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Leonetto Cappiello1939 original poster by Leonetto Cappiello - Semaine nationale de l
enfance1939
1939
$3,948.92
£2,949.43
€3,300
CA$5,440.36
A$5,929.03
CHF 3,139.68
MX$71,213.95
NOK 39,749.04
SEK 36,545.33
DKK 25,140.29
About the Item
This moving 1939 original poster by renowned Italian-French poster artist Leonetto Cappiello was commissioned by the Ministère de la Santé Publique for the Semaine Nationale de l’Enfance (National Children’s Week), held from 15 to 22 May 1939. Designed in the late interwar years, the work reflects both the urgency and idealism of France’s social health campaigns on the eve of WWII.
Rendered entirely in shades of luminous cobalt blue, the central image shows a mother gracefully holding the hands of two small children. The figures are stylized with sculptural elegance, their forms both classical and modern, emphasizing protection, tenderness, and care. The visual message is immediate: the health and future of children lie in nurturing hands.
Cappiello, best known for his exuberant commercial posters of the Belle Époque and Art Deco periods, here adopts a more subdued, yet deeply humanistic tone. The soft contours, limited palette, and dignified composition give the poster a solemn, almost sacred quality, marking a shift in purpose from advertising to public welfare.
Medical - Social - France
Printed by Edimo in Paris
- Creator:Leonetto Cappiello (1875 - 1942, French)
- Creation Year:1939
- Dimensions:Height: 78.75 in (200 cm)Width: 49.61 in (126 cm)
- Medium:
- Period:
- Condition:Good condition, creases, small tears on the edges.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792217043812
Leonetto Cappiello
Leonetto Cappiello was born in 1875 in Livorno, Italy, but took on the nationality of French in 1930. He first achieved fame as a caricaturist, then by inventing the modern poster and creating the first brand logos, including the green devil for Maurin Quina. A self-taught artist, he created his first paintings in 1886. In November of 1900, he signed his first contract with the publisher P. Vercasson, for whom he produced posters from 1902 to 1913. After World War I he joined the publisher Devambez, for whom he worked until 1936. In 1922, his poster sketches were exhibited at the Venice Biennial and the French Institut in New York. In 1928 his “Self Portrait” was ordered by the Uffizi Gallery in Florence, Italy. In 1936 he participated in the Milan Triennial and the Exhibition of the French Poster in Prague. After his death in 1942, Cappiello’s work was the subject of retrospectives at the Museum of Decorative Arts in Paris in 1947, the House of Culture in Livorno, Italy, in 1960 and the Grand Palais in Paris in 1981.
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