Yoshitomo Nara

Yoshitomo Nara, Real One, Offset Lithograph, 2020

2020

Original poster commemorating Rene Ricard's 1990 exhibition Paintings 1989-1990 at the Petersburg Press Gallery, New York. The poster is folded as it was sent out for the original ex...

Tracey Emin My Heart is with you Always, 2015 Offset lithograph on silk-finished paper Signed by the artist, on recto 70 x 50 cm Edition of 500

Offset print with silver and high gloss varnishing Edition 202 of 300 71 cm (28 in) Diameter Signed, numbered, dated and titled on the front Excellent, with a soft crease on the left...

Spoleto Festival is an original offset and lithograph on cardboard, realized by Leonardo Cremonini in 1984s. Signed on plate. Good conditions. An...

Original poster commemorating Rene Ricard's 1990 exhibition Mal de Fin: Paintings 1989-1990 at the Petersburg Press Gallery, New York. The image reproduces his painting, Mal de Fin, ...

"De Haan Kiss" from "A Portfolio of Landscapes and Figures" offset lithograph. Image of swimmers in pool under dome. Massimo Vitali Steidl Verlag, Götting...

Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artist above the image of the sculpture 5 4/5 × 4 1/4 inches Unframed Offset lithograph postcard depicting Richard Deacon's 1995 ceramic sculpture "Kind of Blue", in the collection of the Arts Council of Great Britain. This work is hand signed and dated on the front of the image. Very good vintage condition; minor handling and discoloration around far corners (edges) to the card which will easily frame out. Richard Deacon’s voluptuous abstract forms have placed him at the forefront of British sculpture since the 1980s and, hugely influential, his works are visible in major public commissions around the world. His voracious appetite for material has seen him move between laminated wood, stainless steel, corrugated iron, polycarbonate, marble, clay, vinyl, foam and leather. As he explains: “Changing materials from one work to the next is a way of beginning again each time (and thus of finishing what had gone before)”. Deacon describes himself as a ‘fabricator’, emphasising the construction behind the finished object – although many of the works are indeed cast, modelled or carved by hand – and accordingly the logic of the fabrication is often exposed: sinuous curved forms might be bound by glue oozing between layers of wood or have screws and rivets protruding from sheets of steel, wearing their hearts on their sleeves. Such transparency highlights the reactive nature of the process: it is part of a two-way conversation between artist and material that transforms the workaday into something metaphorical. The idea of ‘fabrication’ also denotes making something up, of fiction rather than truth, and this knack for wordplay surfaces in Deacon’s titles, which might establish juxtapositions or wreak new meaning from familiar sayings or clichés – see Let’s not be Stupid (1991), No Stone Unturned (1999), Water Under the Bridge (2008) or Shiver My Timbers (2016). Richard Deacon Biography Richard Deacon was born in Bangor, Wales, UK in 1949 and lives and works in London, UK. He has a BA from St Martin’s School of Art, London, UK (1972) and an MA in Environmental Media from the Royal College of Art, London, UK (1977). Solo exhibitions include Kula Gallery and the Museum of Fine Arts, Split, Croatia (2021); Middelheim Museum, Antwerp, Belgium (2017); San Diego Museum of Art, San Diego, CA, USA (2017); Prague City Gallery, Prague, Czech Republic (2017); Museum Folkwang, Essen, Germany (2016), Kunstmuseum Winterthur, Switzerland (2015); Tate Britain, London, UK (2014); Sprengel Museum, Hannover, Germany (2011); Musée de la Ville de Strasbourg, France (2010); Portland Art Museum, Oregon, USA (2008); PS1 Contemporary Art Center, New York, USA (2001); MACCSI, Caracas, Venezuela (1996); Whitechapel Art Gallery, London, UK (1989) and Museum of Contemporary Art, Los Angeles, USA (1988). He represented Wales at the Venice Biennale, Italy (2007) and has participated in the Venice Architecture Biennale, Italy (2012), Glasgow International, UK (2006) and documenta 9, Kassel, Germany (1992). He won the Turner Prize in 1987 and the Robert Jakobsen...

Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful e...

A very good impression of this color offset lithograph with strong colors. Signed, dated and numbered 230/250 in pencil by Rauschenberg. Published by S...