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Ugo AttardiItalian 1980s Ugo Attardi Signed Work on Paper Nude of Woman1987
1987
$1,914.63
£1,430.03
€1,600
CA$2,637.75
A$2,874.68
CHF 1,522.27
MX$34,527.98
NOK 19,272.26
SEK 17,718.95
DKK 12,189.23
About the Item
Italian 1980s Ugo Attardi Signed Work on Paper Nude of Woman
A beautiful "Prova d'Artista" Pop Art-inspired graphic work by one of Italy's greatest modern artists, Ugo Attardi.
It depicts one of his iconic figures of a naked woman reclining with the unmistakable skyline of Rome, his adopted city, behind her.
This beautiful nude of a woman is of rare intensity and beauty, with a splendid shade of red enveloping this extremely elegant composition.
Signed lower right "Attardi 87"
Inscribed lower left "P d a " Prova d'artista (Artist's proof)
This artwork, never before on the market, comes from an important European private collection and is beautified by an impressive original frame in laquered wood, in almost perfect condition.
Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts.
Our company has been present on this platform for many years, with numerous sales made and just as many excellent reviews received that you can under our Furniture account.
The painting is also protected by glass
Ugo Attardi (Sori, 12 March 1923 – Rome, 20 July 2006) was an Italian painter, sculptor and writer.
He was born in the province of Genoa. His father, a trade unionist and active member of the “Federazione dei Marittimi” (Seafarers' Federation), originally from Santo Stefano Quisquina, a small village in the province of Agrigento, was forced by the Fascist regime to leave Liguria and return to Sicily. His mother was Natalia Attardi Donnini.
After moving with his family to Palermo, intrigued by painting and its techniques from an early age (in his spare time he helped his paternal uncle, an old portrait and landscape painter), he began attending the Academy of Fine Arts and later the Faculty of Architecture.
In 1945, he moved to Rome, staying with Pietro Consagra, who was himself a guest of Renato Guttuso.
The climate rich in cultural and civil initiatives of the post-war period allowed him to resume his research with enthusiasm.
In 1948, together with a group of young artists, he founded the abstract movement Forma Uno, but his views diverged from those of the rest of the group.
His companions were Carla Accardi, Antonio Sanfilippo, Pietro Consagra, Piero Dorazio, Mino Guerrini, Concetto Maugeri, Achille Perilli and Giulio Turcato.
In 1948, he participated in the National Exhibition of Figurative Arts (V Quadriennale Nazionale d'Arte) in Rome.
In the early 1950s, he turned his art towards expressionism, drawing inspiration from Francis Bacon and George Grosz, among others, combining his artistic activity with political commitment within the Italian Communist Party.
The need to experiment with a new and visionary relationship with reality led him to move away from abstractionism and study his own form of expressionism. In 1952 and 1954, he was invited to the 26th and 27th Venice Biennales.
In 1956, despite the crisis of realism, he exhibited successfully in a gallery in Trastevere.
In 1958, he participated in the founding of the cultural and political newspaper Città Aperta and began collaborating with it, together with Tommaso Chiaretti, Elio Petri, Renzo Vespignani and Mario Socrate.
In the early 1960s, he participated in numerous exhibitions both in Italy and abroad. In 1961, he founded the group Il Pro e il Contro, leading all the events until the last year, when it was dissolved.
In 1963, one of his works was exhibited at the Contemporary Italian Paintings exhibition, held in several Australian cities. In 1963-64, he exhibited at the Peintures italiennes d'aujourd'hui exhibition, held in the Middle East and North Africa.
A trip to Spain led him to rediscover the classics and deepen his historical studies. In 1974, he created the banner for the Palio di Siena on 16 August. In 1986 and 1987, he exhibited at the ICAF in London and at the International Exhibition of Contemporary Art in Milan.
A trip to Spain led him to rediscover the classics and deepen his historical studies.
In 1974, he created the banner for the Palio di Siena on 16 August. In 1986 and 1987, he exhibited at the ICAF in London.
In 1988, his works were exhibited in Tokyo.
In 1997, Telecom chose one of his works as the image for a telephone card. In 2003, the Presidency of the Council of Ministers of the Republic awarded him the Prize for Culture in the Arts, an institutional recognition aimed at highlighting the figures and works of great artists and cultural personalities.
In 2006, he received the title of Grand Officer of the Republic from President Carlo Azeglio Ciampi for his artistic merits and for having been able to spread and promote Italian genius and creativity throughout the world.
Under existing legislation, any artwork created over 70 years ago by an artist who has died can requires a license for export regardless of the work’s market price. The shipping may require additional handling days to require the license according to the destination of the artwork.
- Creator:Ugo Attardi (1923 - 2006, Italian)
- Creation Year:1987
- Dimensions:Height: 32.88 in (83.5 cm)Width: 39.77 in (101 cm)Depth: 2.76 in (7 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Roma, IT
- Reference Number:1stDibs: LU2883217319892
Ugo Attardi
Ugo Attardi (Sori, 12 March 1923 – Rome, 20 July 2006) was an Italian painter, sculptor and writer.
He was born in the province of Genoa. His father, a trade unionist and active member of the “Federazione dei Marittimi” (Seafarers' Federation), originally from Santo Stefano Quisquina, a small village in the province of Agrigento, was forced by the Fascist regime to leave Liguria and return to Sicily. His mother was Natalia Attardi Donnini. After moving with his family to Palermo, intrigued by painting and its techniques from an early age (in his spare time he helped his paternal uncle, an old portrait and landscape painter), he began attending the Academy of Fine Arts and later the Faculty of Architecture. In 1945, he moved to Rome, staying with Pietro Consagra, who was himself a guest of Renato Guttuso.
The climate rich in cultural and civil initiatives of the post-war period allowed him to resume his research with enthusiasm. In 1948, together with a group of young artists, he founded the abstract movement Forma Uno, but his views diverged from those of the rest of the group. His companions were Carla Accardi, Antonio Sanfilippo, Pietro Consagra, Piero Dorazio, Mino Guerrini, Concetto Maugeri, Achille Perilli and Giulio Turcato.
In 1948, he participated in the National Exhibition of Figurative Arts (V Quadriennale Nazionale d'Arte) in Rome.
In the early 1950s, he turned his art towards expressionism, drawing inspiration from Francis Bacon and George Grosz, among others, combining his artistic activity with political commitment within the Italian Communist Party. The need to experiment with a new and visionary relationship with reality led him to move away from abstractionism and study his own form of expressionism. In 1952 and 1954, he was invited to the 26th and 27th Venice Biennales. In 1956, despite the crisis of realism, he exhibited successfully in a gallery in Trastevere. In 1958, he participated in the founding of the cultural and political newspaper Città Aperta and began collaborating with it, together with Tommaso Chiaretti, Elio Petri, Renzo Vespignani and Mario Socrate. In the early 1960s, he participated in numerous exhibitions both in Italy and abroad. In 1961, he founded the group Il Pro e il Contro, leading all the events until the last year, when it was dissolved.
In 1963, one of his works was exhibited at the Contemporary Italian Paintings exhibition, held in several Australian cities. In 1963-64, he exhibited at the Peintures italiennes d'aujourd'hui exhibition, held in the Middle East and North Africa.
A trip to Spain led him to rediscover the classics and deepen his historical studies. In 1974, he created the banner for the Palio di Siena on 16 August. In 1986 and 1987, he exhibited at the ICAF in London and at the International Exhibition of Contemporary Art in Milan.
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