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Karl Schmidt-RottluffBekleidete und nackte Frau (Clothed and Naked Woman) /// German Expressionism1918
1918
Price:$500
About the Item
- Creator:Karl Schmidt-Rottluff (1884-1976, German)
- Creation Year:1918
- Dimensions:Height: 8.5 in (21.59 cm)Width: 5.38 in (13.67 cm)
- Medium:
- Movement Style:
- Period:
- Condition:(Very Good).
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121212327032
Karl Schmidt-Rottluff
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke (“The Bridge”), united by the goal of creating a modern, intensely emotional style. The artists of Die Brücke typically preferred to portray scenes of urban life, but Schmidt-Rottluff is particularly known for his rural landscapes. He initially painted in an Impressionist style, but his painting Windy Day (1907) shows the artist’s transition to his mature style, which is characterized by flat areas of boldly dissonant colours. A representative example of this mature work is Self-Portrait with Monocle (1910). Like the other Brücke artists, Schmidt-Rottluff had also begun to explore the expressive potential of the woodcut medium. In 1911 Schmidt-Rottluff, with his fellow Die Brücke members, moved to Berlin, where he painted works with more angular, geometric forms and distorted space, revealing his new interest in Cubism and African sculpture. After World War I Schmidt-Rottluff became increasingly interested in religious themes, as seen in the woodcut Head of Christ (1918), which is one of a series of prints about the life of Christ. During the 1920s Schmidt-Rottluff’s work became more subdued and harmonious, losing much of its former vigour and integrity. When the Nazis gained power in Germany, he was forbidden to paint. After World War II he taught art and resumed painting, although he never regained the power of his early works.
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View AllStehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile) /// Woodcut
By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Stehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 220, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Sheet size: 8.5" x 5.38"
Image size: 6.5" x 3.57"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
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Series: Die Aktion
Year: 1914
Medium: The Complete Vol. 4, No. 11 issue of 'Die Aktion' with a Lithograph on cream smooth wove paper
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In 1911 Franz Pfemfert, a cantankerous critic of capitalism and Wilhelmine society, founded Die Aktion as a political and literary journal. In April of the following year, a new subtitle declared the journal a "weekly for politics, literature, and art." Although politics remained the priority, Die Aktion began featuring visual art coverage as well as original prints and illustrations.
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Adamantly opposed to World War I, Pfemfert skirted tightened censorship from August 1914 to October 1918 by treating contemporary events only through artistic and literary allusions. At a time when reading books by foreign authors was considered unpatriotic, he dedicated entire issues of Die Aktion to Russian, French, and Belgian authors and artists. In late 1918, however, Pfemfert resumed vocal political critique, siding with the radical left. His selection of prints, formerly varied, became overtly political. After 1921, he ceased art coverage altogether, decreased the number of issues, and used the publication exclusively as a mouthpiece for his own increasingly partisan views.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes.
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Title: "(Mort de Cleopatre) (The Death of) Cleopatra"
*Signed by Dali in pencil lower right
Year: 1972
Medium: Original Engraving on Arches paper
Limited edition: 197/325
Printer: Ateliers Rigal, Paris, France
Publisher: EUKA, Paris, France and Roten Gallery, Baltimore, MD
Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 72-14, page 73; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 820, page 247
Sheet size: 22.5" x 30.13"
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Condition: Toning to sheet. Faint stain line at right edge and a few soft handling creases in right margin. It is otherwise a strong impression in good condition
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Provenance: private collection - Los Angeles, CA. Numbered by Dali in pencil lower left. Arches watermark lower right.
We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic.
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Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...
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