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Style: Post-Modern
Robert Rauschenberg Signed Lithograph
Located in New York, NY
Robert Rauschenberg American (1925-2008) Untitled, for ROCI offset color lithograph, signed and dated lower right "Rauschenberg 84" 25 3/4 x 22 3/4 in. (sheet) Framed: 31 1/4 x 29 x...
Category

1980s Post-Modern More Prints

Materials

Lithograph

Surrealist Aquatint by Bernard Berthois-Rigal, Custom Frame
Located in New York, NY
Bernard Berthois-Rigal (French, b. 1927) La Nef de Lysimaque, c. 1970s/80s Aquatint Sight: 22 1/4 x 32 in. Framed: 32 x 41 1/4 x 1 3/8 in. Edition 36 of 95 Numbered lower left, signe...
Category

Late 20th Century Post-Modern More Prints

Materials

Aquatint

Angelo Fasciato
Located in OPOLE, PL
Igor Mitoraj (1944-2014) - Angelo Fasciato Etching from 2004. Edition 30/99. Hand signed. Dimensions of work: 60 x 40.5 cm The work is in Excellent condition. Fast and secure s...
Category

Early 2000s Post-Modern More Prints

Materials

Lithograph

Angelo Fasciato
$5,705 Sale Price
20% Off
Jean Cocteau (after) - Europe Our Country - Lithograph
Located in Collonge Bellerive, Geneve, CH
Lithograph after a drawing by Jean Cocteau Title: Europe Our Country Signed in the plate Dimensions: 33 x 46 cm Edition: 600 Luxury print edition from the portfolio of Sciaky 1961
Category

1960s Post-Modern More Prints

Materials

Lithograph

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern More Prints

Materials

Aquatint

The Woodstock Poster by Bruce Dorfman, 1968
Located in New York, NY
The Woodstock Poster was originally commissioned by the Woodstock Book Shop and Woodstock Chamber of Commerce. It was subsequently purchased from the ...
Category

1960s Post-Modern More Prints

Materials

Lithograph

Marilyn Manson Punk Rock Concert Poster
Located in Pasadena, CA
Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...
Category

1990s Post-Modern More Prints

Materials

Offset

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern More Prints

Materials

Aquatint

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern More Prints

Materials

Aquatint

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...
Category

1980s Post-Modern More Prints

Materials

Aquatint

Derriere le Miroir #221
Located in Washington, DC
Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 22" Image Siz...
Category

1970s Post-Modern More Prints

Materials

Lithograph

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...
Category

1980s Post-Modern More Prints

Materials

Aquatint

Things are not Right!
Located in Fairlawn, OH
Things are not Right! Silk screen, c. 1970 Signed, editioned, and inscribed "To V.V." in pencil by the artist Image size: 2 x 2 inches Sheet size: 5 x 4 1/8 inches One of an unnumbe...
Category

1970s Post-Modern More Prints

Materials

Screen

Jean Cocteau - Europe Our Homeland - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau Title: Europe Our Homeland Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Co...
Category

1960s Post-Modern More Prints

Materials

Lithograph

Orgasm Renewal Project
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...
Category

1970s Post-Modern More Prints

Materials

Paper

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Jean Cocteau - Blue Lady - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau Title: Blue Lady Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumb...
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1950s Post-Modern More Prints

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Original Pan American World Airways by Clipper to Portugal and Spain poster
Located in Spokane, WA
Original vintage poster: Portugal and Spain by Pan American World Airways Clipper, Artist: Jean Carlu. Pan American original vintage poster large travel size format 27.5" x 41.1" Earliest version (the 1950s) of the poster for travel by Constellation aircraft. Original linen-backed, Pan American World Airways by Clipper vintage poster for travel to Portugal and Spain. Wear and stress marks in the top and bottom dark area but are not tears.. Small touch-up on the left white border. In the middle of this image, it features a matador with a cape hanging off his shoulder. Surrounding the image in vignettes of cut-out windows showing typical landscape scenes and castles. A great smaller format original for "The World's Most Experienced Airline". One of the windmills shown in this image has cloth sails. Trimming the sails allowed the windmill to turn at near the optimal speed in a large range of wind velocities. Pan American World Airways by Clipper. Pan American a.k.a. Pan Am Airlines posters are very collectible and rare year to year. This a great design opportunity for a home with a European flair. The Pan Am Clipper...
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Shar-I-Tar-Ish, A Pawnee Chief: Original Hand-colored McKenney Hall Lithograph
Located in Alamo, CA
This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...
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Samurai
Located in Lyons, CO
Color lithograph, Edition 40. Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus...
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Samurai
$1,000
H 8.5 in W 8.5 in
Mascara Roja
Located in San Francisco, CA
This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
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Mascara Roja
Mascara Roja
$5,750
H 37.25 in W 42 in D 2 in
Tah-Chee, Cherokee Chief: 19th C. Folio Hand-colored McKenney Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838. Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...
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Marilyn Manson Punk Rock Concert Poster
Located in Pasadena, CA
Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...
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1990s Post-Modern More Prints

