1950s Prints and Multiples

Medium: pochoir. Printed at the atelier Jacomet in 1958 for the hard-to-find XXe Siecle (issue No. 10) published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 242 mm). ...

“FYN – Denmark” is a beautifully illustrated original travel poster from 1957, created by Danish artist Gustav Hjortlund. This captivating piece celebrates the island of Fyn (Funen)—...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

André Masson, French (1896 -1987) - Light Blue Composition, Medium: Aquatint (unsigned), Image Size: 13 x 10 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Description: From the co...

This exquisite lithograph by Geer van Velde (1898–1977), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 51, originates from the 1952 edition published by Maeght...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse et cheval (Clowness and Horse), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris Book Center, Inc., New York, under the direction and supervision of Andre Sauret, and printed by Mourlot Freres, Paris, this work reflects Toulouse-Lautrec’s incisive observational skill, capturing the theatricality, elegance, and rhythmic grace associated with the spectacle of the circus ballet. In Clownesse et cheval (Clowness and Horse), Lautrec conveys poise and expressive movement through his signature economy of line, expressive contour, and psychological nuance. Executed as a lithograph on velin paper, this work measures 9.25 x 12.125 inches (23.49 x 30.8 cm). Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: After Henri de Toulouse-Lautrec (1864–1901) Title: Clownesse et cheval (Clowness and Horse), from The Circus of Toulouse-Lautrec, 1952 Medium: Lithograph on velin paper Dimensions: 9.25 x 12.125 inches (23.49 x 30.8 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1952 Publisher: Paris Book Center, Inc., New York; under the direction and supervision of Andre Sauret Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1952 album The Circus of Toulouse-Lautrec, published by Paris Book Center, Inc., New York Notes: Excerpted from the album, This edition of The Circus of Toulouse-Lautrec has been realized and published for Paris Book Center Inc. of New York, under the direction and supervision of Andre Sauretat the presses of Fernand Mourlot in Paris. There has been published of this english edition of The Circus of Toulouse-Lautrec, MD examples, numbered from I to MD. In addition there has been printed, XX examples on Imperial Japon Paper numbered from I to XX, L examples on Special Velin numbered XXI to LXX. About the Publication: The Circus of Toulouse-Lautrec, published in 1952 by Paris Book Center, Inc., under the direction and supervision of Andre Sauret and printed by Mourlot Freres, is one of the most historically significant postwar fine art albums devoted to the artist’s graphic work. The album presents lithographic renderings based on Lautrec’s original drawings and studies, executed with exceptional fidelity to the artist’s gestural clarity, compositional dynamism, and psychological insight. Conceived as a deluxe fine art album, the edition brought together Lautrec’s dynamic portrayals of acrobats, riders, clowns, animal trainers, dancers, and circus performers, offering a vivid window into the spectacle, discipline, and theatricality of the late nineteenth-century circus tradition. Printed at the prestigious atelier Mourlot—renowned for its collaborations with leading modernists—the album reflects a postwar commitment to reviving and preserving the lithographic legacy of master artists. Today, The Circus of Toulouse-Lautrec stands as a landmark in fine art publishing, prized by collectors for its craftsmanship, historical importance, and the rare opportunity it offers to experience Lautrec’s circus imagery in an elegant, carefully supervised edition. About the Artist: Henri de Toulouse-Lautrec (1864–1901) was a French painter, printmaker, draughtsman, and illustrator celebrated for his vivid and empathetic depictions of Parisian nightlife during the Belle Epoque. A master observer of character and movement, Toulouse-Lautrec chronicled the bohemian world of Montmartre—its cabarets, performers, dancers, and cafes—with a revolutionary use of color, composition, and line that redefined both fine art and commercial design. His iconic posters for the Moulin Rouge and other venues not only captured the exuberant energy of modern urban life but also elevated lithography to the level of high art. Despite his physical frailty due to a congenital condition, his creative output was prolific and profoundly influential, shaping the evolution of modern visual culture. Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautrec absorbed and transformed these influences into a bold, modern visual language uniquely his own. He worked and exhibited among many of the most important artists of his time, including Vincent van Gogh, Edgar Degas, Paul Gauguin, Pierre Bonnard, Edouard Vuillard, and Paul Signac, and his work stands in lasting dialogue with the great modern masters who followed—Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kantinsky, Marcel Duchamp, and Man Ray—each of whom shared his drive to reinvent art for the modern age. His paintings, drawings, and lithographs are represented in major museums worldwide, including the Musee dOrsay, the National Gallery, the Tate, and MoMA, where they continue to captivate audiences for their psychological depth and timeless vitality. The highest price ever paid for a Henri de Toulouse-Lautrec artwork is approximately 22.4 million USD, achieved in 2005 at Christies London for La Blanchisseuse (1886–87). Henri de Toulouse-Lautrec lithograph, Lautrec Clownesse et cheval, Toulouse-Lautrec The Circus, Lautrec Sauret edition, Lautrec Mourlot Freres, 1952 Circus album, Lautrec clown lithograph...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ecuyere de haute ecole (High School Rider), originates from the 1952 album The Circus of Toulouse-Lautre...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. Size (including margins): 12 1/4 x 9 1/2 inches (312 x 244 mm). Not s...

