Items Similar to “Baigneuse Debout A Mi-Jambes“
Want more images or videos?
Request additional images or videos from the seller
1 of 7
“Baigneuse Debout A Mi-Jambes“1910
1910
$975
£743.24
€849.09
CA$1,371.96
A$1,502.72
CHF 791.18
MX$17,934.51
NOK 10,082.94
SEK 9,217.32
DKK 6,345.01
About the Item
After Renoir etching on cream archival paper. Impression size is 6.5 by 4.25. Sight size is 7.25 by 5 inches. This is most likely the third posthumous edition by Floury in 1923. Under glass. Not examined out of frame. Condition is excellent. A strong impression. Not signed as is usual for this etching. Nicely gallery framed with orange liner and a classic silver leaf frame with wear consistent with age. Overall framed measurements are 16 by 13 inches. Provenance: A Nyack, New York collector.
Pierre Auguste Renoir was born in Limoges France, in 1841. He studied painting formally from 1862 to 1863 at the academy of the Swiss painter Charles Grabiel Gleyre in Paris. His early work was influenced primarily by Claude Monet’s treatment of light by Eugene Delacroix’s treatment of color.
Renoir fully established his reputation with a solo exhibition held at the Durand-Ruel Gallery in Paris, 1883, and in 1887 he completed a series of studies of a group of nude female figures known as The Bathers. Many of his later paintings maintained the same theme in an increasingly bold rhythmic style.
During the last 20 years of his life, Renoir was crippled by arthritis. Despite his inability to move his hand freely, he continued to paint by using a brush strapped to his art. Renoir passed away in the south of France in 1919.
- Creation Year:1910
- Dimensions:Height: 6.5 in (16.51 cm)Width: 4.25 in (10.8 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement Style:
- After:(after) Pierre Auguste Renior (1841 - 1919, French)
- Period:
- Condition:Very slight toning of paper consistent with age. Not examined out of frame.
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU14117386862
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1977
1stDibs seller since 2013
559 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Sarasota, FL
- Return Policy
More From This Seller
View All“Standing Female Nude”
By Aristide Maillol
Located in Southampton, NY
Beautiful, original lithograph on handmade paper by the well known French artist, Aristide Maillol. Artist monogram “M” lower right. Condition is good. Early 20th century on artist...
Category
Early 20th Century Modern Nude Prints
Materials
Lithograph, Handmade Paper
$1,000 Sale Price
20% Off
“Le Chapeau Epingle”
By Pierre-Auguste Renoir
Located in Southampton, NY
Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...
Category
1880s Impressionist Figurative Prints
Materials
Archival Paper, Etching
$1,560 Sale Price
20% Off
“Sur la Plage, a Bernival”
By Pierre Auguste Renoir
Located in Southampton, NY
One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...
Category
1890s Impressionist Figurative Prints
Materials
Etching, Archival Paper, Drypoint
“The Mountains of St. Maurice”
By Dodge Macknight
Located in Southampton, NY
Original watercolor on archival paper of the mountains of Saint Maurice in Switzerland by the well known American artist, Dodge MacKnight. Signed lower left and titled and dated 189...
Category
1890s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
$2,240 Sale Price
20% Off
“Seashore Clouds”
Located in Southampton, NY
Very well executed watercolor on Grumbacher watercolor board by the well known marine artist, Frederic Whitaker. Signed lower right. Circa 1955. Cond...
Category
1950s Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
$975 Sale Price
55% Off
“Americana”
By Ralph Fabri
Located in Southampton, NY
Here for your consideration is a wonderful original etching on archival paper by the well known American artist, Ralph Fabri. Strong impression; signed in pencil by the artist lower right margin. Titled and dated bottom left of the sheet “1947-Americana”. Condition of the etching is excellent. Top corner of sheet and bottom right corner of sheet have tiny creases. Not visible, under the mat. Sheet size is 12 by 15 inches. Image size is 8 by 9.75 inches. Matted but not framed. Provenance: A Long Island, New York collector.
Painter and printmaker, commercial artist, writer, and teacher, Ralph Fabri was born Fabri Reszo in Hungary in 1894. He was educated in Budapest, first studying architecture at the Royal Institute of Technology from 1912 to 1914. He then enrolled in the Royal Academy of Fine Arts, from which he graduated in 1918 with a Professor's Diploma (M.A.) "for teaching drawing, painting and geometry – including descriptive and projective geometry – in schools of higher education."
Fabri arrived in New York City in 1921 and soon adopted the anglicized version of his name, Ralph Fabri. He began doing commercial design work and during the academic year of 1923/24 was enrolled as an evening student at the National Academy of Design. After becoming an American citizen in 1927, he traveled extensively in Europe. Upon returning to New York that same year, Fabri decided his financial situation was stable enough to allow him to focus his attention on fine art.
During the Great Depression, Fabri's already inadequate portrait commissions and art sales further declined and he returned to commercial work. He established a workshop known as the Ralph Fabri Studios, that designed theatrical and movie sets, window displays, and retail interiors. But Fabri found the workshop dirty and distasteful, and eventually was able to concentrate on advertising work which could be done from home. The largest clients for his pen and ink drawings were The Stamp and Album Co. of America, Inc. (for which he designed covers for stamp albums and produced illustrations for envelopes housing sets of stamps sold to collectors), Geographica Map Co., and Joseph H. Cohen & Sons (for whom he designed and illustrated mail order catalogs). Another source of income during this period was the design and construction of an addition to "Iroki," Theodore Dreiser...
Category
1940s American Modern Figurative Prints
Materials
Archival Paper, Etching
$675 Sale Price
30% Off
You May Also Like
"La Femme et la Folie Dominent le Monde II" - 1886 Print on Paper
By Félicien Rops
Located in Soquel, CA
"La Femme et la Folie Dominent le Monde II" - 1886 Print on Paper
("The Woman and the Madness Overlooking The World II")
1886 French illustration from Felicien Rops (Belgian, 1833-...
Category
1880s Impressionist Figurative Prints
Materials
Etching, Paper, Ink
"Study 2", Seated Figure Lithograph
By Jim Smyth
Located in Soquel, CA
Beautiful nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "8/12", "Study 2", "Smyth 75” along the bottom edge. Unframed.
Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique.
He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting.
Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Etching
$520 Sale Price
20% Off
"Study 6" Figurative Abstract Lithograph
By Jim Smyth
Located in Soquel, CA
Graceful abstract figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed.
Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique.
He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Etching
$520 Sale Price
20% Off
"Study 2" Figurative Lithograph
By Jim Smyth
Located in Soquel, CA
Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed.
Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique.
He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Etching
$520 Sale Price
20% Off
Le Printemps II (Red-Brown), Impressionist Etching by Auguste Rodin
By Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Le Printemps II (Red-Brown), Year: 1882-1888, Medium: Color Etching on Japan paper, Image Size: 5.5 x 3.75 inches, Size: 9 x 6.25 in. (22.86 x ...
Category
1880s Impressionist Nude Prints
Materials
Etching
Round of Summer (aka Four Figures), First State Proof
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Round of Summer (aka Four Figures), soft ground etching, 1919, signed in pencil lower right. Reference: Czestochowski 91, first state (of 3), trial proo...
Category
1910s American Impressionist Figurative Prints
Materials
Etching












