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Medium: Drypoint
Nose #1
Located in Toronto, Ontario
William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Through his...
Category
Early 2000s Surrealist Drypoint Prints and Multiples
Materials
Engraving, Drypoint, Etching, Aquatint
Fantasia Americana, 1880
— Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
En Pension.
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Militant - Etching by Anselmo Bucci - 1917
Located in Roma, IT
"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955).
Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...
Category
1910s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
Promenade dans la Neige - Etching by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”.
Little crack and fold on lower left margin of the sheet.
Some small traces of oxidati...
Category
1880s Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Portrait of E.D.
Located in Chicago, IL
This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277.
This is one of Jacques Villon’s great 1913...
Category
1910s Cubist Drypoint Prints and Multiples
Materials
Drypoint
"La Mer VE 3/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Salvador Dalí -- The unicorn laser disintegrates the horns of cosmic rhinoceros
Located in BRUCE, ACT
Salvador Dalí
The unicorn laser disintegrates the horns of cosmic rhinoceros from Conquest of the Cosmos II, 1975
Lithographic in colors with drypoint on BFK Rives.
Hand signed lo...
Category
1970s Drypoint Prints and Multiples
Materials
Drypoint, Lithograph
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$975 Sale Price
22% Off
"La Mer VE 6/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 6/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
$780 Sale Price
20% Off
Santiago de Compostela
Located in OPOLE, PL
Drypoint etching from 1969.
The edition XLIV/C on Japon paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publisher: Pierre Argillet, Paris.
Printer: Atelier Robbe, Paris.
R...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Salvador Dalí -- The Blood of Yin and Yang from Conquest of the Cosmos II
Located in BRUCE, ACT
Salvador Dalí
The Blood of Yin and Yang from Conquest of the Cosmos II, 1975
Lithographic in colors with drypoint on BFK Rives.
Hand signed lower right
Numbered XXVII / CLXXXXV
S...
Category
1970s Drypoint Prints and Multiples
Materials
Drypoint, Lithograph
Gloucester Harbor
— Mid-Century Cape Ann Regionalism
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...
Category
1940s American Realist Drypoint Prints and Multiples
Materials
Drypoint
$520 Sale Price
20% Off
Sexual Encounter - Original Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category
Late 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category
Mid-20th Century American Modern Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Ber
Located in OPOLE, PL
Bernard Buffet (1928-1999) - Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Bergerac)
Complete portfolio of 18 original drypoint etchings from 1958.
E...
Category
1950s Expressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
"Space Oddity", Hand-Colored Etching, Decorative Motifs
Located in Philadelphia, PA
This piece titled "Space Oddity" is a limited edition piece by Kate VanVliet and is made from hand-colored intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece ...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Drypoint, Etching, Aquatint
"Field in Darsham" Village in Suffolk - England
Located in Soquel, CA
"Field in Darsham" Village in Suffolk - England
Darsham village etching by London artist Pip Carpenter (UK, 20th C.)
Drypoint etching with hand coloring teal blue wash.
The name of...
Category
Late 20th Century Impressionist Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Boissy Les-Perches
Located in Santa Monica, CA
MAURICE de VLAMINCK (1876 - 1958)
BOISSY LES-PERCHES, 1951 (W148)
Drypoint and etching. Unsigned but initialed in drypoint lower right in image, MV. 10 1/4 x 12 3/8 inches.
Full sh...
Category
1950s Post-Impressionist Drypoint Prints and Multiples
Materials
Drypoint
Erotic Scene - Etching by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century.
Hand-signed in the lower part.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 1...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Paper, Drypoint, Etching
$254 Sale Price
35% Off
THE FORGE - Rich Drypoint
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist Drypoint Prints and Multiples
Materials
Drypoint
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Salvador Dali "Naphtali"
Located in Boston, MA
Artist: Dali, Salvador
Title: Naphtali
Series: Twelve Tribes of Israel
Date: 1972
Medium: drypoint with stenciled color
Unframed Dimensions: 25.75" x 20"
Framed Dimensions: 34...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
The Vraic Season (No 1).
