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Marc Chagall
Moreover they made garments of ministration to minister... - The Exodus

1966

$2,565.41
$3,206.7620% Off
£1,922.95
£2,403.6920% Off
€2,160
€2,70020% Off
CA$3,547.57
CA$4,434.4720% Off
A$3,862.40
A$4,82820% Off
CHF 2,062.40
CHF 2,57820% Off
MX$46,625.25
MX$58,281.5620% Off
NOK 25,928.06
NOK 32,410.0720% Off
SEK 24,116.11
SEK 30,145.1420% Off
DKK 16,456.83
DKK 20,571.0420% Off

About the Item

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses Lithograph from 1966. The edition of 20 on Japanese paper. Dimensions of work: 49.5 x 36 cm. Publisher: Léon Amiel, Paris - New York. Reference: Mourlot 465. The work is in Excellent condition.
  • Creator:
    Marc Chagall (1887 - 1985, French)
  • Creation Year:
    1966
  • Dimensions:
    Height: 19.49 in (49.5 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    OPOLE, PL
  • Reference Number:
    1stDibs: LU2814215862492

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Then the Lorde sayde unto Aaron, Goe meete Moses... - The Exodus
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This exquisite lithograph by Marc Chagall (1887–1985), titled Le Coq (The Rooster), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This beautifully expressive composition exemplifies Chagall’s poetic synthesis of color, movement, and imagination. Le Coq captures the artist’s timeless fascination with rural symbolism, metamorphosis, and the joyful interplay between the earthly and the divine. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the exquisite craftsmanship of the Draeger Freres atelier, celebrated for its precision and tonal richness in printing fine artworks. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Le Coq (The Rooster), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. About the Publication: This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. 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Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. 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