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Lithograph by Jean Cocteau Title: Europe and the World Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961

A very good impression of this color lithograph on cream laid Japan paper. Signed and numbered 48/250 in pencil by de Kooning. Published by Brand X Editions, Ltd., New York, with the...

Artist: Robert Whitman Title: Untitled Portfolio: The New York Collection for Stockholm Medium: Lithograph on paper Date: 1979 Editio...

"Heart" by Jim Dine is a color offset lithograph, created for an exhibition at the Galerie Maeght in Paris from April 12 to May 20, 1983. This artwork is a prime example of Dine's di...

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

Artist: Denial Title: The End Size: 8-1/2 x 11-1/2 x 1-3/4 inches (21.6 x 29.2 x 4.4 cm) Medium: Spraypaint on Wood Edition: 4/10 Year: 2022 Notes: Signed and numbered in ink ...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 49/90 in pencil by Rivers. Printed by Styria Studio, Inc., New York, with the blind stamp lower left. Based on Rembrandt van Rijn's oil on canvas, "The Polish Rider," 1655, currently in the Frick Collection...

Tristan's Fire, 2020 Tom Hammick Reduction woodcut in colours Signed, titled, dated and numbered from the edition of 14 in pencil Published by the artist, London Sheet: 102 × 142 cm...

Graphisms & 4. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

"Kvetch" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing. Signed and dated Bochner 2021 lower right recto. I...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Framed Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1976 Alexander Cald...

Leonor Fini Fantastical creatures, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Okiie Hashimoto Color woodblock, 1952. "Girl with Irises" A beautiful composition by Japanese print artist Okiie Hashimoto (1899-1993). This original color woodblock is in excellent condition and measures 15"h x 21 1/4"w. The work is framed nicely and measures 25 3/4"h x 30 3/4"w framed. Pencil signed and dated ‘52 lower right. Titled “Girl with Irises” (Awame To Shojo). Okiie Hashimoto (1899–1993) was a Japanese artist and educator. Best known as part of the postwar revival of the sosaku-hanga (Creative Prints) movement. In 1936, he began creating woodblock prints after he attended a workshop organized by prominent sosaku-hanga artist Un’ichi Hiratsuka and began creating woodblock prints. In his prolific career in printmaking, he was known for an innovative use of simplified and decorative forms that exude a modern feel. In his lifetime, his achievements were rewarded with his appointment to the president of the Japan Print Association (1974–79) and his invitations to the prestigious international prints biennales in Tokyo (1957, 1970, 1972) and Lugano (1972). In 1921, he began a three-year teacher's training course at the Tokyo School of Fine Arts (the present Tokyo University of the Arts), graduating in 1924. In Tokyo, aside from the art teacher education courses, he received training in a wide variety of practices, including yoga (Western-style painting), nihonga (Japanese-style painting), sculpture, design, etching and lithography, crafts, and calligraphy. In 1955, he began to pursue a career as an artist full-time. As for influences, Hashimoto cited Hiratsuka, Henri Matisse, André Derain, Maurice de Vlaminck, Kanji Maeda, and Masao Maeda...

Artist: John Baeder Title: Chicken Chops Medium: Screenprint Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 30" Note: This piece is sold UNFRAMED Cond...

Color woodcut, Edition 30 The left panel of Low Tide captures the play of light on water with abstracted colorful reflections. The right panel depicts a tr...

Lithograph 38.4 x 56.5 cms (15 1/8 x 22 1/4 ins) Edition of 100

Leonor Fini Pioneer, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited ...

The Hüreli, Klosters, Switzerland by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Si...

Color lithograph/woodcut with gold leaf, Ed. 25. Robert Kushner’s “Nahe Nahe II” (meaning soft, sweet and gentle) is a richly colored bouquet of tropical flowers and palm leaves. Kushner combines the delicate lines and bold forms of tropical floral images to create a composition that merges representation with abstraction. The distinctive colors in “Nahe Nahe II” are made with multiple layers of transparent ink from lithographic plates and a woodblock. Overlays of blended colored inks build subtle gradations of color with unusual depth. The woodblock imparts a woodgrain texture...

Poster. Design by Michael Manwaring . Measures 19.25 x 28 inches and is unframed. The piece is in Good Condition.