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
$900 Sale Price
40% Off
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo I', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5
Unframed
ID: CHI1038-012
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Drypoint Prints and Multiples
Materials
Paper, Drypoint
"Astonishing, Health and Sunshine" framed limited edition triptych by Jim Dine
By Jim Dine
Located in Boca Raton, FL
"Astonishing, Health and Sunshine" triptych by artist Jim Dine. Three spitbite aquatint, drypoint and lithographs with additional hand coloring on Shiramibe paper mounted onto three ...
Category
2010s Contemporary Drypoint Prints and Multiples
Materials
Paper, Drypoint, Aquatint, Lithograph
"La Mer VE 7/8" Intaglio, hand colored, seashell motif
Located in Philadelphia, PA
This piece titled "La Mer VE 7/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Drypoint Prints and Multiples
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Murex I, by Jakob Demus
Located in Palm Springs, CA
Murex I, Diamond drypoint by Jakob Demus.
In the 1986-1988 period Demus immersed himself in the depiction of flowers, and it was then that the most important works in this genre wer...
Category
1980s Contemporary Drypoint Prints and Multiples
Materials
Drypoint
The Figure - Original Etching and Drypoint by Pietro Guccione - 1964
Located in Roma, IT
The Figure is an original Etching and Drypoint realized by Pietro Guccione in 1964.
Hand-signed.
Numbered, 41/50.
The artwork is depicted through confident strokes in a well-balan...
Category
1960s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Don Kichote attacking. Figurative Drypoint Etching Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Artwork depicts two people kissingDon Kichote on a horse, attacking a surreal windmill. They are shown in rat...
Category
2010s Contemporary Drypoint Prints and Multiples
Materials
Paper, Drypoint
Spanish Artist signed limited edition original art print chine colle drypoint
Located in Miami, FL
Eduardo Chillida (Spain, 1924-2002)
'Korapillo II', 1982
chine colle, dry point on japanese paper
25.6 x 19.7 in. (65 x 50 cm.)
Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5
Unframed
ID: CHI1038-013
Hand-signed by author
It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003.
____________________________________________________
He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements.
Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes.
Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own.
His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production.
The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999).
Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1980s Abstract Drypoint Prints and Multiples
Materials
Paper, Drypoint
Palazzo dell
Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
La Marchande des Quatres-Saisons
Located in Middletown, NY
Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...
Category
Early 20th Century Post-Impressionist Drypoint Prints and Multiples
Materials
Handmade Paper, Rag Paper, Drypoint, Etching
Nude Woman after the Bath - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Nude Woman after the Bath
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
"L
attente" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This work by Rodolphe Piguet (sometimes spelled Piquet) was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. Pla...
Category
Early 1900s Drypoint Prints and Multiples
Materials
Etching, Drypoint
Graceland Mansion
Located in Houston, TX
Jennifer Bartlett
Graceland Mansions, 1978-79
Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper
24 x 120 inches, unframed
Ed...
Category
20th Century Modern Drypoint Prints and Multiples
Materials
Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint
La Vache sacrée (The Sacred Cow)
Located in OPOLE, PL
Salvador Dali (1904-1989) - La Vache sacrée (The Sacred Cow)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publish...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Corridor de Kathmandou (Katmandu Corridor)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Corridor de Kathmandou (Katmandu Corridor)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
St Jacques de Compostelle (Santiago de Compostela)
Located in OPOLE, PL
Salvador Dali (1904-1989) - St Jacques de Compostelle (Santiago de Compostela)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Han...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Corridor de Kathmandou (Katmandu Corridor), black
Located in OPOLE, PL
Salvador Dali (1904-1989) - Corridor de Kathmandou (Katmandu Corridor), black
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
La Pagode (The Pagoda)
Located in OPOLE, PL
Salvador Dali (1904-1989) - La Pagode (The Pagoda)
Drypoint etching from 1969.
The edition 25/145 on Arches paper.
Dimensions of work: 66 x 51 cm.
Hand signed.
Publisher: Pierre...
Category
1960s Surrealist Drypoint Prints and Multiples
Materials
Drypoint, Etching
Orpheus
By Ewa Kutylak
Located in Palm Springs, CA
Polish printmaker Ewa Kutylak is known for her deeply symbolic and technically refined works that explore myth, the human form, and metaphysical transformation. In her striking tript...
