Nature Landscape Prints

"Night falls and the day recedes. Again, I attempt to capture the rich and poignant beauty of a perfect day in Sri Lanka, gone forever but not forgotten. The earth is gold as the col...

Frank Algernon Stewart (1877-1945) The Heythrop at Stow on the Wold Lithograph 24x63cm Signed in pencil A typical hunting print by Stewart, showing o...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

This is a hand-printed contact photograph using the antique cyanotype process and very big negatives which are the same size as the final print. These are the iconic Monterey Pines ...

Basted Waves is a lithograph on paper with an image size of 2 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. N...

Via Fiore from the ‘La Dolce Vita’ suite is a hand-enhanced serigraph on canvas, image size 18.5 x 22 inches, signed ‘Kerry Hallam’ lower right and annotated lower left. From the edi...

Page Size: 32.5" x 33" Image Size: 28" x 28" Hand signed in pencil, bottom right Hand numbered in pencil, bottom left: 51 / 75 This serigraph by National Treasure of Spain, Joaquin ...

To see our other original vintage posters, scroll down to "More from this Seller" and below click on "See all from this Seller." Davos, Parsenne, Switzerland Vintage Ski Poster 1968 67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado 1960s poster for Davos ski resort in Parsenn, Switzerland, featuring a photograph of a skiier jumping off the slope into powder snow...

Alexandre Ponomarev Maya-L'île Perdue, 2007 Silkscreen Print Edition of 200 56,5 x 75,6 cm (22.2 x 29.7 in), unframed In mint condition Signed, titled, dated and numbered Accompanied...

Published By New York Graphic Society, 1940 Printed In USA In Good Condition Measures 25.5 x 32.25 in.

JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

To see our other original vintage travel posters, many of which have skiing and Austrian subjects, scroll down to "More from this Seller" and below it click on "See all from this sel...

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering app...

To see our other Architectural Prints and Drawings including other views of Windsor, scroll down to "More from this Seller" and below it click on "See all from this Seller." James Fittler (1758-1835) after George Robertson...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper wi...

It is a GICLEE PRINT with my original oil painting Pink Coral Underwater Art Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas...

To see our other works by John Piper and the rest of our Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a me...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer an...

This limited edition seascape print by S.C. Aldo captures a coastal scene overlooking water from a sandy shore, with green trees lining part of the horizon and a sailboat sailing in ...

Page Size: 33" x 33.5" Image Size: 28" x 28" Framed Size 44 x 44.5 in. Hand signed in pencil, bottom right. Hand numbered in pencil, bottom left: 58 / 75 This handmade serigraph cap...

To see our other original vintage travel posters, many of which have skiing and Austrian subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. Innsbruck Tyrol Austria Original Vintage Skiing Travel...

Artist: Peter Keefer Title: Mesa Petaca Medium: Serigraph Signed: Hand Signed top right corner Edition: From the edition of 250 top left corner Measur...

"Dauphine" is an offset lithograph of a pastoral landscape created by Paul Kelsch for the Societe Nationale des Chemis de fer Francais, the French National Railways. 24" x 39" paper 30 1/2" x 21 1/8" image 48" x 33" frame Small hole in each corner, crease in paper and image upper left, small holes lower left. The SNCF, the French National Rail system, commissioned multiple posters to advertise and celebrate the connected locations on their routes after the Second World War. "Dauphine", created by Paul Kelsch, showcases a small village at the foot of a mountain bathed in the light of a sunset. Kelsch's technique employed impasto brush strokes and bright colors to capture the beauty of the landscape. This scene is in stark contrast to the destruction that the war had wrought in this area during the 1944 invasion. Because of this, the set of posters...

Julian Trevelyan (1910-1988) Father Thames (1969) Etching and aquatint, signed, numbered 53/75 35x48cm Nephew of the historian G M Trevelyan he was educated at Bedales and Trinity C...

This rare 1933 lithograph by renowned modernist artist Arnold Rönnebeck depicts a striking winter scene of a Colorado mountain mine blanketed in snow. Rendered in dramatic black-and-...

Lithograph Edition 21 of 100 Signed, numbered, dated and titled on the front Mint Published by Texte Zur Kunst

An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...

