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Medium: Intaglio
A Youth at His Devotions /// after Raphael Raffaello Sanzio Renaissance Italian
Located in Saint Augustine, FL
Artist: William Young Ottley (English, 1771-1836)
Title: "A Youth at His Devotions"
Portfolio: The Italian School of Design: Being a Series of Fac-Similes of Original Drawings, By th...
Category
1810s Victorian Intaglio Prints and Multiples
Materials
Etching, Intaglio
Garden Talk
Located in Palm Springs, CA
While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...
Category
2010s Contemporary Intaglio Prints and Multiples
Materials
Intaglio
Ardea, Stellaris (Eurasian Bittern) /// Dutch Ornithology Bird Animal Engraving
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original H...
Category
1770s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Three Engravings from "The British Sportsman" /// Osbaldiston Animal Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Titles: "Coursing" (Plate 3), "Hawking" (Plate 7), and "Hare Hunting" (Plate 8)
Portfolio: The British Sport...
Category
1790s English School Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"The Roses are Coming, " Intaglio Artist Proof VIII by Fred Reichman
Located in Milwaukee, WI
"The Roses are Coming" is an intaglio print AP. VIII from an edition of 100. It is signed lower right by the artist Fred Reichman. It depicts sticks and ...
Category
1980s Intaglio Prints and Multiples
Materials
Intaglio
Set of Two Engravings from Nash
s "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.88"
Image size (each): approx. 8.13" x 12.63"
Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition
Notes:
Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall".
"PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching, Aquatint
Oh, You Pretty Things
Located in Philadelphia, PA
intaglio on Somerset paper, 18”h x 14”w unframed
Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of ...
Category
21st Century and Contemporary Contemporary Intaglio Prints and Multiples
Materials
Archival Paper, Intaglio
Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Lincolnshire Sheep" (Plate 9)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
1790s English School Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
St. Alban
s Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
Located in Saint Augustine, FL
Artist: Robert Clutterbuck (English, 1772-1831)
Title: "St. Alban's Abbey Church, High Altar screen"
Portfolio: The History and Antiquities of the County of Hertford
Year: 1815-1827 (First edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Nichols, Son, and Bentley, London, UK
Publisher: Nichols, Son, and Bentley, London, UK
Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623
Sheet size: 17.63" x 11.38"
Image size: 11.57" x 8.57"
Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin.
St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...
Category
1810s Old Masters Intaglio Prints and Multiples
Materials
Engraving, Intaglio
"Mankind, " Intaglio on Digital Inkjet Graphic signed by Suzanne McClelland
Located in Milwaukee, WI
"Mankind" is an original one-color intaglio print over an 8-color digital pigmented inkjet graphic by Suzanne McClelland. The artist signed the piece lower right. It features blue ge...
Category
Early 2000s Contemporary Intaglio Prints and Multiples
Materials
Color, Intaglio, Digital Pigment
"Pendragon Castle" and "Lincoln Castle" from "Buck
s Antiquities" /// British UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170)
Portfolio: Buck's Antiquities or Vener...
Category
1720s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Glowing Tree
Located in Fairlawn, OH
Glowing Tree
Etching, engraving & lift ground, 1958
Signed, titled and annotated in pencil (see photos)
Edition: Artist Proof (there was a published addition of 30 with five stencil ...
Category
1950s American Modern Intaglio Prints and Multiples
Materials
Intaglio
Blue Jays, Aquatint Etching by Martin Barooshian
Located in Long Island City, NY
Blue Jays
Martin Barooshian, American (1929–2022)
Date: circa 1981
Intaglio Etching and Aquatint, signed and numbered in pencil
Edition of 175, AP 25
Image S...
Category
1980s Intaglio Prints and Multiples
Materials
Etching, Aquatint, Intaglio
Wild Fowl Shooting /// Osbaldiston The British Sportsman Hunting Engraving Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Wild Fowl Shooting" (Plate 2)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
1790s English School Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
King Henry VII /// Old Masters Royal Family British Portrait Face Engraving Art
Located in Saint Augustine, FL
Artist: George Vertue (English, 1684-1756)
Title: "King Henry VII"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Ver...
