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Raoul Dufy, The Grape Harvest, from Wines, Flowers, and Flames, 1956 (after)
1956

Name: Raoul Dufy, The Grape Harvest, from Wines, Flowers, and Flames, 1956 (after)
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About the Item

This exquisite lithograph after Raoul Dufy (1877–1953), titled Vendanges (The Grape Harvest), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1956 edition published by M. Georges Duhamel, the L'Academie francaise, Grand Officier du Tastevin, Paris, and rendered and printed by Daniel Jacomet at l'atelier Jacomet, Paris, November 17, 1956. The composition captures Dufy’s radiant celebration of the grape harvest, uniting Fauvist color, rhythmic line, and lyrical motion to convey the vitality of French wine culture. Executed as a lithograph and pochoir on grand velin d'Arches special paper, this work measures 10 x 12.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the precision and craftsmanship of Daniel Jacomet’s atelier and Dufy’s mastery of light and movement. Artwork Details: Artist: After Raoul Dufy (1877–1953) Title: Vendanges (The Grape Harvest), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames) Medium: Lithograph and pochoir on grand velin d'Arches special paper Dimensions: 10 x 12.75 inches (25.4 x 32.39 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1956 Publisher: M. Georges Duhamel, the L'Academie francaise, Grand Officier du Tastevin, Paris Printer: Daniel Jacomet, l'atelier Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Vins, Fleurs et Flammes, published by M. Georges Duhamel, the L'Academie francaise, Grand Officier du Tastevin, Paris, and printed by l'atelier Jacomet, Paris, November 17, 1956 Notes: Excerpted from the folio (translated from French), M. Georges Duhamel from the L'Academie francaise, Grand Officier du Tastevin has received for all of his work, and in particular for his collaboration on Vins, Fleurs et Flammes, A Travers Nos Vignes, the literary prize of the brotherhood of the Knights of Tastevin for 1956, done and given at the Castle of the Clos de Vougeot in Burgundy, November 17, 1956. It was pulled CCCLXXX examples on velin d'Arches special, numbered from I to XXX examples, including an original watercolor from Uzelac, a suite on Japan from the off-text of the book, a suite on Japon from the variants of Uzelac, and two original etchings, one signed by Bertin and the other by Uzelac. Numbers of XXXI in examples with a continuation on Japon of the illustrations of the book and the variant and an original etching by Bertin. Issues from LI to CCCLXXX examples on velin d'Arches special. About the Publication: Vins, Fleurs et Flammes (Wines, Flowers, and Flames) was published in 1956 by M. Georges Duhamel, Grand Officier du Tastevin of the Academie francaise, as a celebratory homage to the literary and artistic culture of Burgundy and the French brotherhood of the Knights of Tastevin. The edition, printed by Daniel Jacomet at his renowned Paris atelier, combined pochoir and lithographic processes to achieve the vivid texture and color modulation that defined Jacomet’s mastery in reproducing modern art. Conceived as a poetic and pictorial exploration of French viticulture, passion, and ritual, the volume united essays, drawings, and color plates by leading artists and writers. Each example was printed on luxurious grand velin d'Arches special paper and issued in multiple states, including copies featuring original watercolors and etchings by contemporary masters such as Uzelac and Bertin. The publication embodies the postwar revival of the fine art book in France—an intersection of literature, art, and craftsmanship that bridged the creative traditions of Parisian ateliers with the literary refinement of the Academie francaise. Its issuance at the Clos de Vougeot in Burgundy marked the symbolic union of French artistic and cultural heritage, celebrating the spiritual and sensual pleasures of creation. About the Artist: Raoul Dufy (1877–1953) was a French painter, printmaker, designer, and illustrator celebrated for his radiant use of color, lyrical brushwork, and joyous depictions of modern life that made him one of the most beloved artists of the 20th century. A central figure of Fauvism, Dufy’s exuberant compositions captured regattas, orchestras, and seaside scenes in shimmering harmonies of light and movement, translating the rhythm of everyday life into visual music. Influenced by Henri Matisse and Paul Cezanne and shaped by the revolutionary ideas of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Dufy forged a style that balanced structure with spontaneity, joy with sophistication. Born in Le Havre, he studied at the Ecole des Beaux-Arts in Paris and, after encountering the Fauves at the 1905 Salon d’Automne, embraced pure color as his primary language. His early landscapes evolved into a radiant, rhythmic style that blended Cubist structure with the musicality of line and color. Beyond painting, Dufy was a pioneer of decorative arts, collaborating with fashion designer Paul Poiret on textile designs that revolutionized early 20th-century fashion and working in ceramics, tapestry, and stage design. His monumental 1937 mural La Fee Electricite (The Electricity Fairy), commissioned for the Paris International Exposition, remains one of the largest and most celebrated works of modern art—a 600-square-meter symphony of light and movement celebrating human progress. Dufy’s philosophy centered on “the logic of color,” which he likened to the harmony of music, and his free, transparent brushwork captured both atmosphere and emotion with unmatched vitality. Even after developing rheumatoid arthritis, Dufy continued to paint with undiminished energy, creating late works marked by gestural freedom and lyrical serenity. His art influenced generations of later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance. Today, Dufy’s works are housed in major museums worldwide, including the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Tate Modern in London. Standing alongside modern masters such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Dufy endures as a symbol of joy and beauty in modern art. The highest auction record for Raoul Dufy was achieved with La Fee Electricite, which sold for $6,767,200 USD at Christie’s, London, on June 25, 2007, reaffirming his legacy as one of the most radiant and influential colorists of the modern era. Raoul Dufy Vendanges The Grape Harvest Vins, Fleurs et Flammes, Dufy Jacomet, Dufy velin d'Arches special, Dufy lithograph pochoir.

Creation Year:
1956
Dimensions:
Height: 12.75 in (32.39 cm)Width: 10 in (25.4 cm)
Medium:
Lithograph,Stencil
Movement Style:
Modern
After:
Raoul Dufy (1877-1953, French)
Period:
1950-1959
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465214427442