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Raoul UbacTa Main, Paroles peintes I, Raoul Ubac1962
1962
$3,036
$3,79520% Off
£2,269.49
£2,836.8620% Off
€2,617.91
€3,272.3820% Off
CA$4,250.40
CA$5,31320% Off
A$4,491.25
A$5,614.0720% Off
CHF 2,415.42
CHF 3,019.2720% Off
MX$53,768.66
MX$67,210.8220% Off
NOK 30,262.39
NOK 37,827.9820% Off
SEK 27,715.95
SEK 34,644.9420% Off
DKK 19,552.69
DKK 24,440.8620% Off
About the Item
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. Lazar-Vernet, Paris, under the direction of Odette Lazar-Vernet, Paris; printed by Maitres Imprimeurs, en Taille-Douce Capelle-Lacouriere, Leblanc-Robbe-Visat, Paris, December 5, 1962. Excerpted from the volume (translated from French), Printing completed, December 5, 1962 on the presses of the Maitres Imprimeurs, en Taille-Douce Capelle-Lacouriere Leblanc-Robbe-Visat for engravings, and for typography, on the presses of the Maitre Imprimeur, Theo Schmied; Jacques David, providing the layout for this portfolio with fourteen original etchings and fourteen unpublished poems, two hundred examples were drawn of which, 1 example on papier japon nacré, bearing the number 1, accompanied by a suite on papier japon of etchings signed by the artists, a second deuxième suite of 13 etchings from engraved, striped and inked coppers; 14 examples on papier japon nacré, numbered from 2 to 15, accompanied by a suite of the 14 etchings on papier japon signed by the artists, a second suite of 13 deuxième etchings; 35 examples on papier Auvergne by hand, numbered from 16 to 50, accompanied by a suite of the 14 etchings on Richard-de-Bas, signed by the artists; 150 examples on papier Johannot, numbered from 51 to 200. In addition, it was shot on Johannot 28 non-trade nominative examples, marked H.C. From 1 to 28; 5 examples numbered for employees from I to V; and, in large format, 25 examples of all engravings numbered from I to XXV reserved for the artists.
RAOUL UBAC (1910-1985) was a French painter, sculptor, photographer and engraver. He had various and irregular artistic training and travelled in Europe between 1928 and 1934. He worked mostly on photography between 1934 and 1942, embraced Surrealism in Paris and took photos for the magazine Minotaure. In 1937, he made Tete du Mannequin, a photograph taken of a mannequin (made by André Masson) consisting of everyday objects. Another of his works include the photograph 'La Conciliabule'. He also created a color lithograph Three Seated Nudes, signed lower right margin (edition of 200, 21" x 27 1/2"). Ubac's mother's family ran a tannery and his father was a magistrate. In his early years he traveled through some parts of Europe on foot. He first came to Paris in 1928. He was already enrolled at the Sorbonne for a degree in literary studies when he decided to switch to the Art Academy of Montparnasse. It was there that he moved in the company of the Surrealists including Dali and Picasso.
- Creator:Raoul Ubac (1910 - 1985, Belgian)
- Creation Year:1962
- Dimensions:Height: 15.25 in (38.74 cm)Width: 11.5 in (29.21 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465215083502
Raoul Ubac
Born in 1910, Raoul Ubac is an artist from the New Ecole in Paris. Raoul Ubac spent his early childhood in Germany (Prussia) between Cologne and Frankfurt.He returned to Paris in 1930 and enrolled in the Sorbonne.Then he met André Breton and frequented the surrealists and artists of Montparnasse.He undertook numerous trips across Europe and photographed the island of Hvar (now Croatia) of found stone assemblies. Then, on the advice of Otto Freundlich, German painter and sculptor, he enrolled in the School of Applied Arts where he worked in drawing and photography.First of all, he is most interested in photography and is experimenting with processes of burning, solarization and petrification. He participated in the activities of the surrealists and exhibited under the pseudonym of Raoul Michelet at the Exposition Internationale du Surreéalisme in 1935, the first surrealist exhibition taking place in Belgium. From 1936 he learned engraving in the studio of artist Stanley William Hayter and began to make photomontages.In 1970 he founded the magazine «L'invention collective» with René Magritte and then collaborated in the magazine «Messages» where he met Raymond Queneau and Paul Eluard. After the war, he gradually moved away from surrealism and abandoned photography. Raoul Ubac then embarks on drawing with a pen to create to launch himself in drawing with a feather and then engraving on slate to make gouaches, and ends up approaching the painting with an egg.He paints on panels covered with amalgamated resins which constitute a synthesis of his work and his research, dealing with the themes of bodies and furrows, subjects of predilection until his death. In 1968 a retrospective of his work was presented in Brussels and at the Musée d'art moderne in Paris. Raoul Ubac received the Grand Prix national des arts in 1973. He was responsible for several sets of stained glass windows as well as reliefs, high reliefs, wall decorations and models of tapestries for public and private buildings. He has also illustrated with his drawings, engravings and lithographs some thirty books and is the author of the cover of the journal «Argile» published by Maeght from 1973 to 1981. Ubac’s works are part of many collections of museums in France and Europe. In 1980, the French Post Office issued a stamp reproducing one of its creations. Raoul Ubac died on March 24, 1985.
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