The 1954 original exhibition poster after Henri de Toulouse-Lautrec’s iconic work “Le Jockey se rendant au poteau” is a captivating example of how the legacy of a renowned artist was...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Dans les coulisses (Backstage), originates from the 1952 album The Circus of Toulouse-Lautrec. Published...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail de panneau (Panel Work), originates from the 1952 album The Circus of Toulouse-Lautrec. Publishe...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ecuyere de haute ecole (High School Rider), originates from the 1952 album The Circus of Toulouse-Lautre...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 10 x 6 1/2 inches (257 x 163 mm). Not signed. Con...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Nègre jouant du banjo (Black Man Playing Banjo), originates from the 1952 album The Circus of Toulouse-L...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Un Petit Cob (A Small Cob), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Amazone (Amazon), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris Book...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Le Rappel (The Recall), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Pari...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ecuyere de panneau (Equestrienne of the Panel), originates from the 1952 album The Circus of Toulouse-La...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail sans selle (Work Without a Saddle), originates from the 1952 album The Circus of Toulouse-Lautre...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Voltige (Trick Riding), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Pari...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Les Laveuses (The Washerwomen), from the album Les Lithographies de Renoir (The Lithographs of Renoir), orig...

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spr...

This exquisite lithograph by Marino Marini (1901–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1955 e...

Hand signed. “Le Passeggiatrici” (“The Promenaders”) is a lithograph by Massimo Campigli, dated 1957. Two elegant female figures are the protagonists of this composition. The diffe...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier and published in an edition of 2000. The image size is 7 3/4 x 1...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

This exquisite lithograph after Jules Pascin (1885–1930), titled Les deux modeles (The Two Models), from the album Pascin, originates from the 1954 edition published by Editions du l...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Écuyère de haute école (High School Rider), originates from the 1952 album The Circus of Toulouse-Lautre...

This exquisite lithograph after Jules Pascin (1885–1930), titled Marcelle a la chemise bleue (Marcelle in the Blue Blouse), from the album Pascin, originates from the 1954 edition pu...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage au soleil levant (Landscape at Sunrise), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Haute Ecole (High School Riding), originates from the 1952 album The Circus of Toulouse-Lautrec. Publish...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Le trapeze volant (The Flying Trapeze), originates from the 1952 album The Circus of Toulouse-Lautrec. P...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Chevaux en liberte (Horses at Liberty), originates from the 1952 album The Circus of Toulouse-Lautrec. P...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Entrée en piste (Entering the Ring), originates from the 1952 album The Circus of Toulouse-Lautrec. Publ...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier and published in an edition of 2000. The image size is 6 3/4 x 8...

This exquisite lithograph after Jules Pascin (1885–1930), titled Ginette et Mireille (Ginette and Mireille), from the album Pascin, originates from the 1954 edition published by Edit...

