Raoul Dufy

Wine as a Remedy for Convalescents

1936

Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...

This portfolio, entitled "Notre Pain Quotidien", consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963. These lithographs were printed by Daniel Jacomet and the four pages of typography about the artist were written by Pierre Bouchet. The portfolio begins with a forward written by French author, Georges Duhamel, as well as a justification page and a page of the artwork titles (see below). Each piece from this portfolio is numbered from the edition of 250 on Rives vellum paper, aside the editions numbered from 1 to 50 on Richard de Bas paper, and eleven numbered copies in Roman numerals reserved for the collaborators. The twelve pieces in the portfolio measure 17 x 20 inches and the lithograph on the cover of the portfolio measures 10.25 x 8.75 inches. Please see the artwork titles below: 1. Auto-portrait de l'artiste (located on the cover of the portfolio) 2. Les boutiques 3. Chemin forestier 4. Le bassin 5. Les chalands 6. Fleurs des champs 7. Proletariat 8. Le grand comptoir 9. Route du village 10. Sous la neige 11. Place de l'eglise 12. Le petit pont...

This art work titled "Murmures" 1989 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A (Artist Proof) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #31. The image size is 23.80 x 30 inches, framed size is 39.25 x 44.5 inches. Custom framed in a wooden gold frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

Artist: Maurice de Vlaminck (French, 1876-1958) Title: Paysage Year: 1952 Medium: Original color lithograph Edition: Numbered 66/75 in pencil Paper: Arches Image size: 14.5 x ...

Original stone Lithograph on ivory colored Japan paper with the 'La Galerie des Peintres-Graveurs' embossing stamp on lower-right corner. Signed inside out on plate on lower-right ma...

Signed and numbered. Editions of 400 prints. published by Maeght, Paris Literature Reference: D. Vallier, Braque. L'oeuvre gravé, Flammarion, Paris 1982, n. 1044, p.296. Image Dimensions ：50 x 72...

"Marine Noire" is a lithograph after the work of Georges Braque in 1956. The print is hand signed and numbered. This is an edition of 400 prints. Bibliography: D. Vallier, Braque. L'oeuvre gravé, Flammarion, Paris 1982, n. 1044, p. 296. Good conditions except for very light foxings and little folds on the corner. Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Le Perron (The Porch)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower right Year: 1911 Medium: Original Lithograph on soft-cream Simili Japon paper Limited edition: approx. 1,500 Printer: Maison Fortier and Marotte, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez and Seydoux 1911, No. 12 Sheet size: 10.75" x 7.13" Image size: 7.5" x 5.75" Condition: Light toning to sheet. It is otherwise a strong impression in excellent condition Notes: Printed in one color: blue. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot...