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Medium: Drypoint
Couple Under a Tree
Located in New York, NY
Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches.
A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...
Category
1930s Art Nouveau Drypoint Prints and Multiples
Materials
Drypoint, Etching
In the cafeteria - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
CZESLAW TUMIELEWICZ (b. 1942)
In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical University in the same city, and then he taught ...
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Paper, Drypoint, Watercolor
Trees on the Shore of Grunewaldsee, from: Berlin Impressions - German Berlin
By Lesser Ury
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin.
It is numbered 20 from the standard edition of 100. There was also an edi...
Category
1920s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Le Viol II
Located in Wien, 9
- handsigned on the lower right
- dated and unreadable inscripted in the plate
- from the Suite Vollard
- plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm
- edition of 260, unnumb...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
"Le Bouclier, " Original Drypoint Etching signed by Claude Weisbuch
Located in Milwaukee, WI
"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...
Category
1970s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Salvador Dalí -- Le Yin et le Yang (Yin and Yan)
Located in BRUCE, ACT
Salvador Dalí
Le Yin et le Yang (Yin and Yan) from Alchimie des Philosophes, 1976
Lithograph and drypoint on parchment
Hand signed and Edition 179 ...
Category
1970s Drypoint Prints and Multiples
Materials
Lithograph, Drypoint
Summer Landscape III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Summer Landscape III" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered ...
Category
Mid-20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
LE PETIT ENTERREMENT (The Small Funeral)
Located in Portland, ME
Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...
Category
1880s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Salvador Dali "The Fisherman"
Located in Boston, MA
Artist: Dali, Salvador
Title: The Fisherman
Series: Les Amours de Cassandre
Date: 1968
Medium: drypoint with added color
Framed Dimensions: 27.5" x 23.5"
Signature: Pencil sig...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
$6,800 Sale Price
20% Off
Salvador Dali "Gad" Print
Located in Boston, MA
Artist: Dali, Salvador
Title: Gad
Series: The Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Framed Dimensions: 33" x 27.25"
Signature: Pencil signed...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
Portrait of the sculptor Jules Dalou
Located in Middletown, NY
London: 1876.
Etching with drypoint on cream laid paper with a partial large heraldic watermark, 9 3/4 x 6 1/2 inches (247 x 165 mm); sheet 14 x 10 3/8 inches (355 x 264 mm), full m...
Category
Mid-19th Century French School Drypoint Prints and Multiples
Materials
Etching, Laid Paper, Drypoint
Fonte Nuova, Siena
Located in Middletown, NY
Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...
Category
Late 19th Century American Modern Drypoint Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Siena [Large Version] - British Modernism Italian Architecture Siena
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "Nicholson" at the lower left margin and dated “65” next to the signature.
It is also hand numbered from the...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
![Siena [Large Version] - British Modernism Italian Architecture Siena](https://a.1stdibscdn.com/ben-nicholson-prints-works-on-paper-siena-large-version-british-modernism-italian-architecture-siena-for-sale/a_180/1748704394244/11625_01_master.jpg?width=240 "Ben Nicholson - Siena [Large Version] - British Modernism Italian Architecture Siena")
Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums
institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Drypoint Prints and Multiples
Materials
Mixed Media, Drypoint, Etching, Aquatint, Screen
TOD, FRAU, UND KIND (DEATH, WOMAN, AND CHILD
Located in Portland, ME
Kollwitz, Kathe. TOD, FRAU UND KIND (DEATH, WOMAN AND CHILD). Knesebeck 108, Klipstein 113. Etching, drypoint, sandpaper, and soft-ground with the imprint of Ziegler's transfer paper...
Category
1910s Drypoint Prints and Multiples
Materials
Drypoint, Etching
Boissy-Les-Perches, Impressionist Etching after Maurice Vlaminck
Located in Long Island City, NY
Maurice Vlaminck, After, French (1876 - 1958) - Boissy-Les-Perches, Year: 1951, Medium: Drypoint and Etching on Arches, signed 'MV' in the plate, Image Size: 10 x 12 inches, Size: 15...
