Nature Landscape Prints

Suffolk Beach Huts, Painting by Fiona Carver Anyone who has been to Southwold in Suffolk will recognise this gorgeous row of beach huts looking out to sea. They nestle along the edge of the grassy dunes in a typically British seaside scene. Additional information: The print is hand pulled using oil based inks on archival paper. It uses 6 lino blocks. Limited edition of 50 Image Size: 33 x 20cm Mounted size: 47.3cm x 34.5cm Size: H:34.5 cm x W:47.3 cm Fiona has been creating things since she was a tiny girl when her grandmother would encourage her to draw elaborate chalk pictures on her kitchen floor. She went on to study Design and Applied Arts at Edinburgh College of Art, graduating in 1999. Here she combined her love of drawing and painting with three-dimensional disciplines such as furniture and ceramics. She now pursues this interest in both flat and more hands on work through lino printing, enjoying the different stages of drawing, gouging lino and inking up and printing which she does with her antique cast...

In this captivating image, the grandeur of the Brooklyn Bridge is illuminated under the cloak of night, while a tumultuous thunderstorm rages overhead. The darkened sky crackles with...

Longing for your return by Emma Reynolds [2022] A celebration of the developing season as the swallows arrive. Additional Information: limited_edition Screenprint Edition number ...

limited_edition silkscreen print Edition number 50 Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x D:0.1cm Sold Unframed Please note that insitu ima...

First edition lithographs in stock Full plate: 118 Presented in a acid free mount

Fog Bound Tod Lindenmuth (American, 1885-1976) Woodblock Print 14 x 11 inches 26 x 20.25 inches with frame Signed Lower Right Titled Lower Left A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association's 'First Modernistic Exhibition". He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

Wild Oats by Rob Barnes [2022] limited_edition and hand signed by the artist Linocut on paper Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm...

ARAQUÉM ALCÂNTARA Iguassu Falls, Brazil, 2002 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also ...

Artist: Peter Milton, American (1930 - ) Title: Light Sweet Crude Year: 1996 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18 x 15 inches Size: 26 ...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

ARAQUÉM ALCÂNTARA Fumacinha, Chapada Diamantina, Bahia, Brazil, 2014 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also available ...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Star Field - Western United States Year: 1978 Medium: Lithograph, signed and numbered in ...

Dawn rowers at Putney by Robyn Forbes [2022] original Screen print Image size: H:21 cm x W:21 cm Complete Size of Unframed Work: H:31 cm x W:30 cm x D:0....

Jennie Ing Primrose Hill: The View Limited Edition Print Edition of 40 Image Size: H 23cm x W 33cm Signed Sold Unframed Please note that in situ i...

Sterkur by Sarah Duncan [2021] limited_edition Etching on Paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.1cm Sold Unfr...

Ian Phillips Catching the Light Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 83cm x W 122cm x D 0.01cm Sold Unframed Free Ship...

Eduardo Arroyo - Awaken Heart - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Charlie Davies From the depths Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shipping...

By the Seaside [2019] limited_edition linocut Edition number 1-6 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed ...

Carbonous by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Carbonous is a limited edition signed etching print on paper by Sarah Duncan of a black and white forest...

Montagne by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Montagne is a limited edition signed etching print on paper by Sarah Duncan of a black and white mountain...

A Fine Day For Lapwings by Rob Barnes [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:...

Valley of Gold By Chris Keegan [2021] limited edition Screen print Edition of 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:54 cm x W:54 cm x D:0.1cm Sold U...

Flight Over Barley [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold Unfram...

A Fine Day for Lapwings [2021] limited edition Linocut Edition of 50 in edition Image size: H:30 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.02cm Sold U...

Valley of Gold By Chris Keegan [2021] limited_edition Screen print Edition number 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:5...

Silver Mountain By Chris Keegan [2021] limited_edition Screen print Edition number 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:...

Unframed

Deluxe signed limited edition acrylic print Edition of 20 Bright and colourful beach scene with lots of detail, ready to hang on the wall. Nick's artistic process is a captivating...

Robyn Forbes Powder Ride Limited Edition Screen Print Screen print on fine art Lambeth paper Image Size: H 21 cm x W 29.5 cm x 0.1 cm Sheet/Canvas Size: H...

Anna Harley Wild swim Limited Edition Silkscreen Print Edition of 30 Size: H 28cm x W 28.5cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a ...

Anna Harley Cornish Coastal Path, near Lamorna Limited Edition Silkscreen Print Edition of 12 Size: H 76cm x W 56cm x D 0.1cm Sold Unframed Please note that insitu images are purely ...

Katie Edwards Exploring The Alpines Limited Edition Silkscreen Print Edition of 50 Size: H 40.5cm x W 30.5cm Free Shipping Please note that in situ images are purely an indication of...

Katie Hallam Siver Sea Limited Edition Digital Photograph Edition of 75 Image Size: H 103cm x W 50cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an...

First Edition lithograph Full plate: 98 Presented in a acid free mount

Clifford Singer is an authority on reality. In February of 1977, Singer attended the Whitney Museum Biennial where he met Salvador Dali while viewing a Richard Estes painting. Bot...

Keith Purser b. 1944 Rising Water, 2007 woodcut with hand-colouring in gouache 42 x 59 cm 16 1/2 x 23 1/4 in signed, dated and titled in pencil Keith Purser lives and works on the e...

Hand signed, titled and numbered by the artist. Image size approx 20 x 24 inches. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers ...

ARAQUÉM ALCÂNTARA Dead Tree, Jau, The Amazon, Brazil, 2001 Black and White Photography 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box fra...

Brendan Neiland (b. 1941) R.A. (Expelled) Cherwell Bridge Screenprint 53 x 34 cm Signed, titled, and numbered 43 / 175 in pencil. A screenprint of Oxford’s beauteous Cherwell Brid...

Joseph Constantine Stadler (1755 - 1828) after Joseph Farington (1747 - 1821) View of Greenwich and Down the River (1795) Hand-coloured engraving 23 x 3...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

Print Sz: 5 1/2"H x 7 1/2"W Sealed Mat Sz: 9"H x 12"W David Hamilton-Jones, b. 1936

ARAQUÉM ALCÂNTARA The Amazon Forest, Carabinane Tree, Brazil Black and White Photography 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plex...

ARAQUÉM ALCÂNTARA Jalapão, Tocantins, Brazil, 2013 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plexiglas Also available in 60 x 40 inches...

Ashforth is precise in how she studies her subject, researching color and consistency of ink, paint or drawing medium. Her approach is summed up by Christopher Shore, Master Printer ...

From the Pasture Paper, etching, 13x19 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Ashforth is precise in how she studies her subject, researching color and consistency of ink, paint or drawing medium. Her approach is summed up by Christopher Shore, Master Printer ...

David Roberts RA Hebron 1796 - 1864 First Edition lithographs Full plate: 55 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' T...

Collotype on paper. Hand signed and dated on front by Velox Ward. Hand numbered 147/200. Artwork size 30 x 22.25 inches. From America: The Third Century portfolio. Published in...

DAVID ROBERTS RA Jericho 1796 - 1864 Subscription and first Edition lithographs Full plate: 49 Presented in a acid free mount Original hand coloured subscription edition and Modern...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

First Edition lithograph Full plate: 34 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon...

Art Sz: 13"H x 9 7/8"W Frame Sz: 14 1/4"H x 11"W In custom gilt bamboo frame Original color page from Slim Aarons' iconic book "A Wonderful Time" published 1974 The Ledges, the estate of Mr. and Mrs...

Subscription and first edition lithographs in stock Half plate: 23 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy La...