20th Century Nude Prints

HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, each initialed on verso and inscribed "BAT" sheets 11 ¾ x 11 ¾", printed & published by Muse X, Los Angeles. (b...

Artist: Dan May (American, 1955-) Title: "Reclining Nude (Purple)" Portfolio: Reclining Nudes *Signed and numbered by May in pencil lower left Year: 1982 Medium: Original Screenprint...

Salvador Dali - Nude Couple - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lops...

Artist: Dan May (American, 1955-) Title: "Sun Therapy" *Signed and numbered by May in pencil lower left Year: 1982 Medium: Original Screenprint on unbranded white wove paper Limited edition: 1/150 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 30.88" x 29.13" Image size: 23.13" x 23.13" Condition: Minor wear to lower right corner. In excellent condition Notes: Titled and dated by May in pencil lower right. The paper is white wove, however the entire recto sheet is screenprinted with color. The margins are screenprinted in red which connect throughout the central image. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Salvador Dali - Nude Couples - Original Handsigned Lithograph Dimensions: 52 x 65 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8

Artist: Dan May (American, 1955-) Title: "Reclining Nude (Black)" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Limited edition: 45/50 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 20.25" x 24" Image size: 11.38" x 17.13" Condition: In excellent condition Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Pearlstein, Philip. NUDE. Etching, 1976. Edition of 30, signed, dated and numbered 26/30 all in pencil. 7 7/8 x 5 7/8 (plate), 14 1/8 x 11 1/8 inches (sheet). In excellent condition.

ARTIST: Salvador Dali TITLE: Poems Secrets Nude at The Fountain MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMB...

Color lithograph, on Magnani-Pescia paper. Paper size 56cmx76cm, work size 47cmx66cm. Excellent condition, no defects. Artist, costume designer, after having created numerous scenogr...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

Aristide Maillol 1861-1944, was a French sculptor, painter, tapestry producer and printmaker. He took up sculpture as his eyesight was suffering under the design and weaving manufac...

Sandra Payne Untitled (from Most Definitely Not Profile Ladies series), 1986; 2022 Digital fine art pigment on archival paper Framed Dimensions: 24.5 x 22.25 inches (62.2 x 56.5 cm)...

ARTIST: Salvador Dali TITLE: La Venus Aux Fourrures Woman with Whip MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITI...

Luc-Albert MOREAU Lovers Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condition

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird, frightening, disturbing, demanding, despairing, disgusting, irrelevant, inspiring, old, new-old, fascinating, morbid, medieval, bizarre, cathartic, mystery-plays (I like that), and well drawn." - David Becker David Becker Monuments etching & engraving 21h x 31w in 53.34h x 78.74w cm A.P. DB0022 This etching is matted and framed behind plexiglass. The frame and Plexi may show signs of wear. Contact gallery for detail report. David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

Reclined Nude is a contemporary artwork realized by Rinaldo Geleng (1920-2003) in 1970s Lithograph on paper. Hand-signed on the lower margin. Numbered, edition of 100 prints. Goo...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograph...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs with a poem verso. The individual sheets are not signed or numbered. This listing is just...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

A striking piece by Piper also presented in the Tate collection. This print is one of an extensive series titled ‘Eye and Camera’, the first of which were made in 1967. For these prints, which are distinctly different from his topographical work, Piper uses photographic images fragmented and collaged, and juxtaposed with drawing. This is a signed original screenprint from the Kelpra/Tate Gallery portfolio of seven prints published in 1980 in an edition of 150, to celebrate the Kelpra Studio Exhibition at the Tate Gallery. The other artists were Patrick Caulfield, Gordon House, R.B. Kitaj, Victor Pasmore, John Piper, Joe Tilson and Gerd Winner...

ROBERT WEIL (American, b. 1945). Poster-Multiples, March 9-April 17, Jerome Zucker & Assoc., NY, Paris, Rome, Zurich, Sidney. Measures 24 x 18 in. Unframed...

Artist: Dan May (American, 1955-) Title: "Up the Stairs" *Signed and numbered by May in pencil lower left Year: 1998 Medium: Original Linocut on white Hosho handmade paper Limited ed...

Futura 2000 NYC 1984: A rare 1980s Futura announcement card published on the occasion of: FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY. Offset printed annou...

