Piero Pizzi Cannella

Pizzi Canella - Galerie Di Meo

2006

A print from an Original drawing by Denis Meyers - Artists proof from an edition of 30. The print on paper features some of Denis Meyers "Word" patterns. ...

Artist Proof Print (9/11) 2018 Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck (1915-2002) which created among others the ensemble of the World Expo poster...

Werner Bronkhorst WET - exhibtion poster, 2025 Offset lithograph 42 x 59.4 cm unknown edition size - reported to be around 150

This artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...

Original poster of the Tom Sachs: Rocket Factory collection. This offset print measures 36" H x 24" W and was published by Tom Sachs in 2021.

In this offset poster, printed in collaboration with the Lower East Side literary magazine, "Between C & D," David Wojnarowicz confronts and denounces violence against members of the LGBT community. Cynthia Carr discusses this poster in her biography, "Fire in the Belly: The Life and Times of David Wojnarowicz." She relates the episode of when Wojnarowicz became estranged from collaborator Marion Scemama during the production of this piece and inked out her name on the copies of the poster in his possession. This is a copy from his estate. Between C & D (1983–1990) was a Lower East Side quarterly literary magazine edited by Joel Rose and Carherine Texier. Though a geographical reference to the blocks between Avenue C and Avenue D in New York City's East Village neighborhood, “Between C & D” has also been suggested to mean “between coke and dope,” giving an indication of the publication's transgressive content and ethos. The magazine's actual tagline was “Sex. Drugs. Danger. Violence. Computers.” It was printed on fanfold computer paper, sold in a plastic bag, and featured original artwork on each binding. Contributors included Kathy Acker, Dennis Cooper, Gary Indiana, Tama Janowitz...

Original poster commemorating Rene Ricard's 1990 exhibition Mal de Fin: Paintings 1989-1990 at the Petersburg Press Gallery, New York. The image reproduces his painting, Mal de Fin, ...

Offset lithograph Unsigned - Unlimited copies From the poster stack exhibited at Barbara Krakow Gallery, Boston, MA in 1990. The work is double sided.

Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artist above the image of the sculpture 5 4/5 × 4 1/4 inches Unframed Offset lithograph postcard depicting Richard Deacon's 1995 ceramic sculpture "Kind of Blue", in the collection of the Arts Council of Great Britain. This work is hand signed and dated on the front of the image. Very good vintage condition; minor handling and discoloration around far corners (edges) to the card which will easily frame out. Richard Deacon’s voluptuous abstract forms have placed him at the forefront of British sculpture since the 1980s and, hugely influential, his works are visible in major public commissions around the world. His voracious appetite for material has seen him move between laminated wood, stainless steel, corrugated iron, polycarbonate, marble, clay, vinyl, foam and leather. As he explains: “Changing materials from one work to the next is a way of beginning again each time (and thus of finishing what had gone before)”. Deacon describes himself as a ‘fabricator’, emphasising the construction behind the finished object – although many of the works are indeed cast, modelled or carved by hand – and accordingly the logic of the fabrication is often exposed: sinuous curved forms might be bound by glue oozing between layers of wood or have screws and rivets protruding from sheets of steel, wearing their hearts on their sleeves. Such transparency highlights the reactive nature of the process: it is part of a two-way conversation between artist and material that transforms the workaday into something metaphorical. The idea of ‘fabrication’ also denotes making something up, of fiction rather than truth, and this knack for wordplay surfaces in Deacon’s titles, which might establish juxtapositions or wreak new meaning from familiar sayings or clichés – see Let’s not be Stupid (1991), No Stone Unturned (1999), Water Under the Bridge (2008) or Shiver My Timbers (2016). Richard Deacon Biography Richard Deacon was born in Bangor, Wales, UK in 1949 and lives and works in London, UK. He has a BA from St Martin’s School of Art, London, UK (1972) and an MA in Environmental Media from the Royal College of Art, London, UK (1977). Solo exhibitions include Kula Gallery and the Museum of Fine Arts, Split, Croatia (2021); Middelheim Museum, Antwerp, Belgium (2017); San Diego Museum of Art, San Diego, CA, USA (2017); Prague City Gallery, Prague, Czech Republic (2017); Museum Folkwang, Essen, Germany (2016), Kunstmuseum Winterthur, Switzerland (2015); Tate Britain, London, UK (2014); Sprengel Museum, Hannover, Germany (2011); Musée de la Ville de Strasbourg, France (2010); Portland Art Museum, Oregon, USA (2008); PS1 Contemporary Art Center, New York, USA (2001); MACCSI, Caracas, Venezuela (1996); Whitechapel Art Gallery, London, UK (1989) and Museum of Contemporary Art, Los Angeles, USA (1988). He represented Wales at the Venice Biennale, Italy (2007) and has participated in the Venice Architecture Biennale, Italy (2012), Glasgow International, UK (2006) and documenta 9, Kassel, Germany (1992). He won the Turner Prize in 1987 and the Robert Jakobsen...

"De Haan Kiss" from "A Portfolio of Landscapes and Figures" offset lithograph. Image of swimmers in pool under dome. Massimo Vitali Steidl Verlag, Götting...