Mark Rowland

"Fusion" Moon Lithograph Signed Mark Rowland

1960

This is a very rare opportunity to get a masterwork at an affordable price. Original lithograph by Salvador Aulestia executed in 99 copies H.C. (out of commerce) numbered and signed...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Brown ink and wash on laid paper with a grapes and vine watermark, 6 5/8 x 6 1/2 inches (168 x 164 mm). Laid down to Fellows watermarked wove paper, with uniform age tone, areas of light discoloration, and attenuation of pigment. Unevenly trimmed margins, and paper tape remnant from having been tipped-into a scrap book...

Edition 2 of 3 Our lives are filled with a lot of stories and experiences which we rarely talk about. Life is ultimately about self and each person has a different story to tell. Two people can be in the same place but they have different experiences. My works tell stories from everyday occurrences, dreams and premonitions from past times to recent times and sometimes possible future events. I am inspired by the unuttered thoughts, feelings and expressions of people. My works are usually one colour but I sometimes use other mediums like gouache, ballpoint pens and the likes to further express my thoughts in my works. I first came across linocut printmaking at my Alma Mata AHMADU BELLO UNIVERSITY, ZARIA and I loved the monochrome effect despite the detailing it takes to produce each artwork. At the end of the day, if a viewer can reflect on each piece not only for its beauty but feeling a sense of nostalgia I have succeeded in my work . Nneka Chima...

Our lives are filled with a lot of stories and experiences which we rarely talk about. Life is ultimately about self and each person has a different story to tell. Two people can be in the same place but they have different experiences. My works tell stories from everyday occurrences, dreams and premonitions from past times to recent times and sometimes possible future events. I am inspired by the unuttered thoughts, feelings and expressions of people. My works are usually one colour but I sometimes use other mediums like gouache, ballpoint pens and the likes to further express my thoughts in my works. I first came across linocut printmaking at my Alma Mata AHMADU BELLO UNIVERSITY, ZARIA and I loved the monochrome effect despite the detailing it takes to produce each artwork. At the end of the day, if a viewer can reflect on each piece not only for its beauty but feeling a sense of nostalgia I have succeeded in my work . Nneka Chima...

Our lives are filled with a lot of stories and experiences which we rarely talk about. Life is ultimately about self and each person has a different story to tell. Two people can be in the same place but they have different experiences. My works tell stories from everyday occurrences, dreams and premonitions from past times to recent times and sometimes possible future events. I am inspired by the unuttered thoughts, feelings and expressions of people. My works are usually one colour but I sometimes use other mediums like gouache, ballpoint pens and the likes to further express my thoughts in my works. I first came across linocut printmaking at my Alma Mata AHMADU BELLO UNIVERSITY, ZARIA and I loved the monochrome effect despite the detailing it takes to produce each artwork. At the end of the day, if a viewer can reflect on each piece not only for its beauty but feeling a sense of nostalgia I have succeeded in my work . Nneka Chima...

Our lives are filled with a lot of stories and experiences which we rarely talk about. Life is ultimately about self and each person has a different story to tell. Two people can be in the same place but they have different experiences. My works tell stories from everyday occurrences, dreams and premonitions from past times to recent times and sometimes possible future events. I am inspired by the unuttered thoughts, feelings and expressions of people. My works are usually one colour but I sometimes use other mediums like gouache, ballpoint pens and the likes to further express my thoughts in my works. I first came across linocut printmaking at my Alma Mata AHMADU BELLO UNIVERSITY, ZARIA and I loved the monochrome effect despite the detailing it takes to produce each artwork. At the end of the day, if a viewer can reflect on each piece not only for its beauty but feeling a sense of nostalgia I have succeeded in my work . Nneka Chima...