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Maurice Denis
Nymphe couronne de Pasquerettes, 1899, Pink Color Lithograph, Hand-Signed, Nabis

1899

$3,466.24
£2,579.47
€2,900
CA$4,796.65
A$5,148.75
CHF 2,741.45
MX$60,981.18
NOK 34,644.39
SEK 31,639.99
DKK 22,097.60

About the Item

Maurice Denis Granville 1870 - 1943 Saint-Germain-en-Laye Nymphe couronne de Pasquerettes, 1899 Color lithograph on handmade paper Signed in pencil lower right Size: 56 x 44 cm Good original condition Catalogue raisonné Caill 121 The color lithograph appeared in the portfolio "Germinal" in an original edition of 100 copies, published by "La Maison moderne" in Paris, compiled by Julius Meier-Graefe. The title "Germinal" was intended to suggest that the portfolio brought together the seeds that would have a lasting influence on art in the coming 20th century. Viewing and collection by prior appointment are welcome. Authenticity will be confirmed in writing. Maurice Denis was born the son of a railway official. In 1871, the family moved to Saint-Germain-en-Laye near Paris, where he spent the rest of his life. In 1888, he attended the Académie Julian in Paris, where Paul Sérusier convinced him of the painting style of the Pont-Aven school. In 1890, he exhibited for the first time (with the painting "The Choir Boy") at the Salon and published his first theoretical article in the magazine Art et Critique. He was a founding member of the Les Nabis group of artists, along with Pierre Bonnard, Paul Sérusier, and Édouard Vuillard; he shared a studio with Bonnard and Vuillard. In 1891, he took part in the Nabis exhibition at the Galerie Le Barc de Boutteville. Denis is considered the most important theorist of this group. During his travels in Italy between 1890 and 1895, he studied the works of the Renaissance, particularly those of Piero della Francesca. In 1903, Ambroise Vollard published his 216 woodcuts on the imitation of Christ and, in 1911, the edition of Paul Verlaine's Sagesse, which he illustrated. Further travels followed, including to Moscow (1909), Algeria and Tunisia (1921), Palestine, Greece (1924), and the United States and Canada (1927). His students included the Art Deco painter Tamara de Lempicka and the British-Italian painter Daphne Maugham-Casorati. Denis created paintings with simple forms, gently curved lines, and pale colors. His works include murals, panel paintings, and prints, as well as book illustrations. From 1919 onwards, he focused primarily on reviving religious art and founded the Ateliers d'art sacré with Georges Desvallières (1861–1950). In 1920, he created the altar mosaic in the basilica of the Abbey of Saint-Maurice in the Swiss canton of Valais. It depicts the coronation of St. Maurice. Denis became a member of the Académie des Beaux-Arts in 1932, succeeding Jean-Louis Forain. In 1937, his color lithographs Mädchen vor blühenden Kastanien (Girls in Front of Blooming Chestnut Trees) and Ce fut un religieux mystère (It Was a Religious Mystery) were confiscated from the Museum Folkwang Essen as part of the Nazi campaign against "degenerate art." Both works were sent to art dealers Hildebrand Gurlitt and Bernhard A. Böhmer, respectively, to be "exploited" on the art market. Their whereabouts are unknown. In 1943, Maurice Denis died as a result of a car accident.
  • Creator:
    Maurice Denis (1870-1943, French)
  • Creation Year:
    1899
  • Dimensions:
    Height: 22.05 in (56 cm)Width: 17.33 in (44 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Eltville am Rhein, DE
  • Reference Number:
    1stDibs: LU2910217180822

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