Category
1730s Baroque Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
King Richard II /// Old Masters British Royal Family Portrait Engraving Art
Located in Saint Augustine, FL
Artist: George Vertue (English, 1684-1756)
Title: "King Richard II"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Ve...
Category
1730s Baroque Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
David Salle Photogravure Heliogravure "Lucky" Pictures Generation Signed Print
By David Salle
Located in Surfside, FL
DAVID SALLE (American, 1952- )
Lucky
1992
Photoengraving heliogravure on Lana paper
Edition Julie Sylvester, New York
Hand signed and dated in pencil lower right, numbered lower left...
Category
1990s Contemporary Intaglio Prints and Multiples
Materials
Photogravure
"Louth Park Abbey" and "Easby Abbey" from "Buck
s Antiquities" /// Architecture
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324)
Portfolio: Buck's Antiquities or Venerabl...
Category
1720s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
The Chase Manhattan Band, Pop Art Aquatint Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
The Chase Manhattan Band
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching and Aquatint, signed and numbered in pencil
Edition of 300
Size: ...
Category
1970s Intaglio Prints and Multiples
Materials
Etching, Aquatint, Intaglio
"Knaresborough Castle" and "Sawley Abbey" from "Buck
s Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category
1720s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "St Peters Church at Rome" (Vol. 1, Plate 6)
Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
Category
1710s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
"En Salada" Salad Fixings Intaglio on Paper by Joseph C. MaCarthy
Located in Soquel, CA
"En Salada" Salad Fixings Etching on Paper by Joseph C. MaCarthy
This Intaglio print, titled "En Salada," by San Francisco Bay area artist Joseph C. McCarthy (American, 20th C), cre...
Category
1980s American Realist Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Intaglio
A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category
Late 19th Century Naturalistic Intaglio Prints and Multiples
Materials
Photogravure
Set of Two Engravings from Campbell
s "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52)
...
Category
1710s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
"Gujulpahn Appetizer" Intaglio and Hand painted on Paper by Kyung A. Kang
Located in Soquel, CA
"Gujulpahn Appetizer" Intaglio Hand painted on Paper by Kyung A. Kang
Original 1983 hand painting and Intaglio titled "Appetizer" from the "The Perfect Meal" Folio featuring 14 Art...
Category
1980s American Modern Intaglio Prints and Multiples
Materials
Laid Paper, Watercolor, Intaglio
Keys Largo, Pop Art Aquatint Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Keys Largo
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching and Aquatint, signed and numbered in pencil
Edition of 300
Size: 24 in. x 21 in. (60.96 cm x 53.34 cm)
Category
1970s Intaglio Prints and Multiples
Materials
Etching, Aquatint, Intaglio
Bugs and Leaves - Print - Late 20th Century
Located in Roma, IT
Bugs and leaves is a phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin.
Category
Late 20th Century Contemporary Intaglio Prints and Multiples
Materials
Photogravure
The Red Flower - Print - Late 20th Century
Located in Roma, IT
The red flower is a phototype print on paper realized in the late 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin
The artist want to define a well...
Category
Late 20th Century Contemporary Intaglio Prints and Multiples
Materials
Photogravure
Flowers and Bugs - Print - Early 20th Century
Located in Roma, IT
Flowers and bugs is a phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right corner
The artist use the stylized trai...
Category
Early 20th Century Contemporary Intaglio Prints and Multiples
Materials
Photogravure
David Salle Photogravure Heliogravure "Lucky" Pictures Generation Signed Print
By David Salle
Located in Surfside, FL
DAVID SALLE (American, 1952- )
Lucky
1992
Photoengraving heliogravure on Lana paper
Edition Julie Sylvester, New York
Hand signed and dated in pencil lower right, numbered lower left...
