20th Century Nude Prints

Bathing Nude is a lithograph on paper realized by Robert Fontené in the mid-20th Century. Hand-signed on the lower right. Numbered on the lower left, ...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Femme Debout by Frantisek Kupka, Czech (1871–1957) Date: circa 1912 Etching on Arches, signed in the plate and stamp signed Image Size: 15.5 x 9.75 inches Size: 22 x 15 in. (55.88 x ...

Framed poster for "Annie Leibovitz Photographs 1970-1990" at the National Portrait Gallery. Depicts Leibovitz's iconic image of a nude John Lennon with his arms and legs wrapped arou...

Allegories: Lies is a vintage poster realized after the Italian artist Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1979. Original Colored Offset on paper. The autograph signat...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

Piper-Druck No. 57. Printed in Germany. Measures 25.75 x 29.25 inches and is unframed. The image is in Very Good Condition. The border is in Good/Fair Condition-yellowing/discolorati...

Knave of Sticks is an etching realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is good. Hand-signed. Numbered, edit...

Attesa di Maja is an original Contemporary artwork realized in 1973 by the italian artist Leo Guida (1992 - 2017). Original Print: Aquatint and Etching on paper with Black Ink. Edi...

after Henri MATISSE Edition of 200 with the printed signature, as issued 76 x 56 cm With stamp of the Succession Matisse References : Artvalue - Succession Matisse

Artist: After Pablo Picasso (1881-1973) Title: Flûtiste et Jeune Fille au Tambourin (after Bloch 213) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

Salvador Dali - Nude with Flower - from "Les Amours de Cassandre" Original Etching From the suite on Silk made for editions 9 to 34 Dimensions: 38,5 ...

Etruscan and Roman Costumes is a set of 7 etchings realized by Various artists in the 17th Century. good conditions. The artworks are realized with soft strokes in a well-balanced...

Nude woman with tree is an original artwork realized by French artist Jacques Busse (1922-2004) Lithograph print. Hand-signed on the lower right in pe...

Figure is a black and white etching realized by Nazareno Gattamelata in the 1970s. Hand signed by the artist on the lower right margin: Gattamelata . Numbered on the lower left ma...

Lady with Cupids and Dwarf is a Lithograph realized in 1906 by Willette (Adolphe Léon). Hand-signed with pencil on the lower right corner. Good condition with folding and consumed ...

Nude of Woman is a Lithograph realized by Carlo Marcantonio in 1970s. This print is hand signed. This is an edition of 50 prints plus some artist's proofs, numbered 11/15. Prints are the most affordable and reasonably priced artworks...

Escape is a beautiful colored lithograph realized by Stefania Guidi in 1993. Hand-signed in pencil on the lower right margin. Dated on the lower right. Numbered on the lower left. Edition 91/150. Original title: Fuga. This contemporary original print represents a nude woman lying down in a moment of rest. Good conditions. Stefania Guidi (Rome, 1929) belongs to the Marche family of the Marquises Guidi Giovanissima. In 1958, she had her first personal exhibition of sculptures and drawings at the Giosi gallery in Via del Babbuino in Rome. She married the musician and composer Michele Paradiso on 1 July 1978 in Campidoglio. From 1956 to 2014, the work of Stefania Guidi was expressed in various techniques and materials with great craftsmanship. She made 192 etchings on copper and zinc; 40 lithographs on stone...

Nude is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921.

Limited edition of 90 prints, numbered and hand signed. Excellent condition.

Three Whorehouses is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (48.5x32.5 cm). Han...

Composition is an original etching and aquatint realized by Leo Guida in 1987. Good condition. Mounted on a white cardboard passpartout (50x35). Leo Guida (1992 - 2017). Sensitiv...

Woman i is an original screen print realized by Nicola Simbari in 1976. Hand-signed on the lower right. Numbered .Edition 11/90. The artwork represents a female nude in profile wi...

Nude is an original etching and drypoint realized in the mid-20th Century by an anonymous artist. Good Conditions. The artwork is depicted through soft strokes in a well-balanced c...

Reclined Nude is an original etching and aquatint realized by Leo Guida in 1970s. Good condition for the 8 copies of the artwork. No signature. Leo Guida (1992 - 2017). Sensitive...

Nude is an original lithograph realized by an anonymous artist in the Early 20th Century. Hand-signed but illegible. The artwork is depicted through confident strokes in a well-bal...

Passages I John Hardy, American (1923–2014) Date: 1981 Lithograph, signed and numbered in pencil Edition of 275 Image Size: 28 x 20 inches Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Reclined Nude is an etching and drypoint on ivory-colored paper realized by Valér Ferenczy in the 1930s. Hand-signed by pencil on the lower right. Good conditions with foxing and ...

Nude is an original etching realized by an unknown artist in the mid-20th Century. Good conditions except for some foxings. The artwork is depicted through strong strokes in a well...

Nude is an original etching on paper realized by Gian Paolo Berto, in 1974. Good conditions except for small cyaways on the top and bottom margins. Hand-signed and numbered, editio...

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices, Year: 1920, Medium: Lithograph, Image Size: 10 x 7 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Description...

Limited edition of 90 prints, numbered and hand signed.

