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Medium: Engraving
Un Jour un Homme, Engraving by Pierre-Yves Trémois
Located in Palm Springs, CA
Pierre-Yves Trémois’s Un jour, un homme (1986) captures the artist’s characteristic fusion of anatomical precision and surreal tension. Executed in etching and engraving, the composi...
Category

1980s Contemporary Engraving Prints and Multiples

Materials

Engraving, Etching

Rent Day, English antique engraving after Sir David Wilkie
By Sir David Wilkie
Located in Melbourne, Victoria
'Rent Day' Engraving by Abraham Raimbach (1776-1843) after Sir David Wilkie RA (1785-1841). Circa 1820. 'Second Plate' printed under engraver's name. Wilkie was an important Scot...
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Antoni Clavé - GUERRERO (Warrior) Etching Spanish Abstraction Contemporary
Located in Madrid, Madrid
Antoni Clavé - GUERRERO (WARRIOR) Date of creation: 1966 Medium: Etching on paper Edition number: 17/50 Size: 78 x 56,5 cm Condition: In very good conditions and never framed Observa...
Category

1960s Abstract Engraving Prints and Multiples

Materials

Archival Paper, Engraving, Etching

(after) Jean Cocteau - copper plate engraving
Located in Henderson, NV
Medium: copper plate engraving (after the drawing). Printed in Paris in 1928 on Abbey Mills Greenfield laid paper and published in an edition of 250. Size: 8 3/8 x 6 1/4 inches (212 ...
Category

1920s Engraving Prints and Multiples

Materials

Engraving

La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Engraving Prints and Multiples

Materials

Laid Paper, Drypoint, Etching, Aquatint

Little Girl — American Modernism
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
Category

1930s American Modern Engraving Prints and Multiples

Materials

Drypoint

Marshland
Located in San Francisco, CA
This artwork titled "Marshland" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered 31/40 in pe...
Category

Mid-20th Century American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Fallscape
Located in San Francisco, CA
This artwork titled "Fallscape" 1961, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 15/40 in pencil by ...
Category

Mid-20th Century American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Fritz Scholder American artist 1982 original hand signed engraving mask woman
Located in Miami, FL
Fritz Scholder (United States, 1937-2005) 'Mask of a mystery woman', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-002-000 Unframed
Category

1980s Contemporary Engraving Prints and Multiples

Materials

Paper, Ink, Engraving, Aquatint, Screen, Etching

[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category

Early 18th Century Other Art Style Engraving Prints and Multiples

Materials

Engraving

"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category

Late 18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Rue De Toiles, Bourges
Located in Middletown, NY
Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...
Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Tapies Engraved With Plastic Collage and Polychrome stamping abstract
Located in CORAL GABLES - MIAMI, FL
engraved with plastic collage and polychrome stamping abstract pàinting. virtual framed Aguatinta. Arches 63x90 Ed galeria Maeght, Barceloa. Imp. J. Barbara, Barcelona Catalogue raz...
Category

1970s Abstract Engraving Prints and Multiples

Materials

Engraving

The Fleet of Tahiti displayed for Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"The Fleet of Otaheite, Assembled at Oparee" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on hi...
Category

1780s Engraving Prints and Multiples

Materials

Engraving

Fugue (Are these boats running away from the others)
Located in New Orleans, LA
In Anne Dykmans' "Fugue", sailing vessels race across the seas. This impression is #65 of 75 and is signed, titled and dated by the artist. Anne Dykmans (Belgian, b. 1952) Anne Dykma...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Magic (these two figures seated on a beach beneath an active sky evoke emotion)
Located in New Orleans, LA
An older couple sits on a beach facing the sea as a shooting object streaks through the sky. There is a feeling of connection and contentment conveyed through the imagery. Does the...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Laurie and Whittle - 1794 Engraving, A General View of the City of Lisbon
Located in Corsham, GB
A vibrant and captivating print depicting an expansive view of Lisbon, with ships sailing in the foreground. Inscribed within the plate below the image. On paper.
Category

Early 18th Century Engraving Prints and Multiples

Materials

Engraving

Tool Drypoint: Paintbrush by Jim Dine, black and white tool still life sketch
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category

1970s Modern Engraving Prints and Multiples

Materials

Drypoint

Attraction 5 (Six men gaze rightward. 1 points upwards in landscape in turmoil)
Located in New Orleans, LA
Maurice Pasternak created "Attraction 5", a mezzotint in an edition of 80 that depicts 6 men clearly attracted to something that appears outside the plane of the image. The men seem...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Beggar in a High Cap - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Beggar in a High Cap, Standing and Leaning on a Stick is an engraving on ivory-colored paper realized bu Charles Amand Durand after an etching by Rembrandt dated 1630. This wonderful...
Category

19th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

The Furnace — American Expressionism
Located in Myrtle Beach, SC
Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....
Category

1920s American Modern Engraving Prints and Multiples

Materials

Drypoint

12th Street Walls — 1940s New York City
Located in Myrtle Beach, SC
Armin Landeck, '12th Street Walls', etching, edition 100, first state, 1944, Kraeft 93. Signed in pencil. Initialed in the plate lower left. A superb, early impression, with all the ...
Category

1940s American Realist Engraving Prints and Multiples

Materials

Drypoint

Page 47 from Si je mourais la-bas
Located in Palo Alto, CA
Created to accompany poetry in the book Si je mourais la-bas by Guillaume Apolliaire, this lovely woman detailed in a soft delicate profile we can only a...
Category

1960s Modern Engraving Prints and Multiples

Materials

Engraving, Woodcut

Homme figuier (Fig Man)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...
Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
Located in Middletown, NY
Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category