This realistic limited edition print by John Harris features an earth-toned palette and captures a close-up view of water rushing over small rocks in a river bed. Toward the top of t...

Dufza - Paris - Champs Elysées - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Giclee print on archival cold press cotton rag. Every print is uniquely hand embellished by the artist with gold acrylic paint. Edition 5 of 10 with 5 APs. In this new series of pai...

Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...

David Lee, Chinese (1944 - ) - Misty Mountains, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 26 in. (53.34 cm x 66.04 cm), De...

Wayne Ensrud, American (1934 - ) - Chateau Haut Brion, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 16.5 x 23 inches, Size: 22...

David Lee, Chinese (1944 - ) - Snowy Mountain, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 in. x 21 in. (73.66 cm x 53.34 cm), Des...

Mel Hunter, American (1927 - 2004) - Stage Hound in Full Gale, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 21 in. x 29 in. (53.34 cm x 73.6...

Mel Hunter, American (1927 - 2004) - Silo, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 101/150, Image Size: 21.5 x 15 inches, Frame Size: 31 x 24 inches

Joseph Grippi, American (1924 -2001) - White Cloud, Year: 1984, Medium: Screenprint Monoprint, signed and numbered in pencil, Edition: 4/40, Size: 24 x 28.5 in. (60.96 x 72.39 cm)

Large scale color monotype of a Western landscape with sapphire blue sky, green trees, river, yellow and orange hills, and red clay cliffs, to enliven minimalist, modern, and contemp...

This traditional seascape Limited Edition print by Daniel Pollera captures a coastal summer scene with swaying grass in what appears to be a bay. Sailboats with white sails are visib...

This realistic limited edition print captures a highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the...

This realistic limited edition print captures a highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the...

This realistic limited edition print captures a highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

This coastal seascape limited edition print captures a cropped view of rolling waves below an ocean horizon line and a clear blue sky. Highly detailed and realistic, it balances the ...

Published by New York Graphic Society. Printed in Switzerland. Fair Condition 23 x 28 in. Creasing on edges - pictured.

The School of Hard Knocks is a lithograph on paper, 7.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 129/275 (there were also 100 Roman a...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' Along with the image, Stanley also noted in the report of the Maple River: "It would be an excellent plan for an emigrant travelling through the country, before reaching one of these rivers on which he expects to camp, to catch a few frogs, for the purpose of fishing in these streams, which abound pike, picarel, and large catfish. Frogs are by far the best bait that can be used." This note from the artist perhaps describes some of the actions of the figures in the camp in the foreground of the image. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 13.25 x 16.25 inches, frame Artist 'Stanley Del.' lower left Entitled 'Maple River' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE VIII' upper right Framed to conservation standards using 100 percent rag matting and Museum Glass to inhibit fading; housed in a brass-surface aluminium moulding. John Mix...

This is a coastal Limited Edition print titled "Beach Along Dune Road" by Daniel Pollera. The print depicts a sandy walk with wooden fencing and grass on eit...

This Limited Edition print by Daniel Pollera is a contemporary realist landscape which depicts a sandy beach lined with wooden fencing. The beach bows inward, with two Adirondack cha...

Prior, Scott (American born 1949). TENTS. Etching with hand-coloring, 1986. Artist's Proof aside from the edition of 30 (the regular edition is not colored; there were three hand-col...

Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches. A very good impression, with rich burr especially in the reeds toward the right. Provenance: Frederick Keppel and Co., New York, NY. Illustrated: Guichard, British...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Subscription edition and first edition lithographs in stock Full plate: 10 Presented in a acid free mount

Linda Plotkin, American (1938 - ) - Haystacks, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9.5 inches, Size: 9...

Linda Plotkin, American (1938 - ) - Moshannon, Year: circa 1965, Medium: Etching on BFK Rives, signed, titled and numbered in pencil, Edition: 6/55, Image Size: 5.75 x 5.75 inche...

Linda Plotkin, American (1938 - ) - Route 45, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9 inches, Size: 9.5 x...

This artwork titled "Lanscape with Pond" is an original color serigraph by noted Bosnian artist Anton Sipos, b.1938. It is hand signed and numbered 225/275...