Francesco Villamena

The Last Supper - Original Burin After Antonio Tempesta by Francesco Villamena

1600-1640

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Le Pot au Lait is a beautiful and rare engraving of the second half of the XIX century, realized with different techniques by the Belgian artist Felicien Rops. This is a Last State a...

Cerne Abbas, Giant, Tump is a colored etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimension: 38.5x18 cm. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson. This contemporary original print represents the Cerne Abbas giant, the figure carved on the slope of a steep hill. This giant naked man is located in England, near the village of Cerne Abbas, north of Dorchester, in Dorset. The engraving, 55 meters high and 51 wide, is formed by a trench 30 cm wide, 30 cm deep, made by tearing the grass and digging the earth up to the underlying plaster. In the right hand the giant holds a 37 meter long club. Composed by three different etchings, each olf these titled on the right margin, this is a very interesting contemporary artwork not to be missed for your home collection! A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Six Mark Stones is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson, and published by La Nuova Foglio, a publishing house of Macerata as the dry-stamp reportes on the lower right corner. Image dimensions: 28.4x37.8 cm. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. This a plate is from the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson; and represents six mark stones as the title points. A copy of the same print is part of the Tate Gallery's collection. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...