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Medium: Engraving
18th-century celestial - Andromeda Perseus Triangulum
Located in London, GB
18th-century celestial FLAMSTEED, John. Andromeda Perseus Triangulum London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas ...
Category

1750s Naturalistic Engraving Prints and Multiples

Materials

Watercolor, Engraving

18th-century celestial - Camelopardal Auriga
Located in London, GB
18th-century celestial FLAMSTEED, John. Camelopardal & Auriga London, C. Nourse, 1753. Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...
Category

1750s Naturalistic Engraving Prints and Multiples

Materials

Watercolor, Engraving

Salvador Dali "Under the Parasol Pine"
Located in Boston, MA
Artist: Dali, Salvador Title: Under the Parasol Pine Series: Tristan et Iseult Date: 1970 Medium: drypoint printed in color Framed Dimensions: 25.5" x 20" Signature: Pencil s...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Drypoint

CALLED BY SAKE (C.70)
Located in Aventura, FL
Woodcut, collagraph and photo-engraving in colors, on Rives Lightweight Cream paper, with full margins. Hand signed, dated and numbered lower front by Jim Dine. From the edition of...
Category

1990s Pop Art Engraving Prints and Multiples

Materials

Paper, Engraving, Woodcut

CALLED BY SAKE (C.70)
CALLED BY SAKE (C.70)
$7,960 Sale Price
20% Off
Présence /// French African Contemporary Abstract Expressionist Engraving Modern
Located in Saint Augustine, FL
Artist: Serge Helenon (French, 1934-) Title/Portfolio: "Présence" *Each work is signed by Helenon in pencil lower left or lower right Year: 1985 Medium: The Complete Portfolio of Thr...
Category

1980s Abstract Expressionist Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Intaglio

Trinity College, Oxford David Loggan 1705 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Oxford (1705) Engraving 32 x 41 cm Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
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1670s Realist Engraving Prints and Multiples

Materials

Engraving

White Head Eagle
Located in Fairlawn, OH
White Head Eagle Mezzotint printed in colors, 2014 Signed lower right (see photo) Titled lower center (see photo) WHITE HEAD EAGLE. The Print Club of Cleveland Publication No. 94, 20...
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Big Horse, Black Moorhead 46 very scarce 1932 engraving + drypoint signed 8/30
Located in New York, NY
Stanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered 8/30 an...
Category

1930s Abstract Expressionist Engraving Prints and Multiples

Materials

Engraving, Drypoint

Celestial Nymph I
Located in New York, NY
Elyse Ashe Lord (1900-1971), Celestial Nymph I, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 8 1/4 x 10, the sheet 17 x 13 1/2 inches. A fine impression, with strong color and plate tone on the nymph and surrounding decorations, and with pencil additions in various places on the nymph by the artist (using the same pencil as with signing). Printed on a light laid ivory Japan paper. Provenance: Kennedy Galleries, New York (with their stock number A 32064) Elyse Ashe Lord developed her unique artistic style exclusively around oriental subject matter. Her art was inspired by both Chinese art and various aspects of oriental culture. Although E.A.Lord never actually travelled to China, she used Chinese paintings, embroideries and wall hangings, together with objects from surrounding Eastern countries, as the sources for her images. The highly individual style which Elyse Lord created reflects both this source material and the influences of Art Deco and early 1920’s fashion. In particular, Elyse Lord is unusual in combining the technique of drypoint with woodcut colour printing. She uses the drypoint design almost as the Japanese would have used a key block in multiple block colour printing. The colours would then be added by over-printing the drypoint design using colour-inked wood blocks, precisely as displayed by this unique series of progressive proofs. Elyse Lord would always supervise the difficult process of printing her plates and blocks, in person. [I am indebted to Michael Campbell...
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1930s Other Art Style Engraving Prints and Multiples

Materials

Drypoint, Etching

18th-century celestial - Cetus
Located in London, GB
18th-century celestial FLAMSTEED, John. Cetus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...
Category

1750s Naturalistic Engraving Prints and Multiples

Materials

Watercolor, Engraving

New York Stock Exchange (Symbolic icon of Wall St. s vast power and wealth)
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint, Aquatint

Le banc de jardin (The Garden Bench)
Located in Fairlawn, OH
Le banc de jardin (The Garden Bench) Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883 Signed in the plate (see photo) Condition: Brilliant impression...
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1880s Impressionist Engraving Prints and Multiples