Category
1950s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
"Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 - 1927)
"La Dame a la Toque"
(Lady in Fur Hat)
Montesquiou XXXVI, c. 1906
Drypoint printed in colors on pale cream wove paper
Sig...
Category
Early 20th Century Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint
Salvador Dalì (1904 – 1989) –Femmes surrèalistes–Drypoint etching on Rives paper
Located in Varese, IT
Drypoint etching on Rives paper published in 1973
limited edition, numbered 73/150
signed in pencil by the artist lower right
Paper size: 65 x 50 cm
Size with frame: 80,5 x 64,5 cm
v...
Category
1970s Abstract Drypoint Prints and Multiples
Materials
Drypoint, Etching
Vachère au Bord de l
Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Pneumatic breathing chair, Imagina...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Mixed Media, Drypoint, Lithograph, Screen
$4,400 Sale Price
20% Off
View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Le Téléphone (The Telephone)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Le Téléphone (The Telephone)
Drypoint etching with stencil from 1975.
The edition 165/450 on Arches paper.
Dimensions of sheet: 75 x 56 cm
Dimensions ...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
1880s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Vegetation III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation III" 1963, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, titled, dated and numbered 14/50 ...
Category
Mid-20th Century American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Nu à la jarretière (Nude with Garter)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Nu à la jarretière (Nude with Garter)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Pu...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Sexual Encounter - Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category
Late 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Beim Kornpuppenbinden (Corn Husking)
By Lesser Ury
Located in New York, NY
Lesser Ury (German, 1861–1931), Beim Kornpuppenbinden, drypoint, 1923, signed in pencil lower right and numbered 45/100, from the edition of 100. Reference: Rosenbach 17, only state...
Category
1920s Expressionist Drypoint Prints and Multiples
Materials
Drypoint
Venus
Located in New York, NY
A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....
Category
1850s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Fish Market
Located in Middletown, NY
Etching with drypoint and aquatint on laid Japon paper, 9 x 11 1/4 inches (228 x 280 mm); sheet 11 7/8 x 13 5/8 (302 x 346 mm), full margins. Signed, titled and inscribed "To my dear...
Category
Mid-20th Century American Realist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Large Format American Pop Art Portrait Aquatint Etching Walter George Segal 1987
By George Segal
Located in Surfside, FL
George Segal (American, 1924-2000)
Walter from the series Portraits
Printed by Vigna Antoniniana Stamperia d'Arte, Rome, Italy
Published by Stamperia d'Arte 2RC, Rome, Italy
Hand sig...
Category
1980s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
UNTITLED (FROM EIGHT LITTLE NUDES)
By Jim Dine
Located in Aventura, FL
Hand signed, numbered and dated by the artist. From Eight Little Nudes (D'Oench & Feinberg 123-30). Etching with drypoint and aquatint in colors on BFK Riv...
Category
1980s Pop Art Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching, Aquatint
$3,150 Sale Price
25% Off
Cavalier et la mort (Knight and Death)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Cavalier et la mort (Knight and Death)
Drypoint etching with roulette from 1969.
The edition 142/145.
Dimensions of work: 38 x 28 cm.
Hand signed.
Pu...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
La Nappe Rose (The Pink Tablecloth) /// Impressionist Henri Le Sidaner Etching
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "La Nappe Rose (The Pink Tablecloth)"
Portfolio: Henri Le Sidaner (Camille Mauclair)
*Issued unsigned, though signed by Le Sidaner...
Category
1920s Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Intaglio
Pavillon dans les Arbres (Pavilion in the Trees) /// Impressionist Henri Sidaner
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Pavillon dans les Arbres (Pavilion in the Trees)"
Portfolio: Henri Le Sidaner (Camille Mauclair)
*Issued unsigned, though signed ...
Category
1920s Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Intaglio
Ostend Horse
Located in New York, NY
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations.
Provenance: Kennedy Galleries (with their stock number A49359)
Ex Collection: Albert M...