Original French poster. Linen-backed KARTING HAFA motor oil KARTING poster estimated to be in the late 1950s—early 60s. It is in excellent condition and ready to frame. COUPE d´ E...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Travail de lOurs sur (Bear Act), originates from the 1952 album The Circus of Toulouse-Lautrec. Publishe...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clown dresseur (Trainer Clown), originates from the 1952 album The Circus of Toulouse-Lautrec. Published...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse et cochon (Clowness and Pig), originates from the 1952 album The Circus of Toulouse-Lautrec. P...

Political Discussion is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1957. Colored Offset on paper.  Good condition. Dated on the fr...

Original vintage Danish travel poster: Denmark. Artist Henry Thelander. Size: 24.75" x 39.5". Professional acid-free archival linen-backed lithograph, ready to frame. An Art...

"Art is a mirage of the conscious and the unconscious." -Jean Cocteau This original lithographic poster by Jean Cocteau was created for an exhibition of works related to his project...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

This exquisite lithograph after Jules Pascin (1885–1930), titled Jeanie Warnod, from the album Pascin, originates from the 1954 edition published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and printed by Mourlot Freres, Paris, March 3, 1954. Jeanie Warnod captures Pascin’s delicate mastery of line and his profound sensitivity to the human form, embodying the poetic lyricism and emotional intimacy that define his work. Executed as a lithograph on grand velin Renage paper, this work measures 12.25 x 9.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris, and the exceptional production standards of Editions du livre, Monte-Carlo. Artwork Details: Artist: After Jules Pascin (1885–1930) Title: Jeanie Warnod, from the album Pascin Medium: Lithograph on grand velin Renage paper Dimensions: 12.25 x 9.5 inches (31.1 x 24.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1954 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Pascin, published by Editions du livre, Monte-Carlo, 1954 Notes: Excerpted from the album (translated from French), This album, published under the direction of Andre Sauret, was completed on March 3, 1954. The color plates were executed in the workshops of Mourlot Freres, lithographes, in Paris. Typography of L'Imprimerie Union. The original etchings attached to the C head examples were printed on Roger Lacouriere's presses. The total edition was drawn in MM examples, decomposing as follows: C examples numbered from I to C with III original etchings, MCM examples from CI to MM. About the Publication: Pascin, published in Monte-Carlo in 1954 under the direction of Andre Sauret and printed by Mourlot Freres, Paris, stands as one of the most refined tributes to the artist’s oeuvre within the distinguished postwar series of French art albums. The album combines impeccable lithographic craftsmanship with scholarly presentation, highlighting the poetic subtlety and expressive line central to Pascin’s artistic legacy. Printed on grand velin Renage paper, the publication exemplifies the collaboration between Sauret and Mourlot that defined a generation of fine art editions, uniting artists, printers, and publishers dedicated to preserving the vitality of modern art in print. The album reflects the technical mastery of Mourlot’s atelier—celebrated for its work with Picasso, Matisse, Chagall, Braque, and Léger—while reinforcing Editions du livre’s commitment to producing luxurious, museum-quality publications that captured the spirit and emotion of twentieth-century masters. As a fine art album, Pascin occupies a central place among mid-century European art editions, representing both a celebration of the artist’s humanistic vision and a testament to the collaborative artistry that sustained modern printmaking. About the Artist: Jules Pascin (1885–1930) was a Bulgarian-born French painter and draftsman whose exquisite sensitivity, refined draftsmanship, and poetic vision made him one of the most evocative and influential figures of early modern art. Known as “the Prince of Montparnasse,” Pascin became a central figure of the Ecole de Paris and a defining presence in the bohemian world of early 20th-century Paris. Born Julius Mordecai Pincas in Vidin, Bulgaria, to a wealthy Sephardic Jewish family, he studied in Vienna and Munich before moving to Paris in 1905, where he quickly established himself among the leading modernists of his era, including Pablo Picasso, Amedeo Modigliani, Chaim Soutine, Georges Braque, and Marc Chagall. Deeply influenced by Edgar Degas, Henri de Toulouse-Lautrec, and Paul Cezanne, Pascin created paintings and drawings distinguished by their delicate lines, soft tonal harmonies, and psychological depth. His nudes, portraits, and scenes of Parisian cafe life radiate an atmosphere of quiet intimacy and emotional nuance, capturing the fragility and beauty of human existence. Unlike contemporaries such as Picasso, Joan Miro, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who pushed toward abstraction and surrealism, Pascin remained devoted to figuration, exploring the subtleties of light, gesture, and emotion with unmatched tenderness. His works express sensuality without artifice, revealing the vulnerability and inner life of his subjects through line and color that seem to breathe with human feeling. His studio became a gathering place for artists and writers such as Ernest Hemingway, Henry Miller, and Anais Nin, who admired his introspection and his ability to translate psychological complexity into visual poetry. Though his life was marked by emotional turbulence and melancholy, his art radiated a timeless empathy that transcended style, influencing later artists including Balthus, Lucian Freud, Francis Bacon, Egon Schiele, and Eric Fischl, who drew inspiration from his fusion of sensuality, sensitivity, and psychological depth. Today, his works are held in major institutions including the Centre Pompidou, Musee d’Orsay, Tate Modern, and the Museum of Modern Art in New York, where they continue to resonate for their humanism and grace. Standing alongside Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Jules Pascin helped define the emotional vocabulary of modern painting, and his legacy endures as one of the most intimate and humanist voices of his century. The highest auction record for Jules Pascin was achieved by Portrait de jeune fille en robe rouge sur fond bleu (1928), which sold for $2,950,500 USD at Sotheby’s, New York, on May 8, 2008, confirming his enduring reputation as one of the most refined, psychologically profound, and collectible artists of modern art history. Jules Pascin Jeanie Warnod Pascin Editions du livre Monte-Carlo 1954 lithograph...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 at the Mourlot atelier, and published in an edition of 2000. The image size is 7 3/4 x ...