Artist: Mark Sabin Title: Stop Time Medium: Screenprint Signed: Hand Signed Edition: From the edition of 250 Measurements: 32" x 26" Condition: Excelle...

A captivating 19th-century botanical engraving depicting Chirita walkeria, a delicate flowering plant named in honor of Anna Maria Walker, a noted naturalist. This hand-colored print...

Artist: John Baeder Title: House With Trailer Medium: Screenprint Signed: Hand Signed Year: 1979 Edition: Edition of 200 Measurements: 22" x 30" Frame: This piece is sold UNFRA...

Leonor Fini Fantastical character, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Otto Kuhler (1894-1976), original etching, 1928. Title: “Monsters and Midgets.” From the “Iron Horse in the Making” portfolio. Signed lower right. Image measures 9.38"h x 12.94"w. T...

Blue print, drawing of the famous architect Juan José Díaz Infante Senior.

Leonor Fini Pendant les après-midi d'automne, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited by Denis Diderot and Jean le Rond ...

Color lithograph/triptych, Ed. 25. Hung Liu’s Xiao Lu triptych was inspired by the artist’s encounters with two fallen deer. In November of 2008, Liu was taking a morning walk in the Oakland hills...

Leonor Fini Pendant l'été, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

"Vacance" serigraph by artist Hiro Yamagata. Hand-signed Yamagata in front lower right corner. Hand-numbered 217/300. Image size: 21 x 26 3/4 inches.

Leviathan is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 19...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Composition  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1995. Hand signed and dated on the lower right margin. Extraordin...

Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited by Denis Diderot and Jean le Rond ...

Barbara Takenaga has had fun embellishing the last prints in the editions – Switchback State I and State II from 2011 – with extensive hand coloring. She has inverted and rearranged ...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

After Pablo Picasso - The Human Comedy - Lithograph from the journal "Verve" Signed and dated in the plate Dimensions: 32 x 24 cm Printed by Mourlot, Paris. Pablo Picasso Picasso i...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

A very good impression of this large color lithograph on Arches. Signed and numbered 94/100 in pencil by Calder. Printed and published by Mourlot, Paris.

Wensleydale from Moorcock by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Lim...

Color Woodcut, Edition 15. John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, mu...

"Romeo's Paradise" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right then titled/editioned 130/300 in the lower left with graphite. It...

Original etching with drypoint in mint condition by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Sha...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The letters on the background reflect up into t...

Nude with Flowers Ronald Julius Christensen American (1923–1999) Date: circa 1980 Lithograph, signed and numbered in pencil Edition...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

A very good impression of this color lithograph. One of 25 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "AP" and numbered X/XXV in pencil by Moore. Print...

Artist: Logan Hicks Title: Life Line Size: 34.5 x 44 Inches Paper: 355gsm Coventry Technique: Screen Print Edition: of 60 Year: 2010 Notes: Logan Hicks is known around the...

Spring’s Passion by Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225 Image Size: 18.5 x 27 inches Size: 22 in. x 29 in....

Rhapsody II by Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225 Image Size: 18 x 26 inches Size: 22 in. x 29 in. (55.88...

Fame - Original Vintage 1980 Movie Film Cinema Lobby Card Mint condition - see image Original vintage 1980 lobby card from the cult classic film FAME directed by Alan Parker FRAMING: Please note that this piece is UNFRAMED – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. See EXAMPLE images We ship regularly using Fedex Express services and shipping to all international locations. Directed by Alan Parker Written by Christopher Gore Produced by David De Silva Alan Marshall Starring : Eddie Barth Irene Cara Lee Curreri Laura Dean Antonia Franceschi Boyd Gaines Albert Hague Tresa Hughes Steve Inwood Paul McCrane...

"Saturday Night Fever" Original Vintage 1977 Lobby Card Condition Mint Original vintage 1977 lobby card from the film "Saturday Night Fever" directed by John Badham FRAMING: Pleas...

Limited edition etching on Arches paper by artist Harold Altman. Although title on the piece is unknown, there is a hand signature from Altman. The framed piece is in stunning condit...

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Ocean Waves. Bahia de Rosaldita.” Pencil signed lower right....

Color lithograph, Ed. 25. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his f...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185