag Gunter Blase, Stuttgart. Volume I contains the songs I - XII with XX color plates, including IV on double pages and XIX gray printed reproductions in the text. Volume II contains the songs XIII - XXIV with XXIII color plates, including II on double pages and XX gray printed reproductions in the text. For the German text, the prose translation by Wolfgang Schadewaldt was chosen with the permission of Rowohlt Taschenbuch Verlag, Reinbek near Hamburg. Set design in the Berthold Garamond Antiqua by F+M Bauer...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus und Penelope (Odysseus and Penelope), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Blutbad der Freier (The Slaughter of the Suitors), from Homer, Die Odyssee (The Odyssey), originates from the 198...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der Bogen des Odysseus (The Bow of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-...