Category
1990s Contemporary Intaglio Prints and Multiples
Materials
Photogravure
Pepe Contino 1978 original photoengraving signed limited edition pop art print 1
Located in Miami, FL
Jose "Pepe" Contino (Cuba, 1933)
'Untitled (from Porfolio Grabados Cubanos)', 1978
silkscreen on paper Canson 320 g.
17.6 x 23.6 in. (44.6 x 59.8 cm.)
Edition of 200
ID: CON-301
Hand...
Category
1970s Modern Intaglio Prints and Multiples
Materials
Screen, Photogravure
Pond
By Sally Gall
Located in New York, NY
Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...
Category
21st Century and Contemporary Contemporary Intaglio Prints and Multiples
Materials
Photogravure
$760 Sale Price
20% Off
Cuban Artist Original Hand Signed photoengraving 30X22 in. n8
Located in Miami, FL
Juan Carlos Alom (Cuba, 1964)
'Estudio anatotécnico para abandonar una isla', 2004
photoengraving on paper
30 x 22.1 in. (76 x 56 cm.)
Edition of 106
...
Category
Early 2000s Contemporary Intaglio Prints and Multiples
Materials
Paper, Photogravure
Cuban Artist Original Hand Signed photoengraving 30x22 in. n4
Located in Miami, FL
Juan Carlos Alom (Cuba, 1964)
'El cielo protector', 2004
photoengraving on paper
30 x 22.1 in. (76 x 56 cm.)
Edition of 106
ID: ALO1534-004-106
Hand-s...
Category
Early 2000s Contemporary Intaglio Prints and Multiples
Materials
Paper, Photogravure
Crazy Eight (Tennis), Pop Art Intaglio Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Crazy Eight
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching with Aquatint, signed and numbered in pencil
Edition of 300
Size: 31 x 20.5 in. (78.74 x 52.07 cm)
Category
1970s Pop Art Intaglio Prints and Multiples
Materials
Aquatint, Intaglio
Entrance to the Castle at Tancarville /// John Sell Cotman Architectural Etching
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842)
Title: "Entrance to the Castle at Tancarville" (Vol. 2, Plate 86)
Portfolio: Architectural Antiquities of Normandy
Year: 1822
Medium: Or...
Category
1820s Victorian Intaglio Prints and Multiples
Materials
Etching, Intaglio
Ephemera
Located in New York, NY
Available individually ($2500), and as a suite of five ($12,000).
Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved to C...
Category
Late 20th Century Modern Intaglio Prints and Multiples
Materials
Aquatint, Photogravure
Portrait de Mlle L... (Portrait of Miss L...) /// Old Masters Figurative Lady
Located in Saint Augustine, FL
Artist: Paul Rodolphe Joseph Dujardin (French, 1843-1913)
Title: "Portrait de Mlle L... (Portrait of Miss L...)"
Portfolio: Gazette des Beaux-Arts
*Signed by Dujardin after Lehmann i...
Category
1890s Victorian Intaglio Prints and Multiples
Materials
Etching, Laid Paper, Intaglio
Sylvia Roth, "The Empress, " Etching with Aquatint, circa 1980
By Sylvia Roth
Located in Long Island City, NY
Artist: Sylvia Roth
Title: The Empress
Year: circa 1980
Medium: Etching with Aquatint, signed and numbered in pencil
Edition: PP
Image Size: 23.5 x 22 inches
Size: 34 x 28.5 inches
Category
1980s Modern Intaglio Prints and Multiples
Materials
Etching, Aquatint, Intaglio
Untitled V, Geometric Abstract Intaglio Etching by Omar Rayo
By Omar Rayo
Located in Long Island City, NY
Artist: Omar Rayo, Colombian (1928 - 2010)
Title: Untitled V
Year: circa 1970
Medium: Intaglio Etching and Aquatint, signed and numbered in pencil
Edition: 50
Size: 30 in. x 22 ...
Category
1960s Minimalist Intaglio Prints and Multiples
Materials
Intaglio
Carmen, Cubist Aquatint Etching by Antoni Clave
By Antoni Clavé
Located in Long Island City, NY
Artist: Antoni Clave, Spanish (1913 - 2005)
Title: Carmen
Year: 1978
Medium: Intaglio Etching with Aquatint, signed and numbered in pencil
Edition: XXV/XXV
Size: 30.25 in. x 22.5 in....