1980s American Modern Engraving Prints and Multiples

Materials

Engraving, Etching

Holed Fruit from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...
Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Le plus beau cadeau
Located in BARCELONA, ES
Antoni Tàpies, 1975 “Le plus beau cadeau”. Etching and carborundum engraving copy 37/80 signed and numbered in pencil Galfetti V - pag.90/nº1513
Category

1970s Abstract Engraving Prints and Multiples

Materials

Engraving, Etching

Dragon Apple from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Dragon Apple from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Han...
Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper Signed in plate lower left: Jean François Raffaëlli. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aqua...
Category

1870s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Abstract Composition - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwor...
Category

Mid-20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Sewessissing Chief of the Eowah Indians, Native American portrait engraving
Located in Melbourne, Victoria
Copper-line engraving with original hand-colouring by M Griffith after Charles Hamilton Smith, 1827. Depicts the Sewessissing, chief of the Iowa Indians. Charles Hamilton Smith (1...
Category

Early 19th Century American Impressionist Engraving Prints and Multiples

Materials

Engraving

Beggar and Peasants - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Beggar and Peasants is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late e...
Category

19th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Louis XI, Roi de France
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Category

Mid-17th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Le Téléphone (The Telephone)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Le Téléphone (The Telephone) Drypoint etching with stencil from 1975. The edition 165/450 on Arches paper. Dimensions of sheet: 75 x 56 cm Dimensions ...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Drypoint, Etching

"Hythe" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Engraving Prints and Multiples

Materials

Engraving

Kai-Pol-E-Quah: 19th C. Hand-colored McKenney Hall Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Kai Pol E Quah, White Nosed F...
Category

1830s Naturalistic Engraving Prints and Multiples

Materials

Engraving

Heinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht
Located in Greven, DE
Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621) “Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...
Category

16th Century Renaissance Engraving Prints and Multiples

Materials

Engraving

Untitled
Located in Barcelona, BARCELONA
Includes a Certificate of Authenticity
Category

1990s Abstract Geometric Engraving Prints and Multiples

Materials

Engraving

(after) John Constable mezzotint "Mill Stream"
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category

1850s Engraving Prints and Multiples

Materials

Mezzotint

A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater London: George Humphrey, 1821. Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category

Early 19th Century Engraving Prints and Multiples

Materials

Watercolor, Engraving, Etching

Bacchus — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category

1730s Realist Engraving Prints and Multiples

Materials

Engraving

Mornings with Judd (Second state)
Located in Middletown, NY
Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
Category

1970s American Modern Engraving Prints and Multiples

Materials

Engraving, Etching, Archival Paper

Chute I (the fall of ethereal creatures wandering in a hellish landscape)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category

Early 2000s Surrealist Engraving Prints and Multiples

Materials

Mezzotint

Hans Jürg Buckmeire German Artist Original Hand Signed silkscreen grotesc n2
Located in Miami, FL
Hans Jürg Buckmeire (Germany) 'S/T 2', N/A silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: JUR1398-002-099 Unframed Hand-signed by author
Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Paper, Engraving, Screen

Restaurant in Mott Street
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
Category

Early 20th Century American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

"Love" Vintage San Francisco Drypoint Print by S.T. Chang
Located in Soquel, CA
"Love" Vintage San Francisco Drypoint Print Abstract print featuring a stylized version of the Japanese kanji for love, 愛, by S.T. Chang (American, 20th century.) The kanji is outli...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Drypoint, Paper, Aquatint

Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Color, Drypoint, Etching

Riva San Giuliano
Located in Middletown, NY
Etching with drypoint on cream laid paper with a deckle edge, 7 7/8 x 13 1/8 inches ( 200 x 334 mm), full margins. Signed and numbered 27/100 in pencil in the lower margin. With two ...
Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

Clave Japan engraving.
Located in CORAL GABLES - MIAMI, FL
Original work of the graphic of the Spanish teacher Antoni CLAVE. engraving 55/60 ej CLAVÉ I SANMARTÍ, Antoni (Barcelona, 1913 - Saint Tropez, France, 2005). Antoni Clave is one of...
Category

Late 20th Century Abstract Engraving Prints and Multiples

Materials

Engraving

Spanish 1986 signed limited edition original art print etching 15x11 in.
Located in Miami, FL
Antonio Lorenzo Carrión (Spain, 1922) Piloto de Pruebas IV, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet...
Category

1980s Contemporary Engraving Prints and Multiples

Materials

Paper, Engraving, Etching, Aquatint

Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli. This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right. This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition. Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books. 
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Exact Chart of all the Countries through which Capt. Behring Travelled from Tobolski, Capital of Siberia to the Country...
Category

Mid-18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.
Category

1930s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Cena Ultima (Guinea Vultures stand for apostles in this version of Last Supper)
Located in New Orleans, LA
Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Matinée Avenue de Clichy
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

"Un rideau" original drypoint
Located in Henderson, NV
Medium: original etching and drypoint. This impression on wove paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 5/8 x 4 3/4 inc...
Category

Early 1900s Engraving Prints and Multiples

Materials

Drypoint, Etching

Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category

Early 20th Century English School Engraving Prints and Multiples

Materials

Laid Paper, Etching, Drypoint

"Air" 1996 Collection 4 Elements Original Signed Engraving Spanish Woman Artist
Located in Miami, FL
Magda Bolumar (Spain, 1936) 'Aire (Carpeta ""Los cuatro elementos"")', 1996 etching, aquatint on paper Rives BFK 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edi...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Engraving, Etching, Aquatint

Raimundo Orozco Cuban Artist Original Hand Signed engraving 2000
Located in Miami, FL
Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-312-054 Hand-signed by author
Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Paper, Aquatint, Screen, Engraving

Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Drypoint

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.

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