Mid-20th Century More Prints

Raoul Ubac - Rythm - Original Woodcut Title: Rythm Dimensions: 32 x 24 cm Revue Art de France The painter-sculptor Raoul Ubac was born in 1910 in Malmédy (Ardennes, Belgium). He wen...

Portfolio with complete text is one of 150 deluxe numbered copies. It consists of 7 boldly colored lithographs and color lithograph cover. The sheets are loose as issued. Signed in p...

Original Lithograph by Jean Cocteau Title: Europe Our Homeland Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Co...

Original Lithograph by Jean Cocteau Title: Paul Valery Poems Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

This original lithograph is hand signed by the artist in pencil "P. Delvaux" at the lower right margin. It is also hand numbered in pencil from the edition of 75, at the lower left m...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

A superb, richly-inked impression of this extremely scarce, early etching, aquatint and engraving with hand coloring in watercolor on cream wove paper. Colors are strong with crisp, ...

Wilhelm Gross (1883 Schlawe - 1974 Oranienburg-Eden), The Prophet, c. 1955. Woodcut on thin laid paper, 43 cm x 23 cm (depiction), 61 cm x 43 cm (sheet size), signed “Dr. Wilh.[elm] Gross” in pencil lower right, inscribed “Orig.[inal] Holzschnitt (Handabdruck)” lower left and inscribed “Aus der ”Ecce homo“ Folge” in the center. - The wide margin with traces of pressing due to the impression, the sitter's left foot with a small purple stain, otherwise in vibrant condition. - The Burden of the Prophet - The large-format woodcut shows a prophet figure that takes up almost the entire height of the sheet. However, instead of seeing something in the distance that is still hidden from our eyes - as is usual in depictions of prophets - the figure has raised his hands in a defensive gesture, as if the prophet is trying to ward off what he has seen. At the same time, however, the position of the arms is an acceptance of the inevitable, which only those who recognize what is to come will have to bear for the time being, which is why the figure in the painting - despite its size - appears almost solitary, alone and exposed to the burden of suffering. In a manner reminiscent of the folds of medieval wooden sculptures...

Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

A very good impression of this scarce color screenprint on white wove paper. Signed, dated and numbered 44/75 in pencil. Published by Marlborough Graphics, Inc., New York.

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moreover they made garments of ministration to minister in the Sanctuarie; they m...

A very good impression of this color lithograph. Signed and numbered 14/200 in pencil.

Serge Poliakoff - Abstract Beach - Original Lithograph Published in the deluxe art review, XXe Siecle 1968 Dimensions: 32 x 24 cm Publisher: G. di San ...

Maurice UTRILLO (After) Rue Cortot in Montmartre Lithographic poster in colour Signed and titled on the bottom of the plate Editor: Mourlot Dimensions: 62 x 47 cm (24.4 x 18.5 inches)

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 74/75 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York.

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Joan Miro - The Party - Original Lithograph Artist: Joan Miro Editor: Maeght Year: 1956 Dimensions: 23 x 38 cm Reference: Mourlot 236 A unique collaboration between Miró (responsible for the central image), the art critic...

Maurice Estève - Composition Original Lithograph 1964 Dimensions: 32 x 24 cm Revue Art de France French painter born in Culan, Cher. He went to Paris in 1919 in the face of opposi...

A very good impression of this color lithograph on Rives BFK. Signed and numbered 89/125 in pencil. Printed by Mourlot, Paris. Published by Atelier Mourlot, Ltd., New York.

Join the School Saving Bank Vintage poster, lithograph 36 x 25 cm Printed 1967, numbered 4/67 The post-war period in the United States saw the growth of the school savings bank mov...

Salvador Dali (1904-1989) - Femme à la fontaine Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor. Dimensions of work: 38 x 28.5 cm Publisher: Gra...

Salvador Dali (1904-1989) - Guerre de 1914-1918 Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Gr...

Salvador Dali (1904-1989) - Les Tiroirs Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik Eu...

Pablo Picasso (after) "Picasso Linocuts 1958-1963" Museum of Fine Arts, Boston, 1969 Exhibition poster 28 x 20 inches Unsigned

Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Six variations on a circular theme, 1967. Portfolio with inserted cover sheet and six color woodcuts on thin Japanese paper. Copy no. 6...

A very good impression of this color lithograph. Initialed and numbered 73/100 in pencil by Miro. Published by Sala Gaspar, Barcelona. From the same-titled suite.

Boldly colored floral motif color aquatint. Signed and numbered 48/300 in pencil by Braque.

Jean Cocteau - Angel - Original Handcolored Lithograph Signed in the plate Stampsigned Handcolored in pencil. Edition : /XXV Dimensions: 47.5 x...

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Alberto Giacometti - Portrait Engraving (after the drawing) Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. From the art Re...

Artist: Robert Indiana, American (1928 - 2018) Title: Mississippi from the American Dream Portfolio Year: 1965 (1997) Medium: Serigraph Edition: 395 Image Size: 16 x 14 inches Size: ...

Very rare original poster for Robert Indiana's 1971 exhibition "Indiana Graphics" at Galerie im Hause Behr (Stuttgart) in cooperation with Edition Domberger.

Original Lithograph by Jean Cocteau Title: Immortal Goat Signed in the plate Dimensions: 38 x 28 cm Edition: 200 1958 Jean Cocteau Writer, artist and film director Jean Cocteau was...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

This beautiful poster was created after a print by Pierre Bonnard for a retrospective of his work at the Musée National D'Art Moderne in 1955. This piece showcases a slightly muted c...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

Jean Cocteau - Morlot - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Jean Cocteau Writer, artist and film ...

Alfred Manessier - Abstract Blue Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourl...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

(after) Robert Delaunay - La Femme et la Tour - Handsigned Lithograph Handsigned and numbered by Sonia Delaunay with a dedication to Robert Delaunay Dimensions: 55 x 33 cm Circa 1960...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

André Masson - Composition Original Lithograph 1969 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Laz...

Georges Braque - Les oiseaux de nuit Lithograph after the gouache 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Pre...

51 x 64.5 cms (20 1/8 x 25 3/8 ins) Edition of 75 Signed and dated '67 in pencil, lower right Edition of 75, with 14 artist's proofs, 1 trial proof, 1 printer's proof, 1 B.A.T...

Alberto Magnelli (after) Untitled (Composition) Linoleum cut (after the original) on yellow wove paper 32 x 24 cm 1959 From XXe siècle (No. 13) Published in Paris by San Lazzaro, th...

Raoul Ubac - Original Etching 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. The painter-sculptor Raoul Ubac was born in 1910 in Malmédy (Ardennes, Belgium). He went to sc...

Fritz Glarner - Abstract Composition - Reproduction Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Born in Zurich, Glar...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...

André Beaudin - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Unsigned and unumbered as issued

Paul Guimard - New York's Port - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...

André Lanskoy (1902-1976) Framed Original Lithograph Abstract Composition Dimensions: 94 x 64 cm André Lanskoy was one of the great paint...

Robert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...

Original Lithograph by Jean Cocteau Title: Europe's Construction Printed signature in the stone Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky ...

Jean Cocteau - Study for the Wall - Original Handsigned Lithograph Signed in pencil and numbered Dimensions: 65 x 50 cm Edition: 150 1956

Kees van Dongen Title: Montmartre 1900 Original Lithograph Edition of 180 Dimensions: 39 x 30 cm References: Juffermans JL 34 Information : This lithograph was created for the portf...

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after Giuseppe Capogrossi - Stencil 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered a...