18th Century and Earlier Prints and Multiples
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Period: 18th Century and Earlier
Set of Four Engravings from Nash
s "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving
THE VIRGIN AND CHILD SEATED BY A TREE
Located in Santa Monica, CA
ALBRECHT DURER (1471-1528)
THE VIRGIN AND CHILD SEATED BY A TREE 1513 (Bartsch 35; Meder 34 c-d, Hollstein 34)
Engraving a generally good impression. Trimmed slightly into the i...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Hypocrisy of Female Appearance - Etching by Johann Heinrich Lips - 1780s
By Johann Heinrich Lips
Located in Roma, IT
A finely executed etching by Johann Heinrich Lips, produced for Johann Caspar Lavater’s influential treatise on physiognomy, one of the most widely circulated and intellectually sign...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good conditions...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Triumph of Caesar: Plate IV
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506)
Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Ink, Handmade Paper, Laid Paper, Woodcut
The Pouring of the Seven Vials upon the Earth - Etching - Early 17th Century
Located in Roma, IT
Etching on paper, realized in the early 17th Century.
Dramatic apocalyptic engraving illustrating the vision from the Book of Revelation, Chapter 16, depicting the angels pouring th...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Self Portrait, Drawing at the Window
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Self Portrait, Drawing at the Window
Year: 1648
Medium: Etching
Paper: Verge paper
Image (plate mark) size: 6.35 x 5.25 inch...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Great Garden, and... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Bust of a Man Wearing a High Cap, The Artist
s Father
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669)
Title: Bust of a Man Wearing a High Cap, The Artist's Father
Year: 1630
Medium: Etching
Paper: Verge paper
Image (plate mark) size: ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Archangel Raphael Leaving Tobias
Family - Etching by Rembrandt - 1641
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Claude Le Lorrain (1600-1682) - Framed 18th Century Etching, Mercury and Argus
Located in Corsham, GB
A finely detailed etching by Claudio Gellee, better known as Claude Lorrain (1600-1682). This print is a later restrike of a seventeenth-century original, and depicts the myth of Mer...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
The Deluge
from
The Temple of the Muses
— 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Engraving
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Etching, Laid Paper
Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling.
[Björklund's second state ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Peter and John Healing the Cripple at the Gate... - Etching by Rembrandt - 1659
Located in Roma, IT
Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line.
Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife
Located in Middletown, NY
Sadeler, Aegidius II, after Bartholomeus Spranger
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller
Engraving on hand made laid paper wit...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
Pasquariello Truonno and Meo Squaquara - Etching by Jacques Callot - 1621/22
Located in Roma, IT
Etching on paper.
A lively etching from Jacques Callot’s celebrated series Balli di Sfessania, depicting two grotesque comic figures engaged in an exaggerated dance or mock duel. Id...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
An Engraving from the Series
The Cries of London
: "Turnips
Carrots"
Located in Alamo, CA
A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Handmade Paper, Engraving
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Hadrian
s Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
Pierre Auguste Renoir, "Mère et Enfant , " rare drypoint
Located in Chatsworth, CA
Pierre Auguste Renoir
Mère et Enfant, 1896
Drypoint in brown and green
From a very rare edition of 100 impressions on cream-toned Van Gelder laid paper
Reference: Delteil #10
Printed...
Category
Impressionist 18th Century and Earlier Prints and Multiples
Materials
Drypoint
Veduta della Piazza della Rotonda - Early Lifetime Impression
Located in Roma, IT
The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
George II, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George II'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan.
Basan (1723-1797) was a French engraver and publisher.
George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Engraving
Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
Ancient Roman Fresco/Naval Battle - Original Etching by V. Aloja - 18th Century
Located in Roma, IT
Ancient Roman Fresco / Naval Battle from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century.
Signed on the plat...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Patas A Bandeau Noir - Etching by Jacques Mesnil - 1771
Located in Roma, IT
Patas A Bandeau Noir is an etching realized in 1771 by Jacques Mesnil.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descr...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
View of Castello dell
Acqua Felice - Etching by G. B. Piranesi - 1751
Located in Roma, IT
View of Castel of Acqua Felice is an original etching realized by the italian artist Giovanni Battista Piranesi in 1751.
Very precoius and rare lifetime impression. Roman edition. I...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Goddess of Love - Original Etching by Martino Rota - 17th Century
Located in Roma, IT
Goddess of Love is an original hand-colored etching on creamy-colored paper realized in the 17 century by Martino Rota.