Materials

Mezzotint

Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category

1930s American Modern Engraving Prints and Multiples

Materials

Drypoint

Spring Night Greenwich Village
Located in New York, NY
Spring Night, Greenwich Village--1930, Drypoint and Sand Ground.McCarron 85, only state. Edition 92. Signed in pencil. Signed in the plate, lower rig...
Category

1930s Engraving Prints and Multiples

Materials

Drypoint

Johann Weinmann : Mezzotint engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...
Category

Mid-18th Century Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
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18th Century Engraving Prints and Multiples

Materials

Watercolor, Mezzotint

The original Whitney, Marcel Breuer Building (now Sotheby s), Woodcut engraving
Located in New York, NY
Richard Haas The Whitney (Marcel Breuer Building), 1979 Woodcut engraving Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from ...
Category

1970s Realist Engraving Prints and Multiples

Materials

Engraving, Etching

Salvador Dalí – La Tête ( The Head ) – hand watercolored drypoint etching – 1969
Located in Varese, IT
hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) signed in pencil by artist in lower right corner paper size: 38.5 x 28.5 cm framed size: 65 x 55 cm very good conditions Bibliography: Salvador Dalí Catalogue Raisoneé of etchings and mixed media prints Ref 369 pag 178 Fast and Tracked shipping with express currier DHL . We offer professional packaging and tracked shipping with DHL Express courier ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...
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1960s Surrealist Engraving Prints and Multiples

Materials

Paper, Watercolor, Drypoint, Etching

NIGHT WINDOWS
Located in Portland, ME
Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed...
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1910s Engraving Prints and Multiples

Materials

Drypoint, Etching

Salvador Dali "Mission Dolores"
Located in Boston, MA
Artist: Dali, Salvador Title: Mission Dolores Series: San Francisco Date: 1970 Medium: Drypoint with lithographed color Framed Dimensions: 33" x 27" Signature: Pencil signed E...
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1970s Surrealist Engraving Prints and Multiples

Materials

Drypoint, Lithograph

Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
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Category

1790s Engraving Prints and Multiples

Materials

Engraving

Clare College, Cambridge (aerial view) by David Loggan
Located in London, GB
David Loggan (1634 - 1692) Clare College, Cambridge Engraving 36 x 42 cm An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engraver, draugh...
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Early 18th Century Realist Engraving Prints and Multiples

Materials

Engraving

David Loggan, Prospectus Cantabrigiae Orientalis Occidentalis
Located in London, GB
David Loggan (1634-1692) Prospectus Cantabrigiae Orientalis & Occidentalis Engraving 32 x 46 cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. ...
Category

1670s Realist Engraving Prints and Multiples

Materials

Engraving

The Birth of Adonis; Plate 1 from The Story of Adonis
Located in Middletown, NY
Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...
Category