This exquisite lithograph after Jules Pascin (1885–1930), titled Deux nus (Two Nudes), from the album Pascin, originates from the 1954 edition published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and printed by Mourlot Freres, Paris, March 3, 1954. Deux nus captures Pascin’s delicate mastery of line and his profound sensitivity to the human form, embodying the poetic lyricism and emotional intimacy that define his work. Executed as a lithograph on grand velin Renage paper, this work measures 12.25 x 9.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris, and the exceptional production standards of Editions du livre, Monte-Carlo. Artwork Details: Artist: After Jules Pascin (1885–1930) Title: Deux nus (Two Nudes), from the album Pascin Medium: Lithograph on grand velin Renage paper Dimensions: 12.25 x 9.5 inches (31.1 x 24.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1954 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Pascin, published by Editions du livre, Monte-Carlo, 1954 Notes: Excerpted from the album (translated from French), This album, published under the direction of Andre Sauret, was completed on March 3, 1954. The color plates were executed in the workshops of Mourlot Freres, lithographes, in Paris. Typography of L'Imprimerie Union. The original etchings attached to the C head examples were printed on Roger Lacouriere's presses. The total edition was drawn in MM examples, decomposing as follows: C examples numbered from I to C with III original etchings, MCM examples from CI to MM. About the Publication: Pascin, published in Monte-Carlo in 1954 under the direction of Andre Sauret and printed by Mourlot Freres, Paris, stands as one of the most refined tributes to the artist’s oeuvre within the distinguished postwar series of French art albums. The album combines impeccable lithographic craftsmanship with scholarly presentation, highlighting the poetic subtlety and expressive line central to Pascin’s artistic legacy. Printed on grand velin Renage paper, the publication exemplifies the collaboration between Sauret and Mourlot that defined a generation of fine art editions, uniting artists, printers, and publishers dedicated to preserving the vitality of modern art in print. The album reflects the technical mastery of Mourlot’s atelier—celebrated for its work with Picasso, Matisse, Chagall, Braque, and Léger—while reinforcing Editions du livre’s commitment to producing luxurious, museum-quality publications that captured the spirit and emotion of twentieth-century masters. As a fine art album, Pascin occupies a central place among mid-century European art editions, representing both a celebration of the artist’s humanistic vision and a testament to the collaborative artistry that sustained modern printmaking. About the Artist: Jules Pascin (1885–1930) was a Bulgarian-born French painter and draftsman whose exquisite sensitivity, refined draftsmanship, and poetic vision made him one of the most evocative and influential figures of early modern art. Known as “the Prince of Montparnasse,” Pascin became a central figure of the Ecole de Paris and a defining presence in the bohemian world of early 20th-century Paris. Born Julius Mordecai Pincas in Vidin, Bulgaria, to a wealthy Sephardic Jewish family, he studied in Vienna and Munich before moving to Paris in 1905, where he quickly established himself among the leading modernists of his era, including Pablo Picasso, Amedeo Modigliani, Chaim Soutine, Georges Braque, and Marc Chagall. Deeply influenced by Edgar Degas, Henri de Toulouse-Lautrec, and Paul Cezanne, Pascin created paintings and drawings distinguished by their delicate lines, soft tonal harmonies, and psychological depth. His nudes, portraits, and scenes of Parisian cafe life radiate an atmosphere of quiet intimacy and emotional nuance, capturing the fragility and beauty of human existence. Unlike contemporaries such as Picasso, Joan Miro, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who pushed toward abstraction and surrealism, Pascin remained devoted to figuration, exploring the subtleties of light, gesture, and emotion with unmatched tenderness. His works express sensuality without artifice, revealing the vulnerability and inner life of his subjects through line and color that seem to breathe with human feeling. His studio became a gathering place for artists and writers such as Ernest Hemingway, Henry Miller, and Anais Nin, who admired his introspection and his ability to translate psychological complexity into visual poetry. Though his life was marked by emotional turbulence and melancholy, his art radiated a timeless empathy that transcended style, influencing later artists including Balthus, Lucian Freud, Francis Bacon, Egon Schiele, and Eric Fischl, who drew inspiration from his fusion of sensuality, sensitivity, and psychological depth. Today, his works are held in major institutions including the Centre Pompidou, Musee d’Orsay, Tate Modern, and the Museum of Modern Art in New York, where they continue to resonate for their humanism and grace. Standing alongside Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Jules Pascin helped define the emotional vocabulary of modern painting, and his legacy endures as one of the most intimate and humanist voices of his century. The highest auction record for Jules Pascin was achieved by Portrait de jeune fille en robe rouge sur fond bleu (1928), which sold for $2,950,500 USD at Sotheby’s, New York, on May 8, 2008, confirming his enduring reputation as one of the most refined, psychologically profound, and collectible artists of modern art history. Jules Pascin Deux nus Two Nudes Pascin Editions du livre Monte-Carlo 1954 lithograph...