Signed on the plate on the low...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Arrival of the Angel - Etching By Simone Cantarini - 17th Century
Located in Roma, IT
The Arrival of the Angel is an old master artwork realized by Simone Cantarini in 17th Century.
Black and white etching.
Image dimensions: 21x17
Mo...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Piazza del Popolo con Obelisco Egizio
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio
Etching, 1752
Signed in the plate lower left (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8.25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Old Master Royal Stallion Engraving by Crispin de Passe
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670)
Untitled (Royal Stallion), c. 1620-1660
Engraving
Sight: 11 3/4 x 15 3/4 in.
Framed: 18 3/4 x 22 5/8 in.
Inscribed in plate: Le Bonit...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Greyhound
Located in Columbia, MO
Greyhound
1773-1802
Engraving
14 x 10 inches
Framed: 24 x 21 inches
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Le plus âne des deux n’est pas celui qu’on pense - Woodcut - Early 17th Century
Located in Roma, IT
Emblematic woodcut depicting the head of a donkey, rendered with expressive line work and printed in reddish-brown ink. The image is accompanied by the French moralizing inscription ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Woodcut
Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
Located in Melbourne, Victoria
'Alexandria'
A view of Pompey's Pillar with Alexandria in the background. Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of Perse...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Etching, Engraving
Allà Và Eso from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Allà Và Eso from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aquat...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching, Aquatint
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant
Angelo)
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Fresco - Original Etching by Vincenzo Aloja - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Vincenzo Aloja in the 18th century.
Signed on the plate...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Oban yokoe.
Erotic scene from the series "Koshuko zue juni ko" (Erotic pictures...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Paper, Woodcut
The Windmill
Located in San Francisco, CA
This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Etching
Two Hand Coloured 18th Century Engravings from "Small Riding School" No 26
32
Located in Cotignac, FR
Two Mid 18th century hand coloured copper plate engravings of equestrian subjects by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in fine gilt wood fr...
Category
Rococo 18th Century and Earlier Prints and Multiples
Materials
Ink, Watercolor
Adrian Collaert early engraving Martin de Vos Pastores venerunt festinantes
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula
Located in New York, NY
Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm).
A classic example of a world ma...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Beheading of St. John the Baptist - Etching by Rembrandt - 1640
Located in Roma, IT
Beautiful proof of I state on III before the white space under the sword is covered.
Without Margins.
Very good condition.
Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Rat Poison Peddler, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Rat Poison Peddler, Year: Of Original 1632, Medium: Etching, Image Size: 5.5 x 5 inches, Size: 13 x 11 in. (33....
Category
18th Century and Earlier Prints and Multiples
Materials
Etching
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
$2,000 Sale Price
20% Off
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1788 ...
Category
Victorian 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
The Gardens of Versailles - Original etching, Signed
Located in Paris, IDF
Jacques Rigaud (c. 1671/91-1754)
Original etching
Etching
Printed signature in the plate
On Arches vellum 38 x 56.5 cm (14.9 x 22.2 inch)
INFORMATION : Published by the Chalcograp...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Etching
Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8 .25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Compliment
Les Bouquets, pair French aquatints by Debucourt , 1787 and 1788
Located in Melbourne, Victoria
'Le Compliment ou La Matinee du Jour de L'an, Dediee aux Peres de Famille' (The Compliment, or New Year's Morning, Dedicated to the Fathers of the Family) and it's pair 'Les Bouquets...
Category
Romantic 18th Century and Earlier Prints and Multiples
Materials
Aquatint
Robert van Audenaerde after Carlo Maratti - Engraving, Rebecca at the Well
Located in Corsham, GB
A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
The Skeleton - Etching by Juste Chevillet - 1771
Located in Roma, IT
The Skeleton is an etching realized by Juste Chevillet in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good condit...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category
American Impressionist 18th Century and Earlier Prints and Multiples
Materials
Engraving
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
Very rare
Notes:
Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
Biography:
Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching, Laid Paper
Cap. Cardoni and Maramao - Etching by Jacques Callot - 1621/22
Located in Roma, IT
This etching is part of Balli di Sfessania, Jacques Callot’s celebrated series depicting grotesque dancers inspired by the Neapolitan commedia dell’arte tradition. The figures Capita...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
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