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Drypoint, Mezzotint
Posing Nude - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Posing Nude is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created through...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Impressionism : House in the Woods - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
House in the Woods, 1928
Original drypoint etching
Signed in the plate
On vellum, 28 x 20.5 cm
Very good condition, minor flaws at the edges of the page
Category
1920s Impressionist Drypoint Prints and Multiples
Materials
Drypoint, Etching
“Birch” — Framed Lars Nyberg Drypoint Etching, Nordic Landscape, Pencil Signed
By Lars Nyberg
Located in Palm Springs, CA
This refined drypoint by Swedish printmaker Lars Nyberg showcases the artist’s extraordinary sensitivity to atmosphere, silence, and the subtleties of nature. Rendered with Nyberg’s ...
Category
Early 2000s Contemporary Drypoint Prints and Multiples
Materials
Drypoint
Walking Shadow - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Walking Shadow is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created thro...
Category
Mid-20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
1920s Art Deco Drypoint Prints and Multiples
Materials
Drypoint, Etching
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Phillips Screwdriver (Jim Dine 30 Bones of My Body portfolio) tool dry point
By Jim Dine
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...
Category
1970s Pop Art Drypoint Prints and Multiples
Materials
Drypoint
Tool drypoint: Weed puller by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Drypoint Prints and Multiples
Materials
Drypoint
$2,000 Sale Price
20% Off
Two Nude Women Discussing with Men - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Two Nude Women Discussing with Men
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Drypoint Prints and Multiples
Materials
Drypoint, Etching
Model - Etching by G. De Nittis - 1870s
Located in Roma, IT
Charming original drypoint on ivorycoloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. Inc...
Category
1870s Modern Drypoint Prints and Multiples
Materials
Etching, Drypoint
Patinage - Original Etching by Edo Janich - 1971
By Edo Janich
Located in Roma, IT
Patinage is an original, splendid etching and drypoint realized by Edo Janich in 1971. The state of preservation of the artwork is excellent. below the imag...
Category
1970s Contemporary Drypoint Prints and Multiples
Materials
Etching, Drypoint
Salvador Dali "The Fiancee of King of Garbe"
Located in Boston, MA
Artist: Dali, Salvador
Title: The Fiancee of King of Garbe
Series: Le Decameron
Date: 1972
Medium: drypoint printed in color
Unframed Dimensions: 17.72" x 12.2"
Framed Dimension...
Category
1970s Surrealist Drypoint Prints and Multiples
Materials
Drypoint
$2,160 Sale Price
20% Off
Victoria Station (London)
By Kenneth Holmes, A.R.C.A.
Located in Middletown, NY
A lovely dark and inky impression, signed by the artist.
Drypoint etching on cream laid paper, 10 7/8 x 8 5/8 inches (275 x 218 mm), full margins. Signed in pencil, lower center marg...
Category
Early 20th Century Modern Drypoint Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
New Rochelle - Before the Wind
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category
1930s Modern Drypoint Prints and Multiples
Materials
Drypoint
Original Drypoint Art and Other Fine Art Prints
Original drypoint prints and other types of fine art prints can help enhance any room in your home while supporting your effort to tie an interior design together.
Similar to engraving, with drypoint, an artist incises a metal plate with a sharp tool. As the metal is carved, metal shavings, also called the burr, build up in the grooves. But unlike with engraving, the burr is not cleaned away with drypoint, resulting in very soft, velvety lines. Since the burr slowly wears away with each printing, fewer impressions can be made, and the first impression tends to be stronger than the last — a characteristic that sets the technique apart from many other printing methods.
Drypoint is a simple technique used to produce intaglio prints. Intaglio is a broad term for the variety of methods used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
“If you talk to great artists, they see printmaking as another part of their practice that often informs what they do,” says Sharon Coplan Hurowitz, a print specialist and art adviser who has worked on major print projects over the years with Johns and Ellsworth Kelly and authored the catalogue raisonné of John Baldessari’s prints.
Find a collection of drypoint art and other types of prints on 1stDibs.
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