1960s Prints and Multiples

Original Rome Fly TWA Jets vintage travel poster. Conservation linen backed in excellent condition, ready to frame. This is the earlier edition of the image Before ‘up up and away’! TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was from New York to Los Angeles, followed by multiple National routes. The airline expanded to serve Europe, the Middle East, and Asia after WWII when the company was under Howard Hughes's owner's control from 1939 until 1961. Hughes was a dominant force in expanding and promoting his company's routes. The economy was vastly improving, and travel by air for business and pleasure increased, too. Posters were a crucial element in promoting this form of travel and TWA. The airline started a decline in the 1970s, ending in a third bankruptcy that caused its acquisition by American Airlines in 2001. The airline operated in 132 destinations worldwide and had a fleet size of 190. This Rome poster was created by the gifted American artist David Klein (1918 -2005), and depicts a member of the Pontifical Swiss Guard in the center wearing the iconic yellow, blue, and red uniform. The Guard is playing a drum that has the pontifical emblem. In the background, we see a representation of the ancient Roman Coliseum and the Baroque...

This lithograph was created by Mexican artist Jose Luis Cuevas. Known for his aggressive attitude and strong beliefs, Cuevas' work is characterized by...

This contemporary colorful print of a bird is by Charles Pachter. Beloved for his playful pop art imagery, the Canadian artist produced a number of giclee prints in the 1960’s like ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Autoportrait (Self-Portrait), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), origina...

Salvador Dali - Erotic Grapefruit - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

Artist: Joan Miro Title: La Foundation Marguerite et Aime Maeght Medium: Lithograph Date: 1964 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Andre Derain (1880–1954), titled Route de Village (Village Road), from the folio Les Peintres mes amis (The Painters My Friends), originates from the ...

Henry Pearson FACE, from Portfolio 9, 1964 Color lithograph with deckled edges Signed, titled, and numbered 84/100 in graphite pencil on the front; with publishers' blind stamp 17 1/2 × 22 1/10 inches Publisher Irwin Hollander, with blindstamp Hand Signed and Numbered 84/100 with Irwin Hollander (printer) Blindstamp Unframed Henry Pearson's iconic Pop Art lithograph "Face" from the mid-Sixties is in the permanent Collection of the Museum of Modern Art as well as other public institutions. This Classic Sixties psychedelic designed Op Art lithograph was created as part of the legendary 'Portfolio 9' in 1967 - one of the most influential eras in 20th century art. It was housed in a gray cloth-colored box with maroon paper inner panels and a large maroon "9" designed by Richard Lindner on the cover. Portfolio 9 featured nine of the most important artists of the era, representative of the three major trends: Pop Art, Minimalism and Abstract Expressionism: Roy Lichtenstein, Saul Steinberg, Richard Lindner, Robert Motherwell, Henry Pearson, Louise Nevelson, Sam Francis, Willem de Kooning- and Ellsworth Kelly. The Introduction to the portfolio was written by Una E. Johnson, Curator of Prints Drawings, The Brooklyn Museum. Johnson wrote in 1967 for the colophon page: "The artists were selected to demonstrate the great diversity and character of lithography in the United States today... the dialogue of diverse forms and many faceted idioms that compose this graphic journal mirror the eloquence and delight the strengths and caprices of a period. Furthermore, they reflect in fine measure the creative achievements of artists attuned to their time." The lithograph offered here has superb provenance: it comes directly from 'Portfolio 9', numbered 84/100. This is the very first time since 1967 that this hand signed numbered print will be separated from the original portfolio presentation box. According to the description of this print in the catalogue raisonne, "Organized as a celebration of Irwin Hollander's collaboration with American artists working in the medium of lithography, the Portfolio 9 is a compendium of images by nine of Hollander's artist collaborators. Henry Pearson Biography: Henry Pearson was born in Kinston, North Carolina in 1914. He studied art at the University of North Carolina where he received his B. A. and later at Yale University where he received an M. F. A. Pearson spent over eleven years in the army during and after WWII. On one tour of duty in Japan he was assigned to interpret topographical maps due to his past training in Theatrical Set Design. He returned to Japan on another tour after the war in order to immerse himself more fully in the culture. Pearson returned to the United States in 1953 and enrolled at the Art Students League in New York where he studied with Reginald Marsh. The Op-Art Movement was beginning to gain popularity and Pearson...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Tete a tete (Head to Head), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Coctea...

This exquisite lithograph by Serge Poliakoff (1900–1969), titled Composition rouge verte et bleue (Red Green and Blue Composition), from the album XXe Siecle, Nouvelle serie, XXIIIe ...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

This elegant 1962 original exhibition poster was designed by the legendary French modernist Henri Matisse to promote a show of watercolors and drawings (aquarelles et dessins) at the...

