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Kate Brinkworth. Coke and Stripey Straw- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist Limited edition of 50...

To see our other original vintage travel posters, many of which are from Austria, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anton Tusch (photographer) Eglise des Freres...

A very good impression of this color lithograph. Artist's proof, aside from the edition of 180. Signed and inscribed "EA" in pencil. Printed by Mourlot, Paris. Published by Leon Amie...

Artist/Designer; Manufacturer: Roy Lichtenstein (American, 1923-1997) Marking(s); notes: signed; ed. 37/80; 1992 Materials: aquatint Dimensions (H, W, D): 16.75"h, 13"w sight; 19"h, ...

Artist: Robert Indiana, American (1928 - 2018) Title: Red Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Serigraph Edition: 395 Image Size: 14 x 14 inches Size: ...

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Screenprint (unsigned) Edition Size : 395 Image Size: 18 x ...

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Giuseppe Capogrossi - Stencil 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Giuseppe Capogrossi B. 1900, ROME; D. 1972, ROME Giuseppe C...

Rupprecht Geiger (German, 1908-2009) Zurückgehen, Weitergehen, Fortgehen, 1966 Medium: Portfolio of 20 screen prints on paper Dimensions: 35 x 28.5 cm and 35 x 57 cm (with middle fol...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Artist: Marc Chagall Title: Rachel Hides Her Father's Household Goods Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4...

Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...

GAYLORD FLORY (American, 1919-1982). Atelier Gallery of Contemporary Art, March 26-April 21. Vintage Poster. Publishing Information: Copyright 1968 Solom...

On the Road Again (Road to Nowhere) [2020] Limited Edition Transport Screen Print on Paper Edition number 24 Image size: H:79 cm x W:49 cm Complete Size of Unframed Work: H:93 cm x W...

Harry Bunce Restaurant au Renard Limited Edition Print Edition of 234 Mount Size: H 51cm x W 41cm Signed and Numbered Sold Unframed but Mounted Please note that all in situ images ar...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

118.1 x 81.6 cms (46.5 x 32.1 ins) Edition of 70 Published by Tyler Graphics, New York Signed and numbered in pencil

Limited edition etching on Arches paper by artist Harold Altman. Although title on the piece is unknown, there is a hand signature from Altman. The framed piece is in stunning condit...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Arms, John Taylor. LE PENSEUR DE NOTRE DAME. F.136. Etching, 1923. 1st State, edition of 150. 12 5/8 x 10 1/8 inches; 322 x 252 mm. Signed in pencil. In exc...

Artist: Marc Chagall Title: Profile and Red Child Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/2" Image Size: 12 1/2...

Artist: Alexander Calder Title: Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Medium: Lithograph Year: 1968 Edition: Unnumbered Sheet Size: 15" x 11" Image Size: 15" x 1...

Picasso Poster is an offset  poster about an exhibition of Pablo Picasso's graphic works at Marino Gallery in Rome Piazza Navona. Limited edition of 1.000. Signed in the plate. Ex...

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His fathe...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

(after) Alberto Magnelli Untitled (Cubist Composition) after the collage Pochoir on paper Conditions: excellent 32 x 24 cm 1956 Printed by Daniel Jacomet for XXe Siecle (issue number...

Salvador Dali (1904-1989) - Femmes poules (Hen Women) Drypoint etching with roulette from 1969. The edition 62/145. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Pierr...

Original Swiss Exhibition poster by Hermann Eidenbenz (lithograph, printed by Art. Institut Grafica in Basel) advertising a show of the Basel section ...

This striking original French poster from circa 1900, titled Cœur de Française, was created to promote a performance by Jean Aubry, a figure evoking the refined and expressive world ...

This original 1899 illustrated menu for Champagne Moët Chandon captures the refined beauty of the Belle Époque, brought to life by the unmistakable hand of Alphonse Mucha, mast...

This striking black-and-white poster, emblazoned with the urgent slogan “Freiheit für Angela Davis!” (“Freedom for Angela Davis!”), is a powerful relic of international protest cultu...

Jim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet siz...

This powerful black-and-white poster captures a pivotal moment in American history: a member of the Black Panther Party in Chicago, 1969, fist raised in defiant solidarity. The image...

Step into a radiant vision of the French countryside with this original 1968 travel poster designed by legendary graphic artist Bernard Villemot. Created for the SNCF (French Nationa...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Abraham et les Trois Anges, Year: 1873, Medium: Heliogravure, Size: 7.5 x 5.75 in. (19.05 x 14.61 cm), Printe...

I've Left My Love Far Behind. Their Smell, Every Memento…, 2010 by Takashi Murakami Offset print, signed and numbered by the artist 26 ³/₁₆ × 18 ³/₄ in 66.5 x 47.5 cm Edition 105/30...

ICES Burnt Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

Artist: Alexander Calder Title: Plate 4 Portfolio: Derriere le Miroir #212 Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

ICES Burnt Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

Catalogue of the tarot cards painted by Andrea Picini. It includes the reproductions of all the 78 Tarot cards and a small complete guide written by Ugo Moretti. First published in...

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

Chris Ofili (born 1968 in Manchester) Poolside, 2013 Medium: Etching on wove paper Dimensions: 45.1 x 35.6 cm (17.75 x 14 in) Edition of 55: Hand-signed and numbered Condition: Mint ...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Original Lithograph by Jean Cocteau Title: The Arena 1961 Dimensions: 38 x 28 cm printed signature Lithograph made for the portfolio "Gitans et Corridas" published by Socié...

Original Vintage Poster depicting Le Corbusier's Convent of La Tourette, published 1962 by the Architectural Forum to promote Modern Architecture –...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...

Benton Spruance, Pennsylvania artist, original lithograph, 1933. Titled “Shells for the Living.” The edition size is 28. The image measures 15 7/16"h x 7 7/16"w. Printed by Cuno. Th...

Flower Signal is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 30/125. Good conditions.

Original Vintage 1921 Swedish Silent Movie Poster – Kärlek och Rashygien (“Love and Race Hygiene”) starring Constance Talmadge – Linen Backed Lithograph, Excellent Condition Offered...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cyclopean Make-Up MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chicago/Alan Ric...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis...

A dazzling artifact of Belle Époque Paris, this original circa 1890 poster by G. Lion captures the exuberant spirit of the era's vibrant cabaret and café-concert scene. Designed for ...

An icon of postwar French travel promotion, this original circa 1950 poster was commissioned by SNCF (Société Nationale des Chemins de fer Français) to celebrate the breathtaking bea...