Women Landscape Prints

Original Fortune Magazine 1938 vintage cover. Archival linen backed in very fine condition; ready to frame. Artist: Miguel Covarrubias (1904 – 1957) This is an Original Letter Press...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Verdun, La grille en fer (Verdun, The Iron Gate), from the album Fernand Leger, Dessins de Guerre 1915-1...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Lawrence Beall Smith draws four men in a park, each with his back to a giant, strong tree. The year is 1938 and the country is coming out of the Depression but World War II is alread...

This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier

The Loop I was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...

This exquisite lithograph by Marc Chagall (1887–1985), titled Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This lyrical composition depicts Ruth gleaning in the fields of Boaz, a story of devotion, faith, and humble perseverance that reflects Chagall’s profound empathy for biblical humanity. Through flowing lines and radiant harmonies, he transforms the pastoral act into a vision of grace and spiritual renewal, suffused with divine light and poetic serenity. The work captures Chagall’s enduring ability to elevate everyday acts into timeless expressions of love, dignity, and divine purpose. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Ruth...

Lithograph on vélin chiffon de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Réflexions Simples Sur Le Corps, Ayant Inspiré Des Lithographie...

Engraving by Albert Emil Kirchner Dutch artist born in 1813 and died on 1885 He have 176 registered auctions. The oldest was in 1989 and the most recent in 2022 The theme of the engraving is one of the most famous castle in Switzerland "le chateau...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Original "Fete des Fleurs" vintage Swiss poster. Archivally linen backed and ready to frame. Printer: "Sonor', Geneva, Switzerland The Fest...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 8.66 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Suites nº8, Rencontres, 1964. Published...

Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...

Monoprint

This exquisite collotype after Max Ernst (1891–1976), titled Le Fascinant cypres (The Fascinating Cypress), from the album Max Ernst, Histoire Naturelle (Natural History), originates...

Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...

This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...

Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...

'A Dell, Helmingham Park, Suffolk' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...

The Small Village is an original artwork realized by Jeannine Hervé in the second half of the XX Century. Original etching on paper. Hand-signed in pencil on the lower right. Numbered on the lower left margin. Edition of 60 prints. Passepartout included (cm 34 x 27). Perfect conditions. Very small but elegant artwork representing a village with buildings. Jeannine Hervé (Morbihan, 1931). Painter, watercolourist, draughtswoman, lithographer, engraver (wood/burin) and art restorer. From 1936 to 1937, Jeannine Hervé studied drawing and then painting with E. Robert and the engraver Adolphe Beaufrère...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Fine soft ground etching printed in a orange / red ink on laid paper. A French etching in the manner of Boucher. A shepherd and shepherdess rest by water among sheep, goats a donkey ...

Tribut der Salome is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Ma...

Hand embellished giclee on canvas. Hand signed and numbered by the artist. Deluxe edition of 100. Canvas is stretched. Artwork is in excellent condition. Certificate of authenti...

Ari Gradus, Israeli (1943 - ) - At the Fair, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 30 x 22 in. (76.2 x 55.88 cm), Description: Bust...

Artist: Harold Altman (American, 1924-2003) Title: Sunday, Central Park Year: c. 1985 Medium: Color lithograph Edition: Numbered 56/285 in pencil Paper: Wove Image size: 17.5...

Etching and aquatint realized by Paul Emile Colin in 1930s.  Hand signed, numbered and titled. Edition of 1/4.

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Le Boche dans les fils de fer (The German Caught in the Barbed Wire), from the album Fernand Leger, Dess...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Fleury, Les Deux Tuer (On the Road to Fleury, The Two Killed), from the album Fernand Le...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Souville (On the Road to Souville), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Interieur d'hopital (Interior of a Hospital), from the album Fernand Leger, Dessins de Guerre 1915-16 (F...

Hurst 166. 6 7/8 x 11 3/4 (sheet 9 x 13 1/2). Edition 75, #73. A rich impression with dramatic plate tone, printed on cream laid paper with a foolscap watermark. Signed and numbered ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Verdun detruit (Destroyed Verdun), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Lege...

Fukuroi Dejaya No Zu (An Outdoor Tea Stall at Fukuroi), is a beautiful color woodblock print on paper, the plate n. 28 from the series Fifty-three Stations Along the Tokaido (Tokai...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Soldats dans un abri (Soldiers in a Shelter), from the album Fernand Leger, Dessins de Guerre 1915-16 (F...

Risks and Temptations is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper. Hand signed with blue pencil on the lower left corner. Ad...

Striking fine art black and white etching of an elaborate decorative element perched atop a building, circa 1920. Signed lower right. Original one-of-a-kind artwork on paper displa...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

The Deserted Palace. 1928. Etching. Hardie/Carter 236. 8 1/2 x 10 (sheet 10 1/2 x 12 3/8). Edition 80, #53. A rich impression printed in bistre ink with pl...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Title: OPSAIL Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige" The water flows f...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Mit Reinen Händen is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

Title: Berlin Love Year: 1993 Medium: Offset lithograph in colors on gloss archival paper Size: 33 x 23.13 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issu...

It wasn't the valley of death, I was walking in It was the valley of confusion for many years Different religions, different beliefs Undermining my culture Looking down upon my tradition Making fun of my language Telling my children, they have no God Finally, I can tell them about our beliefs. At the top of the mountain here I come to make a sacrifice of burnt offering...

Original Salisbury where history lingers vintage poster. Visit of King Charles II, 1651. See Britain by Train. Artist: Claude Henry Buckle. Lithograph printed in 1952 by Jor...

This exquisite collotype after Max Ernst (1891–1976), titled L'Origine de la pendule (The Origin of the Clock), from the album Max Ernst, Histoire Naturelle (Natural History), origin...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

Title: Earth Day 1995 Year: 1995 Medium: Offset lithograph in colors on gloss archival paper Size: 22 x 20.875 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

A 19th century, hand coloured lithograph, the colours fresh and in good condition for its age. Artist: Captain Philip Meadows Medium: Hand coloured lithograph Plate 6 Created: 1842 Paper Size: 39 x 32.5 cm Plate Size: 27.5 x 21.2 cm With the description sheet on verso TAYLOR, Captain Philip Meadows (1808-1876). Plate from Sketches in the Deccan. London: published by J McLean 1842 Plate 6 From a series of views of the Deccan, at this time the state of Hyderabad. The suite of plates includes views, scenes and settings of places and buildings at Goa, Arungabad, Tooljapoor, Golcondag, Hyderabad, Ellors, Rozah, and the Tandoor hills, among others. Meadows Taylor arrived in India as a young man to work with a Bombay merchant, but quickly accepted a military commission...

The station Yui on the coast and Mount Fuji is an original modern artwork realized after Utagawa Hiroshige, in the early 20th Century. Woodcuc Print format Oban Yokoe. Frame is inc...