Jean-Baptiste Valadie

Blue Eyes - Original handsigned lithograph

Jean-Baptiste VALADIE A Long Wait Original lithograph Handsigned in pencil Limited /250 copies On vellum 35 x 45 cm (c. 14 x 18 in) Excellent condition

Jean-Baptiste VALADIE Seated Nude Original lithograph Handsigned in pencil Justified EA (artist proof) On vellum 51 x 39 cm (c. 20 x 16 in) Very good condition, light defects at th...

Alain BONNEFOIT Beauty in a Dream, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

Jean-Baptiste VALADIE Reclining nude Original etching and aquatint Handsigned in pencil Limited /125 copies On vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition

Original Lithographe EA (Epreuve d'Artiste ) Alain Bonnefoit’s trademark female nudes reflect both Western and Eastern art historical influences. A painter, engraver, and sculptor, B...

Original Lithographe EA (Epreuve d'Artiste ) Alain Bonnefoit’s trademark female nudes reflect both Western and Eastern art historical influences. A painter, engraver, and sculptor, B...

Nude is a lithograph on paper realized in the 1980s by Sergio Barletta. Hand-signed on the lower right in pencil. From the edition of 100 prints. Numbered in pencil on the lower left. In good condition. Sergio Barletta  (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs: Galleria Marino  – Roma, 1965  Galleria Levi – Milano, 1966   Galleria Petronio – Bologna, 1967  Galleria d’arte moderna Villa Reale – Milano, 1967  Palazzo Costanzi – Trieste, 1967  Galleria del Naviglio – Milano, 1967  Galleria Marino – Roma, 1967  Galleria Libreria Renzo Cortina – Milano, 1968  Galleria Libreria Renzo Cortina – Milano, 1969  Society Art’s Club – Messina, 1970  Galleria Marino – Roma, 1970  Galleria Libreria Renzo Cortina – Milano, 1972  Galleria Marino – Roma, 1972  Galleria Il Diaframma – Milano, 1973  Galleria Libreria Renzo Cortina – Milano, 1974  Galleria Il Ventaglio – Firenze, 1975  Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976  Bedford House...

Venus III Roberto Carbone, Italian (1949) Date: 1979 Lithograph, signed and numbered in pencil Edition of 250 Size: 27 in. x 20 in. (68.58 cm x 50.8 cm)