Salvador Dali - The Drawers - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 Embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Leonor Fini - Portraits - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckv...

Salvador Dali - The Arrival of Iseult - Original Etching Dimensions: 45 x 33 cm Edition: 125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

ANDRÉ DERAIN 1880-1954 Chatou, Paris 1880-1954 Garches (French) Title: Nude Bather among the Trees Baigneuse nue aux arbres, 1919 Technique: Original Hand Signed and Numbered Etch...

Offset color lithograph poster. Signed by the artist in felt-tip pen and black ink. This color print is based on the same-titled painting in the Böckmann collection, Berlin.

Wayne Ensrud, American (1934 - ) - Lady With Cat, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 26 x 21.5 inches, Size: 3...

Wayne Ensrud, American (1934 - ) - Lorie, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, HC, Image Size: 35 X 24.5 inches, Size: 34 in. x 24...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...

Henri Fantin-Latour (1836-1904),Vérité (petite planche), 1900, lithograph. Hediard-Mason 156, first state (of 3). A proof of the first state before the edition published in La Revue...

MEL RAMOS (1935-2018) The Rounder 1999 Lithograph 92.1 x 48.9 cm 36.26 x 19.25 inches Edition of 199 with HC 20 Edition HC 12/20 Signed and numbered in pencil

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

L'Amour de l'Art is an artwork realized by Constant Le Breton (1895 - 1985) in 1930s. Woodcut print. Good condition. Constant Le Breton (1895 - 1985) devoted to painting his entir...

Bather is an artwork realized by Constant Dratz (1875 - 1946, Belgium) in 1970. Woodcut print. Good condition. As a painter, Dratz was known for his landscape paintings of the Dil...

Lithograph print signed by artist-- possibly Etienne--however, illegible. The print measures is 22 x 29; it is in fair/good condition, with slight discoloration around the edges.

Arthur B. Davies (1862-1928), Amber Garden (Hand Raised, Autumn Mist), soft ground etching and aquatint, 1919, signed in pencil lower right margin. Referen...

Figure is a drawing realized by Louis Drioferou  in the Mid-20th Century. China ink on paper. Good conditions with slight foxing. The artwork is realized through deft expressive s...

Framed lithograph of female nude of pastel by Aristide Maillol. Initials in lower-right corner. Framed under glass in wooden frame.

"Reclining Nude with Black Stocking" is an original etching by Warren Brandt. This piece depicts a nude woman lying on patterned pillows while wearing long black stockings. The artis...

after Henri Matisse - Nude With Oranges Edition of 200 printed signature, as issued 76 x 56 cm Posthumous edition after the original drawing with the stamp of the Succession Matisse ...

Title: Decorative Documents Author: Alfons Mucha. Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...

This artwork "The KIss" c.1970 is an original drypoint etching on wove paper by noted Czech artist Vladimir Komarek, 1928-2002. It is hand signed and ...

Andre Derain (1880-1954), Baigneuse Nue aux Arbres (Nude Bather amidst Trees), etching and drypoint, c. 1909, signed in pencil and numbered 27/100. Reference: Adhemar 50. In very good condition, on ARCHES cream laid paper, with their watermark, with full margins, 7 x 3 3/4, the sheet 22 1/4 x 17 1/2 inches, archivally matted. A fine impression, with a subtle layering of plate tone. Derain clearly based the face in this print on the famous African Fang mask which he owned (and which influenced others who saw it in his apartment such as Picasso, e.g., in his Demoiselles d’Avignon). It is also related to a sculpture he owned, a late medieval Virgin and Child. In fact, as is argued by Jane Lee...

Framed lithograph of a female nude pastel by artist Aristide Maillol. Image size: 12 1/2 x 9 1/2 inches. Framed under glass in wooden frame.

Salvador Dali - Alexander Fleming - Original Handsigned Engraving Dimensions: 17.5 x 12.5 cm 1970 Signed in pencil EA Jean Schneider, Basel References : Field 70-5

Leon Underwood was a British sculptor, wood engraver, painter and writer of the twentieth century. Underwood was born 25 December 1890 in London, and studied at the Regent Street Pol...

Leonor Fini - Flower Crown - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle ...