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Amour Montrant Psyche Aux Graces /// Renaissance Mythology Raphael Classics
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Amour Montrant Psyche Aux Graces /// Renaissance Mythology Raphael Classics1883
1883
$350
£267.82
€306.52
CA$494.29
A$537.21
CHF 287.90
MX$6,522.69
NOK 3,614.36
SEK 3,351.77
DKK 2,289.31
About the Item
Artist: (after) Raphael (Italian, 1483-1520)
Title: "L'Amour Montrant Psyche Aux Graces"
Portfolio: Gazette des Beaux-Arts
Year: 1883
Medium: Original Etching on chine appliqué on wove paper
Limited edition: approx. 1,500
Printer: Ch. Chardon, Paris, France
Publisher: Gazette des Beaux-Arts, Paris, France
Reference: Sanchez
Seydoux 1883-2; Beraldi No. 10, page 216
Framing: Recently framed in an ornate gold moulding with 100% cotton rag mat. All archival
Framed size: 17.75" x 15"
Sheet size: 11" x 7.5"
Image size: 7.75" x 5.75"
Condition: In excellent condition
Rare
Notes:
Engraved by French artist Tiburce de Mare (1840-1900). This etching is after a painting by Italian artist Raphael (1483-1520). The original (mural) painting is at the Villa Farnesina in Rome, Italy.
This etching was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002.
Biography:
Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 – April 6, 1520), known as Raphael was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Tiburce de Mare (French, 1840-1900) was a painter, draughtsman, and printmaker. Portrait painter and reproductive engraver; son of Johannes de Mare (q.v.), b. Paris. Pupil of his father and of Fernand Gaillard. Works exhibited at the Salon from 1878. Frequently worked for the 'Gazette des Beaux Arts' in Paris.
- Creation Year:1883
- Dimensions:Height: 17.75 in (45.09 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement Style:
- After:(after) Raphael (Raffaello Sanzio da Urbino)
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121217157302
About the Seller
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Artist: Marco Dente da Ravenna (Italian, 1493-1527)
Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)"
*Monogram signed by Dente in the plate (printed signature) lower left
Circa: 1515-1520 (second state of three)
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Antonio Salamanca, Rome, Italy
Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10
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Framed size: 16.88" x 13.07"
Sheet size: 10.63" x 6.94"
Condition: Thread margins. A strong impression in excellent condition
Very rare
Notes:
Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520).
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Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
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Limited edition: Unknown
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Reference: Le Blanc No. 255, 38; Nagler No. 23
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Image size: 17.75" x 14"
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Extremely rare
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Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
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