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Mid-20th Century Landscape Prints

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Period: Mid-20th Century
Saul Steinberg, Composition, L édition de tête (after)
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré a Steinb...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Braque Mid-20th Century Unsigned Lithograph of Boat on Brittany Shore
Located in Brooklyn, NY
The limited edition lithograph Boat on a Shore in Brittany by Georges Braque is a significant piece for collectors and art enthusiasts. Printed by ARTE in Paris, this lithograph offe...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

State Street, Columbia , California, San Francisco Museum of Modern Art, ASL
Located in Santa Cruz, CA
Signed lower right, 'Charles Surendorf' for Charles Frederick Surendorf (American, 1906-1979), titled lower left, 'State Street, Columbia' and created circa 1960. (Framed Size: 18 x ...
Category

Mid-20th Century Landscape Prints

Materials

Paper, Woodcut

Maurice de Vlaminck, Portrait of the Artist, from Vlaminck, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...
Category

Fauvist Mid-20th Century Landscape Prints

Materials

Lithograph

Jean Cocteau, Untitled, from The White Book, 1930
Located in Southampton, NY
This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau), originates from the 1930 edition published by Editions du Signe, Paris, printed by Maitres-Imprimeurs, Ducros et Colas, Paris, and hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930. The work reflects Cocteaus mastery of linear elegance and psychological nuance, distilling intimacy, vulnerability, and symbolic clarity into a composition that occupies a pivotal place in early twentieth-century modernism and queer cultural history. Executed as a lithograph and pochoir with hand coloring on velin d'Arches paper, this work measures 11.81 x 9.06 inches. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Ducros and Colas, Maitres-Imprimeurs, and the exceptional hand-coloring attributed to Cocteau himself. ARTWORK DETAILS Artist: After Jean Cocteau (1889–1963) Title: Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau) Year: 1930 Medium: Lithograph and pochoir with hand coloring on velin d'Arches paper Size: 11.81 x 9.06 inches Inscription: Unsigned and unnumbered, as issued Publisher: Editions du Signe, Paris Printer: Maitres-Imprimeurs, Ducros et Colas, Paris Catalogue Raisonne References: Bezit, Emmanuel. Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Gründ, 1976, vol. 3, p. 744. Carteret, Leon. Le Tresor du Bibliophile: Livres Illustres Modernes, 1875–1945. Editions Carteret, 1958, vol. 5, p. 51. van der Veen, H. In Liefde Verzameld: Homoseksualiteit en de Nederlandse Literatuur. De Buitenkant, 1992, no. 136. Monod, Luc. Manuel de Lamateur de Livres Illustres Modernes: 1875–1975. Ides & Calendes, 1992, no. 2912. Condition: Well preserved, consistent with age and medium Provenance: From the album Le Livre blanc, published by Editions du Signe, Paris; printed by Ducros et Colas, Paris; hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930 NOTES Excerpted from the album (translated from French), This album, whose plates have been entirely colored by hand by M.B. Armington, an artist-painter, was completed to print on May 10, 1930, by Ducros and Colas, Maitres-Imprimeurs in Paris. The draw has been limited to: XVIII examples on japon nacre, each containing one of the XVIII original drawings and a suite on Hollande, numbered from I to XVIII; VI examples, H.C., marked from A to F; XVIII examples on japon imperial, numbered from XIX to XXXVI; VI examples, H.C., marked from G to L; CCCLXXX examples on velin d'Arches, numbered from XXXVII to CDXVI; XXII examples, H.C., marked from A to V. ABOUT THE PUBLICATION Le Livre blanc (The White Book), published in 1930 by Editions du Signe with plates printed by Ducros et Colas and hand colored by the enigmatic M.B. Armington (likely Cocteau himself), occupies a singular and foundational place in the history of LGBTQ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph, Stencil

Henri de Toulouse-Lautrec, Invitation to a Glass of Milk, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Invitation a un verre de lait (Invitation to a Glass of Milk), originates from the 1966 folio Derriere l...
Category

Post-Impressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Jean Cocteau, Manoletina, from Bulls, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Jean Cocteau (1889–1963), titled Manoletina (Manoletina), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau),...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Mark Tobey, Composition in Blue-Gray, Mrs. T., Painters of Today, 1961 (after)
Located in Southampton, NY
This exquisite heliogravure after Mark Tobey (1890–1976), titled Composition en bleu-gris (Mme T.) (Composition in Blue-Gray [Mrs. T.]), from the folio Mark Tobey, Peintres d'aujourd...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Sonia Delaunay, Plate No. 8, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 8 (Plate No. 8), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...
Category

Modern Mid-20th Century Landscape Prints

Materials

Stencil

Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Located in Soquel, CA
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...
Category