Category
1970s Cubist Intaglio Prints and Multiples
Materials
Etching, Aquatint, Intaglio
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History
Year: 1743-1764
Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers
Limited edition: Unknown
Printer: C. Rickaby, London, UK
Publisher: William Gardiner and Messrs. Robinson, London, UK
Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198
Sheet size (each): approx. 11.25" x 9"
Image size (each): approx. 8.63" x 7.38"
Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors
Notes:
Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included.
Biography:
George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...
Category
1740s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Two Engravings from Campbell
s "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...
Category
1710s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Set of Three Engravings from Curtis
s "Flora Londinensis" /// Botanical Flowers
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Titles: "Epilobium Tetragonum (Square Stalked Willow Herb)" (Vol. 2, Plate 131), "Stellaria Holostea (The Greater Stitchwort)" Vol. 2, Pla...
Category
1770s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Salvador Dalí, "Les petits chevaux" from Poemes de Mao-tse-toung, mixed media
Located in Chatsworth, CA
A heliogravure reworked in drypoint and ink drawing on Chinois ancien paper by Salvador Dali, 1967. Hand signed twice within the drawing and dated '1967'. It is inscribed "Por monsi...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Ballpoint Pen, Etching, Photogravure
Ephemera
Located in New York, NY
Available individually ($2500), and also as a suite of five ($12,000).
Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...
Category
Late 20th Century Contemporary Intaglio Prints and Multiples
Materials
Aquatint, Photogravure
The South West Prospect of St. Mary
s Church in the Strand /// William Maitland
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783)
Title: "The South West Prospect of St. Mary's Church in the Strand"
Portfolio: The History and Survey of London from its Foundation to t...
Category
1750s Old Masters Intaglio Prints and Multiples
Materials
Engraving, Laid Paper, Intaglio, Etching
Untitled V, Minimalist Embossed Intaglio Print by Shlomo Koren
Located in Long Island City, NY
Artist: Shlomo Koren, German (1932 - )
Title: Untitled V
Year: 1970
Medium: Intaglio, signed and numbered in pencil
Edition: 15
Size: 26 x 20 in. (66.04 x 50.8 cm)
Category
1970s Minimalist Intaglio Prints and Multiples
Materials
Intaglio
"Lamps (White)", 1979, Intaglio by Ben Schonzeit
Located in Long Island City, NY
Artist: Ben Schonzeit, American (1942 - )
Title: Lamps (White)
Year: 1979
Medium: Intaglio, signed and numbered in pencil
Edition: 14/125
Size: 28.5 x 25 in. (72.39 x 63.5 cm)
Category
1970s Contemporary Intaglio Prints and Multiples
Materials
Intaglio
Various Weapons
Implements of War /// Edward Barnard
s "History of England"
Located in Saint Augustine, FL
Artist: Edward Barnard (English, 1717-1781)
Title: "Various Weapons & Implements of War ... Which have been Employed Against the English, by Different Enemies: Now Deposited in the Tower of London"
Portfolio: New Complete and Authentic History of England
Circa: 1785
Medium: Original Hand-Colored Etching on laid paper
Limited edition: Unknown
Printer: Alex Hogg, London, UK
Publisher: Alex Hogg, London, UK
Sheet size: 15.38" x 9.63"
Image size: 11.75" x 7.94"
Condition: Slight toning to edges. Has been professionally stored away for decades. It is otherwise a strong impression in excellent condition
Notes:
Provenance: private collection - Cheltenham, UK. Engraved by English artist George Walker (1781-1856) after a drawing by English artist William Hamilton (1751-1801). Comes from Barnard's one volume "New Complete and Authentic History of England", (1783, 1785, 1790) (First - third editions), which consists of 105 engravings. Printed in one color from one copper plate: black.
