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Pierre-Yves Tremois, Initiation, from Wines, Flowers, and Flames, 1956 (after)
1956

$1,036

$1,29520% Off

£789.26

£986.5720% Off

€900.73

€1,125.9220% Off

CA$1,455.83

CA$1,819.7820% Off

A$1,586.59

A$1,983.2420% Off

CHF 840.17

CHF 1,050.2120% Off

MX$19,056.66

MX$23,820.8220% Off

NOK 10,636.73

NOK 13,295.9220% Off

SEK 9,779.43

SEK 12,224.2920% Off

DKK 6,727.47

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About the Item

This exquisite lithograph after Pierre-Yves Tremois (1921–2020), titled Initiation, from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1956 edition published by M. Georges Duhamel, the L'Academie francaise, Grand Officier du Tastevin, Paris, and rendered and printed by Daniel Jacomet at l'atelier Jacomet, Paris, November 17, 1956. The composition reflects Tremois’s fascination with the intersection of art, science, and spirituality, uniting anatomical precision with metaphysical symbolism in a poetic harmony of form and intellect. Executed as a lithograph and pochoir on grand velin d'Arches special paper, this work measures 12.75 x 10 inches. Unsigned and unnumbered as issued. The edition exemplifies the precision and craftsmanship of Daniel Jacomet’s atelier and Tremois’s unparalleled draftsmanship and philosophical depth. Artwork Details: Artist: After Pierre-Yves Tremois (1921–2020) Title: Initiation, from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames) Medium: Lithograph and pochoir on grand velin d'Arches special paper Dimensions: 12.75 x 10 inches (32.39 x 25.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: M. Georges Duhamel, the L'Academie francaise, Grand Officier du Tastevin, Paris Printer: Daniel Jacomet, l'atelier Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Vins, Fleurs et Flammes, published by M. Georges Duhamel, the L'Academie francaise, Grand Officier du Tastevin, Paris, and printed by l'atelier Jacomet, Paris, November 17, 1956 Notes: Excerpted from the folio (translated from French), M. Georges Duhamel from the L'Academie francaise, Grand Officier du Tastevin has received for all of his work, and in particular for his collaboration on Vins, Fleurs et Flammes, A Travers Nos Vignes, the literary prize of the brotherhood of the Knights of Tastevin for 1956, done and given at the Castle of the Clos de Vougeot in Burgundy, November 17, 1956. It was pulled CCCLXXX examples on velin d'Arches special, numbered from I to XXX examples, including an original watercolor from Uzelac, a suite on Japan from the off-text of the book, a suite on Japon from the variants of Uzelac, and two original etchings, one signed by Bertin and the other by Uzelac. Numbers of XXXI in examples with a continuation on Japon of the illustrations of the book and the variant and an original etching by Bertin. Issues from LI to CCCLXXX examples on velin d'Arches special. About the Publication: Vins, Fleurs et Flammes (Wines, Flowers, and Flames) was published in 1956 by M. Georges Duhamel, Grand Officier du Tastevin of the Academie francaise, as a celebratory homage to the literary and artistic culture of Burgundy and the French brotherhood of the Knights of Tastevin. The edition, printed by Daniel Jacomet at his renowned Paris atelier, combined pochoir and lithographic processes to achieve the vivid texture and color modulation that defined Jacomet’s mastery in reproducing modern art. Conceived as a poetic and pictorial exploration of French viticulture, passion, and ritual, the volume united essays, drawings, and color plates by leading artists and writers. Each example was printed on luxurious grand velin d'Arches special paper and issued in multiple states, including copies featuring original watercolors and etchings by contemporary masters such as Uzelac and Bertin. The publication embodies the postwar revival of the fine art book in France—an intersection of literature, art, and craftsmanship that bridged the creative traditions of Parisian ateliers with the literary refinement of the Academie francaise. Its issuance at the Clos de Vougeot in Burgundy marked the symbolic union of French artistic and cultural heritage, celebrating the spiritual and sensual pleasures of creation. About the Artist: Pierre-Yves Tremois (1921–2020) was a French painter, engraver, draftsman, and sculptor whose dazzling fusion of art, science, philosophy, and sensuality made him one of the most visionary and intellectually complex artists of the 20th century. A master draftsman trained at the Ecole des Beaux-Arts in Paris, Tremois devoted his life to exploring the eternal relationships between form and function, body and spirit, creation and destruction. His works—paintings, engravings, sculptures, and illustrations—embody a perfect balance between scientific precision and poetic imagination, revealing the harmony between biological structure and cosmic order. Deeply influenced by the modernist and surrealist giants of his era, including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Tremois blended their spirit of experimentation with his own scientific curiosity and sensual vision. His engravings, celebrated for their anatomical accuracy and exquisite line work, merged human and natural forms into metaphysical compositions where eroticism and intellect coexisted in delicate tension. In masterpieces such as Bestiaire Humain, Les Fleurs du Mal, and Les Amours de Psyche et de Cupidon, he reimagined the human figure as both organism and symbol, a microcosm of the universe’s infinite complexity. His collaboration with writers and philosophers, as well as his fascination with anatomy, biology, and astronomy, placed him at the intersection of art and science, making his oeuvre a profound meditation on knowledge and existence. Elected to the Academie des Beaux-Arts in 1978 and later named its Doyen, Tremois exhibited internationally and gained particular acclaim in Japan, where his disciplined elegance and philosophical depth resonated deeply. His influence extends into contemporary art, inspiring artists such as HR Giger and others who explore the fusion of the mechanical and organic, intellect and desire. Standing among the great innovators of modern art—Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray—Pierre-Yves Tremois remains celebrated for his unmatched ability to merge technical mastery with metaphysical insight. His legacy endures in museums and collections worldwide, where his work continues to be revered as a bridge between the sensual and the scientific, the classical and the modern. The highest auction record for Pierre-Yves Tremois was achieved with Cheval, which sold for $63,000 USD at Sotheby’s, Paris, on December 6, 2007, confirming his enduring stature as one of France’s most intellectually and aesthetically profound artists of the 20th century. Pierre-Yves Tremois Initiation Vins, Fleurs et Flammes, Tremois Jacomet, Tremois velin d'Arches special, Tremois lithograph pochoir.

Creation Year:
1956
Dimensions:
Height: 12.75 in (32.39 cm)Width: 10 in (25.4 cm)
Medium:
Lithograph,Stencil
Movement Style:
Modern
After:
Pierre-Yves Trémois (1921 - 1994, French)
Period:
1950-1959
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465214428582

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