Early 17th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Venere e Amore sui Delfini (Venus and Cupid on Dolphins) /// Old Masters Raphael
Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower left Circa: 1515-1520 (second state of three) Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown Publisher: Antonio Salamanca, Rome, Italy Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10 Framing: Recently beautifully framed, the sheet is museum mounted, floated over a 100% cotton rag mat in a modern gold moulding and Museum glass Framed size: 16.88" x 13.07" Sheet size: 10.63" x 6.94" Condition: Thread margins. A strong impression in excellent condition Very rare Notes: Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520). "This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London Biography: Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
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16th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Beyound (sic) - IX
Located in Fairlawn, OH
Beyond (sic) - IX Mezzotint, n.d. Signed, titled and numbered in pencil (see photos) Edition: Unique impression (i/I) Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. Condition: excellent Plate/Image size: 9.75 x 7.75 inches Sheet size: 12 1/2 x 9 5/8 inches Provenance: Ninion and Sheldon Landy, Hamanishi's patrons EXTREMELY RARE-UNIQUE Katsunori Hamanishi Born: 1949, Hokkaido Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker tool. Worked in all directions, this creates an even finely-grained texture over the surface of the plate. Each pit will hold ink and were the plate inked at this stage, it would print almost solid black. To create the design the artist smoothes out some of the pits with a burnisher so they will hold less ink. Where highlights are required the plate is burnished and polished quite smooth. A wide range of tones are possible in mezzotint and the process can usually be recognized by a light design on a velvety black background. Hamanishi is internationally known for his mastery of this medium. He creates images with both subtle detail and dynamic composition that explore spatial relationships. His genius is in balancing calm and meditative qualities with the energetic tensions of inanimate and natural objects. Early work had such things as pipes and branches wrapped with cloth, later rope, then straw. When he moved to a more rural area, rice fields became a common element. He has also been exploring the use of color and metallic leaf in his artwork. In 2005 Mr. Hamanishis began the Haze series exploring more abstract themes using the subtle differences between matte and black inks done in mezzotint and relief printing. There is always a sense of mystery and intrigue in the complex mezzotint prints that come from Hamanishi’s deft hands. They compel the viewer to do a slow, thoughtful examination in order to fully absorb the vision the artist intends. Exhibitions: Worcester Art Museum, Massachusetts --2 person show with Hamaguchi Ibiza Biennial, Spain--Grand Prize Original Colored Graphic Print Triennial, Switzerland--Grand Prize Cabo Frio International Print Biennial, Brazil--Grand Prize CWAJ Print Show, Tokyo--Art Grant winner Republic of China Print Exhibit--Gold Medal Graphic Arts Council, Achenbach Foundation, San Francisco--commissioned print Art Institute of Cleveland University of Alberta, Edmonton, Canada--visiting artist Shun-yo-Kai, Tokyo--prize winner Bhara Bhavan International Print Biennale, India Ren Brown...
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1980s Abstract Engraving Prints and Multiples

Materials

Mezzotint

The Cavaliers of King Arthur, from Tristan and Iseult
Located in Washington, DC
Artist: Salvador Dali Title: The Cavaliers of King Arthur Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: ...
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1970s Surrealist Engraving Prints and Multiples

Materials

Engraving

Sur la Marne
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sur la Marne, engraving, 1924, signed in pencil lower right [with the initial lower right in the plate]. Reference: S. Laboureur 277, third state (o...
Category

1920s Cubist Engraving Prints and Multiples

Materials

Engraving

Sortie de Theatre a Londres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches. Provenance: unknown collector’s mark verso (GOE in oval) A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark. The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category

1910s Naturalistic Engraving Prints and Multiples

Materials

Drypoint

Salvador Dalì (1904-1989) - Femme a coussin - Drypoint, etchings - 1969
Located in Varese, IT
Hand coloured drypoint, etchings on Arches paper Edited in 1969/1970. Limited edition of 145 copies, numbered 55/145 in lower left corner. Hand-signed by artist in pencil in the lowe...
Category

1970s Abstract Engraving Prints and Multiples

Materials

Drypoint, Etching

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames, Set of 6
Located in Richmond, GB
A group of mezzotint engravings of flowers from: "Phytanthoza Iconographia", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-174...
Category

18th Century Engraving Prints and Multiples

Materials

Watercolor, Mezzotint

Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91) Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category

1710s Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Intaglio

Decameron - Portfolio of 10 Original Signed Engravings by Salvador Dali
Located in Collonge Bellerive, Geneve, CH
Portfolio of 10 Original Signed Engravings by Salvador Dali Title: Decameron Signed in Pencil by Salvador Dali Dimensions: 45 x 32 cm Edition EA 1/5 1972 References : Field 72-8 (p. ...
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1970s Surrealist Engraving Prints and Multiples

Materials

Engraving

Salvador Dali "Blackberries"
Located in Boston, MA
Artist: Dali, Salvador Title: Blackberries Series: Fruits Date: 1970 Medium: Photolithograph with original engraving on Rives Unframed Dimensions: 22.5" x 14.5" Framed Dimensio...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Engraving, Lithograph

Set of Two Engravings after Cipriani "Four Muses" "Father and Two Daughters"
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815) Title: "Four Muses" & "Father and Two Daughters" Portfolio: Rudiments of Drawing *Issued unsigned, though both are signed by Bartolo...
Category

1780s Old Masters Engraving Prints and Multiples

Materials

Engraving, Etching

Jesus College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

1690s Realist Engraving Prints and Multiples

Materials

Engraving

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category

1710s Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Intaglio

Antique European School Engraving Portrait of a Woman with Water Jug
Located in San Francisco, CA
Antique European School Engraving Portrait of a Woman with Water Jug A beautiful young woman taking a break from collecting water Original antiq...
Category

