Andy Warhol

Flowers Original Mailer - Offset Print on Paper - 1964

1964

Original exhibition poster for Ruckus Manhattan by Red Grooms and the Ruckus Construction Company, 1975. Presented by Creative Time, Inc. Lithograph with offset lithographic photo elements, sheet measures 23 x 29 inches; 24 x 30 inches framed. Design by M. Samuels. Produced by Polychrome Lithography Co., Inc, NYC. Condition is outstanding with no damage or conservation. No creasing, staining, toning or fading. A rare poster from an early show produced by Creative Time Inc. while only in their 2nd season. A lovely document of NYC art history. Ruckus Manhattan was a multimedia, three-dimensional representation of Manhattan on display on the ground level of 88 Pine Street. The out-of-scale model, constructed of papier-mâché, wood, plastic, fiberglass, and vinyl, was designed to conform to Manhattan’s psychic dimensions, rather than its physical ones, and included such landmarks as the Apollo Theatre, the Brooklyn Bridge, Central Park, the Chrysler Building, the Stock Exchange floor, Trinity Church, and the World Trade Center. Finding inspiration in sources as diverse as cubism and newspaper comics, Red and Mimi Gross Grooms...

Keith Haring Talk To Us! 1989 (The Aids Hotline): Designed & illustrated by Keith Haring one year after Haring's own diagnosis, this RARE promotional bag was distributed by the NYC ...

New York/New Wave PS1 1981: A rare, highly sought after Basquiat collectible announcing Basquiat (as SAMO) in his first major show. Curated by the great Basquiat champion, Diego Cortez, the show would mark Jean-Michel's official unveiling to the art world. A historical document of the New York downtown art scene of the time, additional participants included (with their names listed on the poster): Keith Haring, Futura 2000, Andy Warhol, Kenny Sharf, Robert Mapplethorpe, Nan Goldin, Dondi, Lady Pink, Lawrence Weiner & many more figures of historic acclaim. Basquiat credit (as SAMO) found in the lower area of the top second area. Folding exhibition poster; 22 x 34 inches. Fair overall vintage condition; minor signs of handling; minor separation to folds in a few areas. Few known to have survived in good condition. Unsigned from an edition of unknown; RARE. Poster design by Randolph Black. Glenn O'brien, Artforum 2003: "1981: “NEW YORK/NEW WAVE”: "In June of ’80 the spectacular “Times Square Show,” mounted in an abandoned multistory massage parlor on Forty-first Street and Seventh Avenue, took things to a whole new level. The show was as funky as its surroundings and as lively a happening as had been seen since the ’60s. Artists dropped in and contributed to this nonstop party, a continuous work-in-progress that featured not only the best young artists but also film, video, and live music performances. It brought worlds together—the uptown (as in the Bronx) with the downtown. The institutional emergence of this new force took place in mid-February 1981, in the “New York/New Wave” show at P.S. 1 in Long Island City, a spectacular exhibition featuring 119 artists (more or less) and curated by Diego Cortez. Mammoth in scale, “New York/New Wave” offended purists as much by its maximalist approach as by its content. Cortez hung the art from floor to ceiling, throughout the galleries and the halls. He brought together a coalition of punks, No Wave musicians, young painters, graffiti artists, poets, performers, and more radical-type forefathers like Ray Johnson, Lawrence Weiner, William Burroughs, and Andy Warhol to create a museum–as–fun house that engaged the eye and mind relentlessly. I find quite a few names who went on to serious things: Kathy Acker, David Armstrong, Jean-Michel Basquiat, David Byrne, Sarah Charlesworth, Henry Chalfant, Larry Clark, Arch Connelly, Jimmy de Sana, Dondi, Brian Eno, Fab 5 Freddy, Peter Fend, Futura 2000, Jedd Garet, Nan Goldin, Keith Haring, Duncan Hannah, Roberto Juarez, Bill Komoski, Greer Lankton, Lady Pink, Marcus Leatherdale, Arto Lindsay, Judy Linn, John Lurie, Lydia Lunch, Ann Magnuson, Christoper Makos, Robert Mapplethorpe, Frank Moore, Lee Quinones (LEE), Rene Ricard, Kenny Scharf, Kate Simon, Duncan Smith...

Takashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Ghosts and is the only studio album by t...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

This vintage poster from 1984, designed by doll historians Stéphanie Farago and Bob Dennison, features seven Lenci dolls in a setting related to the 1984 Summer Olympic Games in Los Angeles. The image plays on mimicry: dolls imitating children, children dressed as adults, and adults observing them. These iconic dolls, made of pressed felt by the Lenci company in the early 20th century, are dressed in adult sports attire: boxing gloves, jockeys, golfers' uniforms, riding jackets, and fencing gear. Their gaze is turned sideways, not toward each other or the viewer, but offstage. This sidelong glance, detached and unreadable, is the hallmark of Lenci's design and one of its earliest formal signatures. Dressed for adult games, but motionless, they do not play—they pose, returning to their status as objects. The poster unsettles by staging this discrepancy between the theatricality of adult roles and the inert form of the doll. What should remain two-dimensional takes on unexpected volume, as if the viewer were reanimating a fragment of childhood. The image, likely tied to Farago and Dennison’s 1986 publication "The Magic Romance of Art Dolls", presents the quintessential Lenci figure...

Jasper Johns Jasper Johns at Ileana Sonnabend, 1962 Offset Lithograph exhibition poster/invitation Plate signed on the front 31 3/4 × 21 inches Unframed This rare, collectible vintag...

Takashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...

Ed Ruscha, American (1937 - ) - America: Her Best Product (Made in U.S.A.), Portfolio: Kent Bicentennial Portfolio, Year: 1975, Medium: Offset Lithograph, Image Size: 13 x 9.5 in...

Tadanori Yokoo "The 6th International Biennial Exhibition of Prints in Tokyo" The National Museum of Modern Art, Tokyo, 1968 Offset lithograph poster 42...