After moving to Paris in 1946, Pierre Soulages began using walnut stain to make gestural abstract paintings on paper and, by the 1950s, had begun using oil on canvas. Along with Hans...

'Broken Carousel', color lithograph, 1950, edition 35, Fine and Looney 285. Signed, titled, and numbered '18/35' in pencil. Initialed in the stone, lower right. A fine, richly-inked ...

This exquisite lithograph by Henri Matisse (1869–1954), titled Guillaume Apollonaire, from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), originates from the 1952...

Poster made in 1953 to promote Dufy's exhibition at the Louis Carré Gallery in Paris to support the preservation of the Palace of Versailles. Raoul Dufy 🇫🇷 (1877-1953) was a Frenc...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...

Artist: Joan Miro Title: Joan Miro (Plate 7) Portfolio: Joan Miro Medium: Lithograph Date: 1956 Edition: Unnumbered Frame Size: 15 1/4" x 21 1/2" Sheet Size: 9" x 15" Signature: Unsi...

The dancer is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for wide stains on the lower corners. Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Authentic 1959 US 1-sheet poster for "The Scapegoat" starring Alec Guinness and Bette Davis. This original theatrical release poster has been professionally linen-backed for preserva...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Original vintage Danish poster: ODENSE, DENMARK. THE NATIVE TOWN OF HANS CHRISTIAN ANDERSEN. Great condition original. Linen backed origina...