Early 20th Century Impressionist Engraving Prints and Multiples

Materials

Engraving

Untitled
Located in Fairlawn, OH
Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on the verso to...
Category

1960s Abstract Expressionist Engraving Prints and Multiples

Materials

Engraving

(after) John Constable mezzotint "Spring"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
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1850s Engraving Prints and Multiples

Materials

Mezzotint

The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category

1920s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

¨Sospecha¨ 2006 signed limited edition original art print aquatint
Located in Miami, FL
Tomas Gondi (Mexico, 1948) 'Sospecha', 2006 aquatint on paper Guarro Super Alpha 250g. 6.5 x 7.5 in. (16.5 x 19 cm.) Hand-signed by author Unframed ID: GON-102
Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Engraving, Etching, Aquatint

Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou
Located in Fairlawn, OH
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou, Mme Marthe Letellier Drypoint, 1900-1901 Signed in pencil lower left (see photo) Titled in pencil low...
Category

Early 1900s Impressionist Engraving Prints and Multiples

Materials

Drypoint

INVITATION TO THE LINDY HOP
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). INVITATION TO THE LINDY HOP. Engraving, 1942. 7 3/8 x 6 1/8 inches (plate), 8 1/2 x 7 3/8 inches (sheet). Signed, ti...
Category

1940s Engraving Prints and Multiples

Materials

Engraving

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Woodcut

Darius II
Located in Fairlawn, OH
Signed in pencil lower right Edition: 3 impressions Signed, dated and annotated “1 of 3” Exhibited: Zygote Press, Cleveland, 2016 Tregoning & Co. 2017
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Drypoint

19th century color engraving indigenous figures feathers text full body face
Located in Milwaukee, WI
"Moqui Dancers, Moqui Pipe, Navajo Cradle & Headdress" is a hand-colored engraving by Seth Eastman. It depicts encyclopedic depictions of Native American...
Category

1840s Engraving Prints and Multiples

Materials

Engraving

Corpus Christi College, Oxford 1675 engraving by David Loggan
Located in London, GB
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Category

1670s Realist Engraving Prints and Multiples

Materials

Engraving

St John s College, Oxford 1675 engraving by David Loggan
Located in London, GB
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Category

1670s Realist Engraving Prints and Multiples

Materials

Engraving

David Loggan: All Souls College, Oxford 1675 engraving
Located in London, GB
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Category

1670s Realist Engraving Prints and Multiples

Materials

Engraving

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Woodcut

The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category

20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Cassia corymbosa (Argentine senna) /// Pancrace Bessa Flower Plant Botanical Art
Located in Saint Augustine, FL
Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Cassia corymbosa (Argentine senna)" (T.6. No. 32) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Pl...
Category

Early 1800s Old Masters Engraving Prints and Multiples

Materials

Watercolor, Engraving

Tree, Exhibiting the Various Congregations of the Benedictine Order /// Hollar
Located in Saint Augustine, FL
Artist: Sir William Dugdale (English, 1605-1686) Title: "Tree, Exhibiting the Various Congregations of the Benedictine Order" Portfolio: Monasticon Anglicanum: A History of the Abbie...
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1810s Old Masters Engraving Prints and Multiples

Materials

Engraving

Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, GB
4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...
Category

1780s Gothic Engraving Prints and Multiples

Materials

Handmade Paper, Etching, Engraving

Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre (A Disembarking in England) etching, drypoint, aquatint, roulette and spirit ground, 1879 Signed with the artist’s red owl stamp, Lugt 977 (see photo) ...
Category

1870s Impressionist Engraving Prints and Multiples

Materials

Drypoint

L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category

1870s Realist Engraving Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Portrait
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Portrait, 1917, engraving, signed in pencil lower left and numbered lower right (28/40). Reference: S. Laboureur 170, third state (of 3), from the e...
Category

1910s Art Deco Engraving Prints and Multiples

Materials

Engraving

Oxford Christ Church and Carfax 18th century engraving by John Donowell
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1750s Engraving Prints and Multiples

Materials

Engraving

Wadham College, Oxford 1675 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Wadham College, Oxford (1675) Engraving 32 x 41 cm Loggan's view of Wadham from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman...
Category

1670s Realist Engraving Prints and Multiples

Materials

Engraving

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.

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