Impressionist Mid-20th Century Landscape Prints

Materials

Paper, Ink, Drypoint

Marc Chagall, Tribe of Levi, from The Jerusalem Windows, 1962 (after)
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Levi, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andr...
Category

Expressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Les animaux malades de la peste, Léonard Tsugouharu Foujita (藤田 嗣治)
Located in Southampton, NY
Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...
Category

Modern Mid-20th Century Landscape Prints

Materials

Woodcut

Brunelleschi, Sans titre, La Leçon d amour dans un parc (after)
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph, Stencil

Andre Derain, The Dinner, from Verve, Revue Artistique et Litteraire, 1940
Located in Southampton, NY
This exquisite lithograph by Andre Derain (1880–1954), titled Le Diner (The Dinner), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publis...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Cavendish Church
Located in Middletown, NY
Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle (likely English 19th century), 9 1/2...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Handmade Paper, Etching

Gauguin, The Creation of the Universe (L Univers est créé), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

Post-Impressionist Mid-20th Century Landscape Prints

Materials

Woodcut

Andre Lanskoy, Object Without Shadow, from Painters of Today, 1960 (after)
Located in Southampton, NY
This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Objet sans ombre (Object Without Shadow), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Pai...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Hans Hartung, L-64-21, from XXe Siecle, 1964
Located in Southampton, NY
This exquisite lithograph by Hans Hartung (1904–1989), titled L-64-21, from the album XXe Siecle, Nouvelle serie, XXVIe Annee N°24, Decembre 1964, originates from the 1964 edition pu...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Maria Helena Vieira da Silva, Noon, from Painters of Today, 1960 (after)
Located in Southampton, NY
This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Midi (Noon), from the folio Vieira da Silva, Peintres d'aujourd'hui ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Cavendish Church
Located in Middletown, NY
Etching on bluish-grey, thin laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm), full margins. Signed, dated and numbered "II." In very good condition with three pin-point sized dots of...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Stranger in England, St. Lawrence, West Wycombe, Buckinghamshire
Located in Middletown, NY
Etching on cream wove paper, 5 9/16 x 2 3/4 inches (142 x 70 mm), full margins. Signed, titled, numbered "III," and inscribed in pencil by the artist in the lower margin, recto. In v...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Handmade Paper, Etching

Eglise Notre Dame, Les Andelys
Located in Middletown, NY
Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Handmade Paper, Etching

Jean Carzou, The Woman with the Golden Thread, The Painters My Friends, 1965
Located in Southampton, NY
This exquisite lithograph by Jean Carzou (1907–2000), titled La Femme au Fil d’Or (The Woman with the Golden Thread), from the folio Les Peintres mes amis (The Painters My Friends), ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Bonnard, L´Enfant a la lampe, Bonnard Lithographe (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 7.87 x 10.63 inches Inscription: Unsigned and unnumbered, as issued No...
Category

Post-Impressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Marcel Gromaire, Flemish Interior, from Verve, Revue Artistique, 1953
Located in Southampton, NY
This exquisite lithograph by Marcel Gromaire (1892–1971), titled Interieur Flamand (Flemish Interior), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates fro...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

The Church of St. Francis and the Natizone; Cividale
Located in Middletown, NY
1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Marcel Duchamp, Monte Carlo Bond, from XXe siecle, 1939
Located in Southampton, NY
This exquisite lithograph by Marcel Duchamp (1887–1968), titled Bond de Monte-Carlo (Monte Carlo Bond), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur ...
Category

Dada Mid-20th Century Landscape Prints

Materials

Lithograph

Rodez; The Tower of Notre Dame
Located in Middletown, NY
Etching on antique wove Catalunya-Spain watermarked paper, 12 x 5 inches (305 x 127 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with light ton...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Handmade Paper, Etching

Henri Matisse, Creole Dancer, from Verve, Revue Artistique, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. Danseuse Créole celebrates Matisse’s mastery of rhythm and movement through his iconic cut-out technique, transforming color and form into pure visual music. The composition captures a dancer in motion—her form abstracted into vibrant, flowing shapes that express both energy and grace. Evoking the sensuality and vitality of dance, this work embodies Matisse’s lifelong quest to unite color, joy, and human expression in perfect harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the coloristic richness and compositional rhythm of Matisse’s late paper cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Danseuse Créole, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Leonor Fini, Untitled, from Parallelement, 1969
Located in Southampton, NY
This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Gloucester Harbor — Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category