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Offset

Marilyn Manson Punk Rock Concert Poster
Marilyn Manson Punk Rock Concert Poster
$550 Sale Price
26% Off
H 37.75 in W 25.75 in D 0.6 in
Not-Chi-Mi-Ne, An ioway Chief: Original Hand-colored McKenney Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...
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Tah-Ro-Hon, An Ioway Warrior: Original Hand-colored McKenney Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...
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Qua-Ta-Wa-Pea, A Shawnee: 19th C. Folio Hand-colored McKenney Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Qua-Ta-Wa-Pea, A Shawanoe Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1836. Quatawapea wears a maroon head covering, a white ruffled shirt and blue shawl with gray trim. His presidential peace medal is attached to a maroon fabric...
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Bull - Still Life (Surreal, Colorful, Vibrant, Modern) (26% OFF LIST PRICE)
Located in Kansas City, MO
Franz Graw Bull Color Offset Lithograph Year: 2023 Size: 11.81 x 15.74 inches (30 x 40 cm) Edition: 100 Signed and numbered in pencil COA provided Franz Graw (b. 1964) is a Düsseld...
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Previously Available Items
“I Love You Very”
Located in Southampton, NY
Original screen print/serigraph with colors by the well known American artist, Sister Mary Corita Kent. Signed in pencil lower right “Corita”. Edition 200 AP (Artist Proof) inscribe...
Category

1970s Post-Modern More Prints

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Archival Paper, Screen

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern More Prints

Materials

Aquatint

Orgasm Renewal Project
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...
Category

1970s Post-Modern More Prints

Materials

Paper

Sexy
Located in Washington, DC
Ben Eine Sexy Artist: Ben EIne Medium: 6 colors hand pulled screenprint with black glitter on Somerset satin white paper Title: Sexy Signed: Hand signed and numbered Year: 2018 Editi...
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2010s Post-Modern More Prints

Materials

Screen

Sexy
Sexy
H 26 in W 26 in
Sexy
Located in Washington, DC
Ben Eine Sexy Artist: Ben EIne Medium: 6 colors hand pulled screenprint with black glitter on Somerset satin white paper Title: Sexy Year: 2018 Edition: 200 Sheet Size: 18 7/8" × 18 ...
Category

2010s Post-Modern More Prints

Materials

Screen

Sexy
Sexy
H 18.88 in W 18.88 in
Blame Game No. 10
By KAWS
Located in Washington, DC
Artist: KAWS Medium: Screenrpint on Saunders Waterford 410gsm High White Paper Title: No. 10 Portfolio: Blame Game Year: 2014 Edition: PP 2/5 Sheet Size: 35" x 23" Signed: Signed and...
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2010s Post-Modern More Prints

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Screen

Blame Game No. 4
By KAWS
Located in Washington, DC
Artist: KAWS Medium: Screenrpint on Saunders Waterford 410gsm High White Paper Title: No. 4 Portfolio: Blame Game Year: 2014 Edition: PP 2/5 Sheet Size: 35" x 23" Signed: Signed and ...
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2010s Post-Modern More Prints

