Mid-20th Century Landscape Prints

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 69 (Plate 69), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Original Cadiz, Fiestas Tipicas Gaditanas vintage lithograph poster. This fun image is professionally archival linen backed in very good condition, ready to frame. Artist: Ricardo Anaya. The image features a sailboat with a group of colorful people aboard. A pirate, witch, male and female flamingo...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art ...

Original Italian Air Service Lines Aeriennes Italiennes Original travel poster; linen backed. Printed in Italy. Printed: 1951. Artist: F. Romoli. Ali Airlines Operated from ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Mere et Enfant a la Tour Eiffel (Mother and Child at the Eiffel Tower), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Mere et Enfant a la Tour Eiffel embodies Chagall’s lyrical vision of Paris as a dreamscape infused with love, family, and wonder. Through his composition with floating forms, he transforms the city’s iconic architecture into a poetic symbol of affection and imagination. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Mere et Enfant a la Tour Eiffel (Mother and Child at the Eiffel Tower), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 94. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Mere et Enfant a la Tour Eiffel 1954, Chagall Mother and Child at the Eiffel Tower, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Mixed technique on paper Golden wooden frame with glass pane 34.7 x 38.2 x 1.8 cm

Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...

Jacob Pins: 1917-2005. Was a German born Israeli woodcut artist and art collector. He has had auction results over $3000 for a print. This powerful scarce example...

A stone lithograph titled 'Bert, Bob and Betsy' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A bright and fres...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

This exquisite lithograph by Jean Bazaine (1904–2001), titled Mosaique (Mosaic), from the folio Derriere le miroir, No. 36-37-38, originates from the 1951 edition published by Maeght...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Bleue et blanche (Blue and White), from the folio Derriere le miroir, No. 33, originates from the 1950 edition published b...

Morris Cox (1903-1998) Elimination Linocut Frontispiece, for the publication Yule Gammon published by Morris Cox 1957 Image: 18.2 x 12.8 cm Frame: 34.0 x 28.0 cm Provenance: Morr...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Works Progress...

Original vintage poster: Urako Battlefield of Genpei - Japan. This travel poster has information about this important island where ancient battles h...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Boats is a lithograph realized by Paul Petit in the mid-20th Century. Hand-signed. Numbered, 67/75 The artwork is depicted through confident strokes in a well-balanced composition.

This exquisite lithograph by Fernand Leger (1881–1955), titled La Partie de Campagne (The Country Outing), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

This exquisite lithograph by Andre Derain (1880–1954), titled Le Repas chez Simon (The Feast at Simon’s House), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Robert SAVARY Paris : Theatre de l'Atelier in Montmartre, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent con...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Arc de triomphe, Champs-Elysees (Arc de Triomphe, Champs-Elysees), from the album Paris Capitale (Paris Capital), ori...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

The Tree is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Monogrammed on the lower right corner. George Henri Tribout (Paris,...

This exquisite lithograph after Henri Matisse (1869–1954), titled Bateau (Boat), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue publis...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Original World War II poster: NEXT!. 6th War Loan. Original World War 2 government issued poster. Linen backed with original fold marks restored. T...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Helen Greene Blumenschein was born in Brooklyn into a parents who were already professional artists. The family moved to Taos when Blumenschein was ten and they became part of the a...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Early historical colored photograph of the New Mexico Museum of Art located in Santa Fe, NM. The work highlights the building's architecture which was create...

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Doris Lee Lithograph 1964 Edition Size: 250 Image Size: 12 x 9.5 inches Sheet Size: 16.75 x 13 inches Reference: AAA 1532 Signed lower left Condition: Good Provenance: ASA Doris Emrick Lee...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

This exquisite lithograph by Abraham Rattner (1895–1978), titled L'automne (Autumn), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originates from the 1938 issue publish...

Paul KLEE (after) Landscape With Black Columns Lithograph and stencil (Jacomet process), on canson paper Printed signature in the plate 50 x 38.2 cm (19....

Rome View with Fantasy is an artwork realized by Orazio Toschi. Print in etching technique on paper. Hand-signed by the artist in pencil on the lower right corner. Numbered editio...

John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Fletcher 284. Ed...

Linda Plotkin, American (1938 - ) - Fine Pigs, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.75 x 10.25 inches, Size:...

This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur...

Original “Cycles Alphonse Thomann” 50th Anniversary vintage poster. Printed in 1949. Artist: Pier Gobbe. Printer: Imp. Lafayette, Paris, France. Archival linen backed and ready to frame. The color palate of this vintage poster is mainly light blue and orange. The paper is unbleached natural cotton paper with a tan tone. You can feel the speed of this bicycle as it is racing downhill. A set of wings in the center tire allows it to fly along the road. Perfect for any bicycle poster...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Original Windsor See Britain by Train vintage railroad poster. Linen backed in very fine condition, ready to frame. No restoration to t...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Schweres Rot (Heavy Red), from the folio Derriere le miroir, No. 118, originates from the 1960 edition published...

Lalibela - Bièt Gàbriel is an original etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil. Image Dimensions: 34 x...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Paysanne Mexicaine (Mexican Peasant Woman), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis ...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Engraving on paper without frame.

This artwork titled "Aztec" 1983 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 71/150 in pencil by ...