Realist Landscape Prints

Cascina Madera, Ref. 421 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. We also have a series of prints and original oil paintings by Trevelyan. Julian Otto Trevelyan, RA (1910 -1988) Peterhouse, Cambridge College (1959/1962) Proof print aside from the edition of 70. Signed by the artist and numbered in pencil. 38 x 44 cm (15×17 in.) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.

First Edition lithograph Full plate: 34 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon...

First Edition lithographs Half plate: 29 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603) Jesus is Nailed to the Cross 46. Et postquam venerunt in locum qui voctur Caluarie, ibi crucifixerunt eum. Luc. 23. From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Luke, chapter 3 "When they came to the place called the Skull, they crucified him there." Theodoor Galle was the son of Philip Galle...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle (1571 – 1633), Iacob de Bye (1581-1640) after Maerten de Vos (1532 - 1603) 29. Sinite paruulos, et nolite eos prohibere ad me venire : talium est enim reguum coelorum 19. Engraving From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 16.5x21.8cm Hand-finished black wooden frame available From the Gospel of Matthew, chapter 19 "Suffer the little children...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872-1949) Christ Church Library, Oxford Signed and numbered 34, published by Stafford Gallery with blind stamp Lithograph 26 x 34.5cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

Subscription and first edition lithographs in stock Half plate: 23 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy La...

First Edition lithograph Half plate: 21 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

Albert Ernst (1909 Fronhofen - 1996 Hamburg), View of a Coastal Town, etching, 30 x 37 cm (picture), 45 x 50.5 cm (frame), signed in pencil lower right "Albert Ernst", framed under g...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson Clarendon Building, Oxford Signed, published by Stafford Gallery, with their blindstamp Lithograph 32x26cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Williams...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

David Loggan (1634-1692) St John's College Oxford - Canterbury Quad Engraving 1675 31x50cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University. Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College). Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708. Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery Walker...

Jane Carpanini RWS RWA RCA (1949-) Gonville and Caius College, Cambridge 30x45cm Digital Limited Edition Print 77/350 Born in Bedfordshire, Carpani...

Venezia, I Tetti (roofs), platemark mm 593 x 392. Rif. 541 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrosp...

Available in the subscription and first Edition lithographs Half plate: 5 Presented in a acid free mount This is one of four sepulchres in the Valley of Jehoshaphat, on the east sid...

Ponte del Rimedio, Venezia, 1986 platemark mm 79.3 x 34.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospe...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) New College...

The road from the mill. 1975 Paper, etching, 10x14.5 cm was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Painting, Sculpture and A...

A fine etching titled “Shipwreck,” part of the Sources & Structures series of etchings by American artist Robert Stackhouse (b. 1942). Stackhouse was born in West Chester, PA, and ha...

Venezia, Ponte di Rialto, 1987 Platemark mm 489 x 488 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospectiv...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x11" paper size 18x15" Larger image size generally 24x20" paper size 29x24" Represented by George Billis ...

ref. 549 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

Barns are very suitable for decorating in almost every room. An option for this small limited edition lithograph: it can be matted to fit a larger space. We offer many different fra...

ref. 516 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...

Le alabarde, Ref. 499 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees with a cycle of sixty different platemarks. In 2021, Milan named a new street after her. Her etchings are in prestigious museums in Europe and America, as well as in many private collections. Her work is protected by a foundation with her name, based in Milan. The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death. Milan's municipality has named a new street to her for the occasion. The many international and accredited critics who have lingered to appreciate Galli's etchings remark on her ability to combine poetry, architectural precision and interpretative originality. Federica Galli has always been able to take a fresh look at all the landscapes and architecture on which she has cast her gaze. NMWA (National Museum of Women in Arts) in Washington conserved the complete Venezia portfolio. Also, her oeuvres are in significant Italian museum collections such as the Pinacoteca Ambrosiana, (the same museum where Leonardo's Codex is conserved) and Museo of Castello Sforzesco, both in Milan; di Milano, Ala Ponzone in Cremona. Federica Galli's Biography Proudly present into Google art and Culture A prominent figure in the art of engraving in Italy, Federica Galli was born in 1932 in Soresina - a village just outside Cremona- in the north of the country. Straight after the war, in 1946, she convinced her parents to enrol her at the Artistic Lyceum in Milan. In 1950, she attended the Academy of Fine Arts of Brera, from where she graduated four years later with a diploma in painting. She began engraving in 1954 - "Il paese dell'Alberta"- experimenting with etching, a technique she never abandoned for the rest of her life. In 1966 she married the journalist Giovanni Raimondi – editor-in-chief of the Corriere della Sera. During that time she began to embark on a densely packed programme of cultural trips that took her to the most important European cities and to countries where the art of engraving is less deeply rooted. These were also the year in which she matured the conviction that engraving was the technique in which she expressed herself most effectively and started to apply herself exclusively to this art form, producing over eight hundred different subjects. Starting from her early personal exhibitions – the first one took place in 1960 in Milan – she met with the favour of the public and critics alike. In the space of a few years, she could count on the support of some of the most authoritative critics of her time: Franco Russoli, Mario de Micheli, Giovanni Testori – who was to follow her closely until he died - Mina Gregori, Gian Alberto dell'Acqua, Roberto Tassi, Renzo Zorzi, Carlo Bo, Daniel Berger (Metropolitan Museum of New York), Gina Lagorio, Giuseppe and Francesco Frangi, Marco Fragonara, Giorgio Soavi and David Landau (Oxford University). She obtained the most prestigious institutional acknowledgements given to any contemporary artist: she was the first living artist to be invited to exhibit at the Fondazione Cini in Venice - 1987 with a collection dedicated to the lagoon city - ; at the Civic Museum of Palazzo Te in Mantua - 1987 -; at the Castello Sforzesco in Milan - 1988 - ; in the Imperial Archive of the Forbid-den City, Wag Fung gallery, - 1995 -. Collectors of her works include people of culture from Italy and elsewhere, individuals are known for their cultivated passion for the graphic arts, comprising – just to mention some of the most famous: Dino Buzzati...

Nocturne Venice landscape, Giudecca, plate mm 343 x 641 Original etching, signed and numbered, limited edition of 90. Maison Valentino set up the Giu...

Cascina Bellaria, Milan's countryside, catalogue rif. 497 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etch...

Italian Landscape, Grande Lanca, rif. 384 Original etching, signed and numbered. Limited edition of 90. Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and number...

Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...

Venezia, Calle della Madonna, 1983, rif. 516 Platemark mm mm 692 x 195 Original etching, signed and numbered limited edition of 90. The etching was exhibited last year in the crit...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In exce...

A still life of flowers in a vase 27324-LU2595214540452

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x9" paper size 18x13" Large image size generally 22x15" paper size 27x19" Represented by George Billis Ga...

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x11" paper size 18x15" Larger image size generally 24x20" paper size 29x24" Represented by George Billis ...

Venezia, Calle dei Preti, 1984, rif. 540 Platemark mm 64.2x24.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical ret...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

This artwork titled "Heiligen Bluts" 1948, is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center...