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Screen

Non Negotiable Eights
Located in San Francisco, CA
Artist: Robert Fried – American (1937- 1975 ) Title: Non Negotiable Eights Year: 1971 Medium: Color offset lithographs with rubber stamp Sight size: 16.375 x 24.875 inches. Sheet size: 22 x 28 inches Signature: Unsigned. (stamped in lower right corner: NOTICE Not valid for postage or use on mail matter THANK YOU, R. FRIED) Edition size: approximately 150 Condition: Very good Unframed This print is by the noted psychedelic era artist Robert Fried. Many of his prints were sheets of supposed postage stamps, often with social criticism or political commentary. This print is from that body of work. It is on a slick white wove paper and it has perforations, so it really does appear to be a page of stamps. Each image is approximately 1.625 x 1.25 inches. Each “stamp” is slightly larger, 1.875 x 1.5 inches. There are five different images, each surreal and political in its own way. The print is in very good condition with bright rich colors. Robert Fried was born in Brooklyn, NY in 1937. A child art prodigy, he was accepted at age 11 by the Pratt Institute in Brooklyn, where he took classes in drawing. In college he studied graphic art, receiving his associate degree from the New York City Community College, his BA from Cooper Union, and his MFA from the San Francisco Art Institute. Beyond his formal education, he was an assistant for Robert Motherwell, received a Fulbright scholarship and grant (for printmaking) from the National Endowment for the Arts, and participated in a residency at the Simon Fraser University near Vancouver, BC. Fried is best known for the flamboyant posters he created for psychedelic rock concerts during San Francisco’s Summer of Love. His last project was commissioned by the San Francisco Museum of Art (now the San Francisco Museum of Modern Art); he and five other artists were asked to travel to Baja California for a month and produce artworks visually evocative of their trip. The night before the exhibition’s reception, Fried died of a stroke in Redwood City, CA, at the age of 37. From FAMSF: Painter, printmaker and sculptor Robert Fried is best known for the psychedelic rock concert posters he created during San Francisco’s Summer of Love and its aftermath. Born in Brooklyn in 1937, Fried’s father was a master clockmaker who wrote several books on clock making, illustrated with his own technical drawings and those by his young son, whom he had instructed. Fried took drawing classes from the Pratt Institute in Brooklyn from age 11. He studied graphic art at New York City Community College, receiving an Associate of Arts degree, and worked as a commercial artist. Fried won a scholarship to attend The Cooper Union, from which he received a Bachelor of Fine Arts degree in 1961. He taught at the Provincetown Workshop with Victor Candell (1903-1977), served as an assistant to Robert Motherwell (1915-1991), exhibited at New York’s Brata Gallery and became acquainted with Timothy Leary (1920-1996) and LSD. The recipient of a Fulbright scholarship, Fried and his new bride Penelope (b. 1942) went to Spain, ostensibly to study the Spanish artist Francisco de Zurbarán (1598-1664). They lived in Madrid for two years, a period when Fried painted several large canvasses. They moved back to New York City in 1965. Fried applied to the graduate programs at various schools, and was accepted by the San Francisco Art Institute. They drove across the country with their infant daughter in 1966. While studying at the Art Institute, Fried worked as a free-lance graphic artist and started creating screenprints again. Fried received his M.F.A degree from the Art Institute in 1968. Having noticed the appearance of psychedelic rock concert posters, he had become friends with poster artists Victor Moscoso (b. 1936, also a Cooper Union graduate) and Rick Griffin...
Category

1970s Post-Modern More Prints

Materials

Lithograph, Offset

Truisms (Toronto)
Located in Toronto, Ontario
In 1982 Jenny Holzer, who was at the beginning of her career, was invited to Toronto by A-Space to do one of her ground-breaking public "interventions". The artist hired a few OCAD ...
Category

1980s Post-Modern More Prints

Materials

Inkjet

Truisms (Toronto)
Located in Toronto, Ontario
In 1982 Jenny Holzer, who was at the beginning of her career, was invited to Toronto by A-Space to do one of her ground-breaking public "interventions". The artist hired a few OCAD ...
Category

1980s Post-Modern More Prints

Materials

Inkjet

Jenny Holzer "Truisms (Toronto)"
Located in Toronto, Ontario
In 1982 Jenny Holzer, who was at the beginning of her career, was invited to Toronto by A-Space to do one of her ground-breaking public "interventions". The artist hired a few OCAD ...
Category

1980s Post-Modern More Prints

Materials

Inkjet

Blame Game Print No. 10
By KAWS
Located in Washington, DC
Artist: KAWS Medium: Screenrpint on Saunders Waterford 410gsm High White Paper Title: No. 10 Portfolio: Blame Game Year: 2014 Edition: AP Sheet Size: 35" x 23" Signed: Signed and num...
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2010s Post-Modern More Prints

Materials

Screen

Post-modern more prints for sale on 1stDibs.

Find a wide variety of authentic Post-Modern more prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add more prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Allen Jones, Jean Cocteau, Bruce Dorfman, and General Idea. Frequently made by artists working with Paper, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Modern more prints, so small editions measuring 2 inches across are also available. Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $300 and tops out at $19,995, while the average work sells for $1,297.

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