Image dimensions: 32x24 cm. Hand Signed and numbered. Edition 11/60. Provenience: Galleria Rossoni, 24/04/1969. Ref.: Catalogue Raisonné "Emilio Greco Incisioni e Litografie", by...

King of Coins is an etching realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is good. Hand-signed. Numbered, editio...

Still Life is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwor...

Oriental Nude is original lithograph on paper realized in 1929 by Maurice Barraud. Signed on the plate on the lower left. The state of preservation i...

Nude is an original artwork realized in 1970 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original colored etching on ivory-colored cardboard. Not signed. In t...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Nude is an original etching, realized by Sergio Barletta, hand-signed and numbered from the edition of 25 prints. In very good condition. Here the artwork represents the girl with...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

The Three Graces is an original etching and aquatint realized by Leo Guida in 1989. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the autho...

Artist: Mel Ramos (American, 1935-2018) Title: "Peace" *Unsigned edition Year: 1970 Medium: Original Offset-Lithograph on light smooth wove paper Limited edition: 50, (there was also...

The Plow on the Fields is an etching and drypoint realized by André Dunoyer de Segonzac (1884-1974). Good condition on a yellowed paper. Hand-signed by the artist on the plate. Limited edition of 60 copies numbered and signed. André Dunoyer de Segonzac (7 July 1884 – 17 September 1974) was a French painter and graphic artist.In 1947, he published his suite of etchings illustrating the Georgics of Virgil. In the judgement of Anne Distel, chief curator of the Musée d'Orsay, "The technical perfection and the nobility of the tone, which carried the cachet of the original, but was imbued throughout with an unfailing lyricism, make this work Segonzac's masterpiece. It must be included in a list of the most beautifully illustrated books of [the 20th] century."The gossamer quality of his etchings stood in contrast to the thickly painted surfaces and generally somber color of his oil paintings, which reflected his admiration for Courbet and Cézanne. His subjects include landscapes, still lifes, and nudes. He influenced other artists like Samuel Peploe...

"Girl in Pink" is an original woodcut artwork realized by Mino Maccari (1898-1989). Hand-signed on the lower right in pencil, and numbered on the lower left, edition of 71/89 print...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Nude is an original etching on creamy paper realized by an Anonymous artist of the mid-20th Century. Good conditions. The artwork represents a white standing nude woman, with a bla...

Nude Women is an original etching on paper, realized by Arthur Edouard Guillez (1865-1916) in 1913. Hand-signed and dated. The state of preservation of the artwork is very good. Sh...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Artist: Dan May (American, 1955-) Title: "Cleaning Crew" *Signed and numbered by May in pencil lower left Year: 1996 Medium: Original Linocut on white Hosho handmade paper Limited ed...

Nude Study is an original drawing in brownish charcoal on ivory paper, realized by Debora Sinibaldi in 1985. In good condition with some folding along the margins and some small sta...

Image dimensions: 8 x 17 cm. Etching on ivory colored paper, with en embossing stamp "Libreria Prandi Reggio E." in lower-right corner. Edition of 50 prints. Beautiful etching rep...

The Dead Bastard, Mystery East Village Untitled, 1972 Lithograph Sheet: 18 x 24 in. Image: 16 x 22 in. Singled lower right: The Dead Bastard, 1972

Aretusa No.4 is an original etching artwork realized in 1971 by Emilio Greco. Hand-signed on the lower right and dated. Numbered, edition 12/90. Image Dimensions: 49 x 35 cm. In...

Nude is an original black and white etching realized by Leo Guida. Not signed. The state of preservation is good. "INV.C. 29B", on the lower right margin. Leo Guida: Artist sens...

Nude Woman is an offset poster realized after Pierre-Auguste Renoir. In good conditions except for some rips on the margin. Signed on the lower right corner. The artwork represent...

Nude is a fine lithograph on paper, realized by the Italian artist Pericle Fazzini. The print depicts a female nude reclined, from the back. Hand-signed on the lower right. Editio...

Woman on The Phone is an original etching artwork, realized by Emile Laboureur in 1928 The state of preservation is very good. Image Dimensions: 13 x...

L'Ouverture sur L' Été is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. L'Ouverture sur L' Été depicts a bold reclining female nude whose mint green body with cobalt blue delineated details and face rests upon a deep green background amidst the heat of summer - red horizon with blazing yellow sun and an exotic blue bird hovering above. Print size - 19.5 x 25.5 inches, unframed, full bleed image, no margins, hand signed in pencil by Corneille Edition size - 200, plus proofs Year published - 1981 Printer - J K Fine Art Editions Co., NY About the artist Corneille - Guillaume Corneille was born in Liege, Belgium on July 3, 1922. Corneille studied drawing at the Amsterdam Rijksakademie, but as a painter he was entirely self-taught. After having attended courses at the School of Fine Arts in Amsterdam, he started his painting experience influenced by Surrealism. Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He is co-founder with Karel Appel, Eugene Brands...

Nude is an original etching on paper realized by Gian Paolo Berto in 1974. Good conditions except for small cyaways on the top and bottom margins. H...

The Suffering Folk is an original etching realized by Louis Jou in the Early 20th Century. Applied on a Passpartout by gluing: 47 x 63 cm. Hand-Signed, Numbered. Edition, 14/40. Good conditions. Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...