American Realist Mid-20th Century Landscape Prints

Materials

Drypoint

Taos - Relic of the Insurrection of 1845 — Southwest Regionalism
Located in Myrtle Beach, SC
Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 1 15/16 inches). Very pale light toning within a previous mat opening, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 5/8 x 15 1/2 inches (296 x 394 mm); sheet size 15 1/8 x 19 inches (384 x 483 mm). ABOUT THE IMAGE The Taos Revolt was a populist insurrection in January 1847 by Hispano and Pueblo allies against the United States occupation of present-day northern New Mexico during the Mexican–American War. The rebels killed provisional governor Charles Bent and several other Americans. In two short campaigns, United States troops and militia crushed the rebellion of the Hispano and Pueblo people. The New Mexicans, seeking better representation, regrouped and fought three more engagements, but after being defeated, they abandoned open warfare. The hatred of New Mexicans for the occupying American army, combined with the rebelliousness of Taos residents against imposed outside authority, were causes of the revolt. In the uprising's aftermath, the Americans executed at least 28 rebels. The Treaty of Guadalupe Hidalgo in 1850 guaranteed the property rights of New Mexico's Hispanic and American Indian residents. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Original La Bretagne Pittoresque Lannion, Chemins de Fer vintage poster on linen
Located in Spokane, WA
Original c. 1930 "La Bretagne Pittoresque Lannion" Vintage French Travel Poster – Rare Art Deco France Wall Décor. Archivally linen-backed and in B+ to A- condition. There was a tear...
Category

Art Deco Mid-20th Century Landscape Prints

Materials

Lithograph

Litografia sobre papel - Casas junto al mediterráneo - Tiraje: 12/250
Located in Sant Celoni, ES
Firmada a lápiz por el artista en la parte inferior y con tiraje 12/250 En buen estado de conservación, solo con algunos leves puntos de óxido por el paso de los años Sin enmarcar ...
Category

Impressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Hans Jean Arp, Untitled, from XXe Siecle, 1958
Located in Southampton, NY
This exquisite lithograph and pochoir by Hans Jean Arp (1886–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 11 (double), Noel 1958, originates fr...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Jean Cocteau, Bull of Persepolis, from Bulls, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Jean Cocteau (1889–1963), titled Taureau de Persepolis (Bull of Persepolis), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Original HISWA RAI - Gebouw Amsterdam Boat Show vintage poster
Located in Spokane, WA
Original HISWA RAI-Gebouw, Amsterdam vintage sports poster. Also referred to as: HISWA Amsterdam Boat Show. The last boat show was in March 2020, and this iconic event is not be...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Precious Stones; Église Notre Dame - Les Andelys
Located in Middletown, NY
A signed impression from the artist's own collection. Kansas City: Miniature Print Society, 1946. Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...
Category

American Modern Mid-20th Century Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Pierre-Auguste Renoir, Mother and Children, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Mere et enfants (Mother and Children), from the album Les Lithographies de Renoir (The Lithographs of Renoir...
Category

Impressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Henri Matisse, The Snail, from Verve, Revue Artistique, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled L’Escargot (The Snail), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 iss...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Marc Chagall, Tribe of Issachar, from The Jerusalem Windows, 1962 (after)
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Issachar, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre Sauret, Editeur, Paris, and printed by Mourlot Freres, Paris, June 7, 1962. This radiant composition celebrates the Tribe of Issachar, symbolizing wisdom, study, and spiritual insight. Tribe of Issachar reflects Chagall’s deep reverence for divine knowledge and the harmony between the earthly and celestial realms. Through an ethereal interplay of blues, greens, and golden light, the artist evokes the serene beauty of enlightenment and the eternal rhythm of faith. The imagery, both symbolic and lyrical, transforms biblical tradition into an expression of spiritual unity and human aspiration, hallmarks of Chagall’s poetic vision. Executed as a lithograph on velin paper, this work measures 15 x 11 inches (38.1 x 27.94 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with the most important modern artists of the 20th century. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Tribe of Issachar, from Marc Chagall, The Jerusalem Windows Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Andre Sauret, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Marc Chagall, The Jerusalem Windows, published by Andre Sauret, Editeur, Paris, June 7, 1962 Notes: Excerpted from the album, This album, which was compiled by Andre Sauret, was completed on June 7, 1962. The texts by Jean Leymarie were composed by hand in "Romain du roi" and were printed by The Imprimerie Nationale de France. The thirty-six preparatory color designs, some of which are in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. About the Publication: Marc Chagall, The Jerusalem Windows (Les Vitraux de Jerusalem), published in 1962 by Andre Sauret, Editeur, Paris, stands as one of the artist’s most celebrated illustrated albums and a cornerstone of modern printmaking. The publication documents Chagall’s monumental stained-glass windows created for the synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem—an artistic and spiritual masterpiece dedicated to the twelve tribes of Israel. Conceived in collaboration with master printer Charles Sorlier and the renowned Mourlot Freres atelier, the album compiles the artist’s original color studies through vibrant lithography, achieving a remarkable luminosity that mirrors the glowing transparency of stained glass. The accompanying text by art historian Jean Leymarie offers profound insights into Chagall’s vision, faith, and symbolism. Completed on June 7, 1962, this edition embodies the union of fine art, craftsmanship, and devotion, capturing the transcendent beauty of Chagall’s windows and their universal message of peace and faith. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Tribe of Issachar, Chagall Jerusalem Windows...
Category

Expressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Wassily Kandinsky, Black Flag, from XXe Siecle, 1966
Located in Southampton, NY
This exquisite woodcut after Wassily Kandinsky (1866–1944), titled Schwarze Fahne (Black Flag), from the album XXe Siecle, Decembre 1966, originates from the 1966 edition published b...
Category

Modern Mid-20th Century Landscape Prints

Materials

Woodcut

Original a Europa Avianca a sus ordenes vintage travel poster to Paris
Located in Spokane, WA
Original ‘a Europa Avianca a sus ordenes’ vintage travel poster. Archival linen backed in excellent condition. Grade A, A-. Ready to frame. No damage and no restoration. Im...
Category

American Realist Mid-20th Century Landscape Prints

Materials

Lithograph

Pierre-Auguste Renoir, Richard Wagner, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Richard Wagner, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the ...
Category

Impressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Original Loterie National Prix de L arc de Triomphe vintage French poster
Located in Spokane, WA
Original Loterie Nationale Vintage Poster "Prix de L'Arc de Triomphe" – Authentic French Art, Rare Collectible, Mid-Century Style vintage poster. Archival linen backing in Grade A- ...
Category

Abstract Mid-20th Century Landscape Prints

Materials

Lithograph

Giuseppe Capogrossi, Untitled I, from XXe Siecle 1958
Located in Southampton, NY
This exquisite lithograph by Giuseppe Capogrossi (1900–1972), titled Sin titulo I (Untitled I), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, orig...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

KYOTO (B)
Located in Santa Monica, CA
KIYOSHI SAITO (Japanese 1907 - 1997) KYOTO (B) 1966 Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...
Category

Modern Mid-20th Century Landscape Prints

Materials

Woodcut, Color

Pierre-Auguste Renoir, Portrait of Jeanne Baudot, 1951 (after)
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de Jeanne Baudot (Portrait of Jeanne Baudot), from the album Les Lithographies de Renoir (The Litho...
Category

Impressionist Mid-20th Century Landscape Prints

Materials

Lithograph

Georges Braque, Bullfighter, from Carnets intimes, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Torero (Bullfighter), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Joan Miro, Untitled, from The Sun Bird, The Moon Bird, Sparks, 1967 (after)
Located in Southampton, NY
These exquisite lithographs and pochoirs after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Mo...
Category

Surrealist Mid-20th Century Landscape Prints

Materials

Lithograph

Calvaire de Pierre, Modern Etching and Aquatint by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Calvaire de Pierre, Year: circa 1965, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 64/75, Image Size...
Category

Modern Mid-20th Century Landscape Prints

Materials

Etching, Aquatint

Georges Rouault, Benigne, from Faces, 1969 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Benigne (Benign), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition pu...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph, Stencil

Pablo Picasso, Vase of Flowers, from A Visit to Vallauris, 1950 (after)
Located in Southampton, NY
This exquisite lithograph after Pablo Picasso (1881–1973), titled Vase de fleurs (Vase of Flowers), from the album Une visite a Vallauris (A Visit to Vallauris), originates from the ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Leonor Fini, Untitled, from The Story of O, 1962
Located in Southampton, NY
This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Joan Miro, Woman and Bird, from Cardboards 1959–1965, 1965 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Femme et oiseau (Woman and Bird), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), orig...
Category

Surrealist Mid-20th Century Landscape Prints

Materials

Lithograph

Mark Tobey, Untitled, from XXe Siecle, 1955
Located in Southampton, NY
This exquisite lithograph by Mark Tobey (1890–1976), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°5 (double) Juin 1955, originates from the 1955 edition ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Este s Gardens - Original Etching by Tono Zancanaro - 1964
Located in Roma, IT
Beautiful etching, representing the wonderful Este's gardens. Edition of 70 prints. Titled, numbered and hand-signed with pencil on lower margin by the Italian artist, Tono Zancanaro...
Category

Mid-20th Century Landscape Prints

Materials

Etching

Picasso, Composition (Cramer 88), Dans l Atelier de Picasso (after)
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

Raoul Dufy, Still Life, from Letter to My Painter Raoul Dufy, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte (Still Life), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates...
Category

Fauvist Mid-20th Century Landscape Prints

Materials

Lithograph

Montmartre : Place du Tertre and Sacre Coeur - Original Lithograph Handsigned
Located in Paris, IDF
Urbain HUCHET Montmartre : Place du Tertre and Sacre Coeur, 1960 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On vellum paper, size 19 x 28 cm (c. 8 ...
Category

Modern Mid-20th Century Landscape Prints

Materials

Lithograph

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