Category
1920s Realist Drypoint Prints and Multiples
Materials
Drypoint
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
"Reverie"
Located in Astoria, NY
James Jacques Joseph Tissot (French, 1839-1906), "Reverie", Etching and Drypoint on Laid Paper, 1889, silvered wood frame. Image: 9" H x 4.5" W; frame: 14.75" H x 10" W. Provenance: ...
Category
1880s Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
An Old Jew, from: My Life - Russian French Berlin Jewish Surrealism Mein Leben
By Marc Chagall
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin.
It is also hand numbered in pencil from the edition of 110, at th...
Category
1920s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Man Holding Hat
Located in Middletown, NY
New York: Sylvan Cole, 1929.
Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...
Category
1920s American Realist Drypoint Prints and Multiples
Materials
Drypoint, Aquatint
Tool Drypoint: Paintbrush by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Drypoint Prints and Multiples
Materials
Drypoint
Abricot chevalier (Apricot Knight)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
Hand...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Pamplemousse érotique (Erotic Grapefruit)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
Hand...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Framboisier (Raspberry Bush)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
Hand...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Homme figuier (Fig Man)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
Hand...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Cérises Pierrot (Pierrot Cherries)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
Hand...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Holed Fruit from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
Hand...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Dragon Apple from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Dragon Apple from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
Han...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Don Quixote Pear from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Don Quixote Pear from Flordali suite
Lithograph with drypoint etching from 1969.
The edition 16/35 on Rives paper.
Dimensions of work: 74.5 x 54.5 cm.
...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Salvador Dalí – La Tête ( The Head ) – hand watercolored drypoint etching – 1969
Located in Varese, IT
hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969
limited edition of 145 copies water-colored
, numbered in lower left corner ea ( artist proof )
signed in pencil by artist in lower right corner
paper size: 38.5 x 28.5 cm
framed size: 65 x 55 cm
very good conditions
Bibliography:
Salvador Dalí Catalogue Raisoneé of etchings and mixed media prints Ref 369 pag 178
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( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Paper, Watercolor, Drypoint, Etching
"Study of nude woman" 2007 Original Signed Engraving Drypoint Mexican Artist
Located in Miami, FL
Javier Areán (Mexico, 1969)
"Mujer desnuda (estudio)" (Study of nude woman), 2007
dry point on paper Fabriano 300 g.
16 x 13.6 in. (40.5 x 34.5 cm.)
Edition of 20
ID: ARA-101
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Drypoint, Ink
EVENING (SELF PORTRAIT with the Battenbergs)
By Max Beckmann
Located in Santa Monica, CA
MAX BECKMANN (German 1884 - 1950)
EVENING (Self-Portrait with the Battenbergs) 1916, (Hofmaier 90: Gallwitz 67)
Etching and drypoint, Plate 10 from the portfolio Gesichter (Faces)...
Category
1910s Expressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Soho Dreams
Located in London, GB
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...
Category
1980s Abstract Expressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
"Mlle Landsberg" (grade planche, pl. 16)
Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914
Henri Matisse (French, 1869-1954)
Signed and Numbered Lower Right
Edition 12/15
Image size: 7 7/8 x 4 5/16 inches
Sheet size: 17 11/16 x 12 1/2 inches
With frame: 19 1/2 x 14 1/2 inches
Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension.
Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris.
Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died.
Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts).
By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913.
At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
Category
1910s Fauvist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Stone Bridge Landscape, Mid Century Hand Colored Lithograph
Located in Soquel, CA
Detailed hand colored landscape lithograph of a stone bridge in the countryside by French artist Albert Aristide Seguin.
Signed illegibly in the lower right corner, matches other e...
Category
Mid-20th Century Impressionist Drypoint Prints and Multiples
Materials
Paper, Color Pencil, Drypoint, Lithograph
Original Drypoint Art and Other Fine Art Prints
Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.
Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.
Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints.
Find a collection of drypoint art and other types of prints on 1stDibs.
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