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"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

Foyer VII & VIII, Italian interior architecture color photographs from Richard Heeps series A Short History of Milan There is a reoccurring linear, structural theme throughout the ...

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet by Frank Schott 48 x 74 inches (122 x 188cm...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. This red and black lithograp...

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

A classic British fish chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss phot...

Red Dinosaur, from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

Slide by Julie Blackmon is from an ongoing series titled Home Grown According to the Los Angeles Times, Blackmon's images are “absorbing, meticulously orchestrated slices of ethnogr...

News Stand, photograph from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affordable Art Fair Milan 2019 and the series i...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

Jim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet siz...

John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...