Modern Art Landscape Prints

Urbain HUCHET Montmartre : Place du Tertre and Sacre Coeur, 1960 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On vellum paper, size 19 x 28 cm (c. 8 ...

Title: Four Seasons Series Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Title: Two Hearts as One Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as i...

Fernand Léger The Viaduct, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25....

This exquisite lithograph after Georges Braque (1882–1963), titled Feuillage noir (Black Foliage), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates...

This exquisite lithograph by Fernand Leger (1881–1955), titled Frontispice (Frontispiece), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates ...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Red Wood Trees, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. ...

Signed and numbered from the edition of 15. Printed on Chine colle. Image of two Eagles dressed as angels, celegrating a beautiful landscape under a smilin...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Urbain HUCHET Paris : Terrace of a Café And Eiffel Tower, c. 1970 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm (c. ...

Urbain HUCHET Paris : Artists near Montmartre, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Excel...

This colorful abstract landscape limited edition print depicts a forest, with trees with thin trunks in the foreground, and leaves that seem to incorporate almost every color. Bursts...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Valeri...

Farmhouse and the Wheat Field at Sunset - Landscape Lithograph in Ink on Paper Rich and saturated landscape by Edward Ripley (British, b. 1929). A vibrant yellow sun hangs over a farm landscape, set against a bold red sky. The foreground is made up of yellow and red wheat, with a few red poppies in the very front. A two story farmhouse stands...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Reines-Marguerites (The Daisies), from the album Vlaminck, originates from the 1958 edition published by A...

This exquisite lithograph after Marc Chagall (1887–1985), titled L’ange de Mozart (The Angel of Mozart), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling o...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Suites nº8, Rencontres, 1964. Published...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Stars with Low Sun, 2024 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musici...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

HENRI DE TOULOUSE-LAUTREC Etude de femme 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Artist: Peter Max (1937) Title: Tropical Flowers Year: 1979 Edition: A.P./45, plus proofs Medium: Silkcreen on Arches paper Size: 23 x 30 inches Condition: Excellent Inscription: Sig...

An original woodcut print by the Swiss contemporary artist Maja Zürcher (1945-1997). Signed and dated in pencil to the lower margin. Editioned 3/125. Presented float mounted in a con...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Tour Eiffel a l'Ane (The Eiffel Tower and the Donkey), from the folio Derriere le miroir, No. 67–68, originates from ...

Camille BELTRAND (1877-1951) Wild Forest, 1923 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imag...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le fleuve vert (The Green River), from the album Chagall, originates from the 1976 edition published by Maeght Editeur, ...

Artist: Peter Max (1937) Title: Flowers In Blue Vase III Year: 2000 Edition: 419/500, plus proofs Medium: Lithograph on archival paper Size: 12 x ...

Seascape is an artwork realized by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching and drypoint. Good conditions. Giovanni Omiccioli (February 25, 1901 – March 1, ...

This piece titled "Parish route (print)" is a print that is printed on Hahnemuhle German etching paper by Miriam Singer. This piece measures 17"h x 13.5"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture...

This exquisite lithograph after Georges Braque (1882–1963), titled La Palette et le vase de fleurs (The Palette and the Vase of Flowers), from Carnets intimes (Private Sketchbooks), ...

Linda Plotkin, American (1938 - ) - Plants II, Year: circa 1965, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 14/75, Image Size: 7.75 x 6.75 inch...

Wild Path by Ronald Julius Christensen, American (1923–1999) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 295 Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 69 (Plate 69), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Jake Wood Evans Seascape with Crimson, 2018 Archival pigment print on Domerset velvet archival cotton rag paper 330gsm, with deckled edges Signed by th...

This exquisite lithograph by Georges Rouault (1871–1958), titled Pierrot Noir (Black Pierrot), from the album Georges Rouault, Divertissement, originates from the 1943 edition publis...

This exquisite heliogravure after Georges Rouault (1871–1958), titled Clair de lune (Moonlight), from the album Georges Rouault, Stella Vespertina (Evening Star), originates from the...

This exquisite lithograph by Georges Rouault (1871–1958), titled Margot (Margot), from the album Georges Rouault, Divertissement, originates from the 1943 edition published by Editio...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph by Max Ernst (1891–1976), titled Un chant damour (A Song of Love), from the album XXe Siecle, Nouvelle serie, No. 11 (double), Noel 1958, originates from th...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Foreurs (The Drillers), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, War ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Benjamin, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This abstract landscape limited edition print by Ken Elliott features deep violet hillside complemented by warm yellow trees and yellow and mint-green grass in the foreground. "Golde...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Zebulun, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by A...

Andre Derain, After, French (1880 - 1954) - Paysage de l'Arbre Bleu from Douze Contemporains, Year: 1959, Medium: Lithograph with Pochoir on Wove paper, signed in the plate, Editio...

Title: Blushing Beauty II Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

This exquisite lithograph by Georges Rouault (1871–1958), titled Petit Page Rouge et Or (Little Page in Red and Gold), from the album Georges Rouault, Divertissement, originates from...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Lithograph and offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although t...

Lloyd Lozes Goff, American (1918 - 1982) - Mt. Taylor, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 19 x 25 inches, Size: 22 i...

This exquisite lithograph after Fernand Leger (1881–1955), titled Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Nature morte 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Naphtali, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

Artist: Peter Max (1937) Title: Quiet Lake Year: 2000 Edition: 306/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.5 inches Condition: Excellent Inscriptio...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Issachar, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

Artist: Guillaume Cornelis van Beverloo, Corneille (1922-2010) Title: Iveresse Year: 1981 Edition: 176/200, plus proofs Medium: Lithograph on wove paper Size: 25.5 x 19.5 inches Insc...

This artwork "Cityscape" 1964 is a original colors lithograph on Arches paper by noted French artist Jean Carzou, 1907-2000. It is hand signed, dated and numbered 143/150 in pencil b...

French Sailboats by Peter Edwards, British (1934–2017) Date: circa 1975 Lithograph, Signed and Numbered in Pencil Edition of 11/275 Image Size: 15.5 x 21 inches Frame Size: 24 x 30 i...