Manuel Rodriguez Jr.

Artifacts III, Monoprint and mixed media by Manuel Rodriguez Jr.

Late 20th Century

Manuel Rodriguez Jr., Filipino (1942 - ) - Artifacts. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, I...

Manuel Rodriguez Jr., Filipino (1942 - ) - Artifacts IV. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 20.75 x 15.5 inches, ...

Manuel Rodriguez Jr., Filipino (1942 - ) - Artifacts VII. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 20.75 x 15.5 inches,...

Manuel Rodriguez Jr., Filipino (1942 - ) - Artifacts V. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 20.75 x 15.5 inches, S...

This artwork titled "Diagrams" 1982 is a color monotype with collage on Chine colle paper by noted American artist Inez Storer, b. 1933. It is hand signed in pencil at the lower righ...

The vibrant colours—burnt orange, turquoise, black-a touch of green and the dynamic form of this inspired composition is quintessentially Otto Rogers. The modernist artist was masterful in his use of acrylic paints and his work reflected the natural beauty that surrounded his country studio. Saskatchewan born Rogers (1935-2019) was recognized by the NY art critic, Clement Greenberg as a ‘big attack’ painter early in his career and stated that his artwork showed a ‘fullness of inspiration.’ A devout follower of the Baha’i faith, Rogers did not view art as simply a ‘decorative thing.’ “Nature is God...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Untitled AP-120 is an expressive mixed-media work on paper by Toronto artist Murray Duncan, measuring 18 x 24 inches. In this composition, Duncan builds a dynamic interplay of bold b...