Biography:
Edward Barnard (1717-1781) was an English cleric and academic, provost of Eton from 1764. Barnard was second son of Rev. George Barnard...
Category
1780s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Two Engravings from Nash
s "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.25" x 16.63"
Image size (each): approx. 7" x 12"
Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition
Notes:
Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Cyrilla Pulchella Scarlet-Flowered Cyrilla /// English Botanical Flower Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Cyrilla Pulchella Scarlet-Flowered Cyrilla" (Vol. 11, Plate 374)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Ye...
Category
1790s Victorian Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Canyon Floor
By John Ross
Located in New York, NY
This collagraph print was created during the mid-1970's when John Ross and his family were spending summers in the Southwest. Ross brought forward and mastered the collagraph. “A c...
Category
Late 20th Century Contemporary Intaglio Prints and Multiples
Materials
Intaglio
Peak
By John Ross
Located in New York, NY
This collagraph was created by John Ross during the 1970's. Signed, titled and inscribed "Artists Proof" in pencil. The sheet size is 22 1/4 x 30" and image size is ...
Category
Late 20th Century Contemporary Intaglio Prints and Multiples
Materials
Intaglio
$1,500
Time Goes On. Limited Edition of 52 (1 color intaglio) by Yoshitomo Nara signed
Located in Hong Kong, HK
Time Goes on (2002–2004) by Yoshitomo Nara
1 color intaglio (photogravure, aquatint) on paper
48 x 38 CM (sheet)
Ed. 52, A.P. 11
Literature:
Catalogue Raisonné: YNF3960
Yoshitomo N...
Category
Early 2000s Contemporary Intaglio Prints and Multiples
Materials
Intaglio
Larus, Cinereus (European Herring Gull) /// Dutch Ornithology Bird Animal Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Larus, Cinereus (European Herring Gull)" (Plate 101)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Origi...
Category
1770s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Intaglio, Laid Paper
La Mascara, Surrealist Intaglio Print by Jose Luis Cuevas
Located in Long Island City, NY
Artist: Jose Luis Cuevas, Mexican (1934 - 2017)
Title: La Mascara from the Homage to Quevedo Portfolio
Year: 1969
Medium: Intaglio with Lithographed Mylar Collage, signed and number...
Category
1960s Intaglio Prints and Multiples
Materials
Intaglio
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844)
Title: "Benevolent Cottagers"
Year: 1816
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown...
Category
1810s Old Masters Intaglio Prints and Multiples
Materials
Engraving, Etching, Laid Paper, Intaglio
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some O...
Category
1740s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Surrealist Composition with Bird in Profile
Located in Fairlawn, OH
Engraving, aquatint and mixed intaglio
Signed, dated and annotated "AP"
References And Exhibitions:
Tschacbasov was a Russian/Amiercan artist who was widely exhibited and collecte...
Category
1940s Surrealist Intaglio Prints and Multiples
Materials
Engraving, Aquatint, Intaglio
Shopping for Intaglio Prints?
There are many good reasons for an art lover to venture into the world of intaglio prints and other types of fine art prints. For one, art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, prints and other art can help enhance your space while supporting your effort to tie an interior design together.
Making a print can be as straightforward as pressing one painted surface to another or as complex as triggering a chemical reaction to create an image. Intaglio is a broad term for the variety of techniques used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
In intaglio printmaking, after the artist incises the image, the plate is covered with ink then wiped clean, leaving pigment only in the marks that have been made on the plate. The plate is then covered with a piece of damp paper and run through a press to transfer the ink. Different intaglio techniques are often combined to create varying effects of line and tone.
OK, so what is the difference between a woodcut print and an intaglio print?
“It is the opposite of relief printing — woodcut, linoleum cut, letterpress, and rubber or metal stamping,” says Rhea Fontaine of Paulson Fontaine Press. “With relief printing, the raised areas of the printing surface are inked and printed, while the areas that have been cut away do not pick up the ink. Often these prints are made by hand.”
Find intaglio prints and other types of fine art prints for sale on 1stDibs.
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