Mid-20th Century Landscape Prints

Plombiers Les Bains (Bosges . Original vintage French travel poster: Artist: Adrien Senechal. Travel from Paris in 5 Hours. Note ...

Original "Fete des Fleurs" vintage Swiss poster. Archivally linen backed and ready to frame. Printer: "Sonor', Geneva, Switzerland The Fest...

Jacques Villon Surrealist Mountain, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 25 x 32,5 cm (c. 9,8 x 12,7 inch) Edition limited to 300 copies (unnumb...

Desolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left corner of sheet Provenance: Estate of the artist By decent Note: An impression of this image is in the collection of the Greenville County Museum of Art, Greenville, South Carolina Condition: Excellent Plate/Image size: 8 x 9 3/4 inches Sheet size: 12 7/8 x 15 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled Voyage du Vin (Journey of Wine), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Komposition V (Composition V), from the folio Derriere le miroir, No. 77–78, originates from the 1955 edition pu...

This exquisite lithograph by Francisco Bores (1898–1972), titled La Femme en Bleu (The Woman in Blue), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates fro...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

This exquisite lithograph after Jean Cocteau (1889–1963), titled L’epee de mort (The Sword of Death), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Je...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Rendez vous (Meeting), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), o...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Femme a l'oiseau (Woman with Bird), from the album Douze Contemporains (Twelve Contemporaries), originate...

Robert SAVARY Paris : Bandstand Near Nation Square, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent condition

Original Khartoum vintage U. S. 1-sheet Style B, movie poster. Archival lien-backed in very fine condition, ready to frame. Original issued movie fold marks restored. - where the Nile dives, the great adventure begins! Khartoum is a 1966 film written by Robert Ardrey and directed by Basil Dearden. It stars Charlton Heston as General Gordon and Laurence Olivier as the Mahdi (Muhammad Ahmed). It is based on Gordon's defense of the Sudanese city of Khartoum from the forces of the Mahdist army during the Siege of Khartoum. The movie depicts the historical events surrounding the Siege of Khartoum in 1884-1885 during the Mahdist War. CAST: Charlton Heston, Laurence Olivier, Ralph Richardson, Richard Johnson, Alexander Knox, Hugh Williams, Nigel Green, Michael Hordern, Johnny Sekka; DIRECTED BY: Basil Dearden; PRODUCER: Julian Blaustein. Movie posters from the 1960s often feature distinctive artwork and design styles that reflect the aesthetics of that era. If you appreciate vintage graphic design...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Relief II (Relief II), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954 editi...

Admiring the Original "Le Puy En - Velay" Vintage Poster The exquisite vintage poster for the old city of Le Puy En - Velay has inspired many art aficionados. ...

Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Maui Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition: 146/200 Image Size: 10 x 7 inch...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats jouant aux cartes (Soldiers Playing Cards), from the album Fernand Leger, Dessins de Guerre 1915...

Original "The Virgin Queen" vintage movie poster. NSS: 55/302 Archival linen backed with original issued fold marks restored. Linen-backed and in excellent condition. No pape...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of Original: 1952 Year of Printing: 1968 Medi...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats jouant aux cartes (Soldiers Playing Cards), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Pantheon (The Pantheon), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by ...

This exquisite lithograph by Kees van Dongen (1877–1968), titled Le Bal (The Ball), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition p...

Sunburst by American artist Robert Daughters is a close up of a group of wild sunflowers in yellows and greens. A limited edition print number 62...

Joseph Hirsch (1910-1981) "September Morn" rare variant signed / numbered, circa 1960s "September Morn" is most recognized in its color variant. This is the much rarer non color var...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Le Cafardeux (The Gloomy One), from the album Georges Rouault, Visages (Faces), originates from the 19...

This exquisite lithograph by Raoul Ubac (1910–1985), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXe Annee, N°10 (double) Mars 1958, originates from the ...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Etching and aquatint realized by Paul Emile Colin in 1930s.  Hand signed, numbered and titled. Edition of 1/4.

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Le Boche dans les fils de fer (The German Caught in the Barbed Wire), from the album Fernand Leger, Dess...

Original “Wake of the Red Witch” vintage movie poster: Staring John Wayne and Gail Russell. Original linen backed small format poster. Wake of the Red...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...

This exquisite lithograph and pochoir by Giuseppe Capogrossi (1900–1972), titled Surface Rouge et Noire (Red and Black Surface), from the album XXe Siecle, Nouvelle serie, No. 9 (dou...

Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere. This print captures the moment a 'pod' is bein...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

This exquisite woodcut, after Wassily Kandinsky (1866–1944), titled Motif aus Improvisation No 25 (Motif from Improvisation No 25), from the album XXe Siecle, Nouvelle serie, XXIe An...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Dans l'hopital (In the Hospital), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Le 100 de Marine (The 100-Millimeter Naval Gun), from the album Fernand Leger, Dessins de Guerre 1915-16...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Fleury, Les Deux Tuer (On the Road to Fleury, The Two Killed), from the album Fernand Le...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Souville (On the Road to Souville), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Foreurs (The Drillers), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, War ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats dans une maison en ruines (Soldiers in a House in Ruins), from the album Fernand Leger, Dessins ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Souville (On the Road to Souville), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled L'Obusier de 220 (The 220 Howitzer), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Le...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements Mecaniques (Mechanical Elements), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fern...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Bouquet (The Bouquet), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats au repos (Resting Soldiers), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Le...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Bouquet (The Bouquet), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats dans un abri (Soldiers in a Shelter), from the album Fernand Leger, Dessins de Guerre 1915-16 (F...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Verdun, La place d'Armes (Verdun, The Parade Ground), from the album Fernand Leger, Dessins de Guerre 19...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Le Sapeur (The Sapper), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, War Draw...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La cuisine roulante (The Rolling Field Kitchen), from the album Fernand Leger, Dessins de Guerre 1915-16...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige" The water flows f...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Torero et le taureau (The Bullfighter and the Bull), from Carnets intimes (Private Sketchbooks), Verve, Vol. VII...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

This exquisite lithograph by Joan Miro (1893–1983), titled Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. Composition avec formules chimiques showcases Miro’s unique blend of poetic abstraction and playful symbolism, merging scientific notations with his characteristic visual language of organic forms and vivid color harmonies. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition avec formules chimiques (Composition with Chemical Formulas), from the folio Derriere le miroir, No. 87–89 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 34. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 87–89, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1956 Notes: Excerpted from the folio (translated from French), Miroir Miro and Oasis Miro are extracted from the album by Jacques Prevert and Georges Ribemont-Dessaignes devoted to Miro. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Composition...

Bernard Buffet (1928-1999) The Canal, 1955 Original etching Hand signed in pencil Numbered /125 copies On BFK Rives vellum size 56 x 76.5 cm (c. 22 x 30 in) Very good condition REF...