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

This original lithograph in colours is hand signed in pencil by the artist "G. Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 75, at the lo...

Alexander CALDER Elephant and Rhinoceros, 1966 Lithograph Handsigned in pencil On Arches Vellum 38 x 28 cm (c. 15 x 11 in) Excellent condition, light text report on the lithograph ...

Jean Jansem, French (1920 - 2013) - Girl From Behind, Year: circa 1965, Medium: Lithograph, Size: 14.5 x 11 in. (36.83 x 27.94 cm), Frame Size: 21 x 17 inches

Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...

Original screen print from the Gemini series “Untitled” (Red), 1968 by Larry Zox. Condition is good. Mild toning of the white areas in the screen print. Other colors are still vibra...

Robert Indiana 0, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 (unsigned) Frame included: Elegantly matted and fra...

Medium: lithograph. Printed in 1961 for the art revue Derrière le Miroir (issue No. 125-126) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 555 mm). This i...

signed on lower right, numbered 2/30 lower left

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bouquet (The Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edit...

This striking 1967 poster by Viktor Koretsky, one of the most influential Soviet poster artists, revisits a moment of intense historical symbolism: the Soviet victory over Nazi Germa...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Very Good Condition- Wear consiste...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 7 (Plate No. 7), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

Book page 117 in Chagall Lithographe II (1957-1962). Reproduction of image from 1961. ‘Chagall Lithographe II' Andre Sauret, Paris, 1963. Text in French by Fernand Mourlot. The seco...

Marc Chagall (1887-1985) - The Juggler Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Original first edition vintage U. S. movie poster: Let's Make Love, (20th Century Fox, 1960). Half Sheet (22" X 28"). Comedy. Japan acid-free backed. A very attractive price for a fine condition original compared to others. We work hard to find and present high-quality original vintage posters for your personal selections at reasonable prices. Starring Marilyn Monroe, Yves Montand, Tony Randall, Frankie Vaughn, Wilfrid Hyde-White, David Burns, Joe Besser, Mara Lynn, Bing Crosby, Gene Kelly, and Milton Berle...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

'Melancholic Muses II', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of...

This 1962 travel poster, designed by Nourry, captures the essence of French alpine tourism at Col de Voza, Mont Blanc, in Saint-Gervais (Haute-Savoie). With its vivid colors and dyna...

This double-page offset lithograph from Derrière le Miroir No. 182 (1969) depicts a vibrant, dreamlike scene featuring townspeople, a mother and child, a peasant, a rooster, and a mu...

Héliogravure on brown-toned paper, no signature. Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Pri...

This sublime poster was made by Georges Braque 🇫🇷 (1882-1963) for his 1961 exhibition at the Galliera Museum (Fashion Museum of the City of Paris). The Salon des Peintres témoins de leur temps is a show that was held every year between 1951 and 1983, first at the Museum of Modern Art of the city of Paris and then in the Palais Galliera. Initiated by the painter Isis Kischka, the salon des peintres témoins de leurs temps is one of the most visited salons of the time, bringing together a hundred artists per edition while organizing around various themes over the years. Braque is a major figure of modern art in the world. Along with Pablo Picasso, he was one of the initiators of Cubism, a pictorial movement based on the decomposition and geometrisation of forms. In 1917, he created a series of breathtaking paintings. His paintings are divided into a series of themes: the figure, the still life and the studio. It was in 1953, when he was at the peak of his career, that he completed "The Birds", this magnificent work which is featured on the poster. This work, composed of three canvases...

Joan Miro Danse Barbare (from Artigas) Original Color Lithograph Year: 1963 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 139-140 Publisher: Maeght Editeur, Paris 1963 Catalogue ...

Original poster: Lido "Pour Vous"; artist: Rene Gruau (Renato De Zavagli, 1910-2004); size: 15.25 x 23 1/8". Archival linen backed the original Lido Cabaret poster in excellent c...

Jules CAVAILLES Landscape in Provence : The Old House Original lithograph Handsigned in pencil On vellum 33 x 50 cm (c. 13 x 20 inch) Excellent condition

Marc Chagall (1887-1985) Paris, Lovers of the Champs de Mars, 1965 Original lithograph after a watercolor (Mourlot Workshop) Printed signature in the plate On vellum 30 x 24 cm (c...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...

The Angel of Mercy - from the Series "The Divine Comedy" is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. No...

Baie Des Anges after Marc Chagall 1962 Stone lithograph 39 2/5 × 26 in 100 × 66 cm

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

Original lithograph design by Le Corbusier for an exhibition held in 1966 at the Pavillon de Marsan in Paris. The original lithograph measures 15.5 x 16 inches. Very rare and hard-to...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the sweeping emotional vigor and expressive distortions that define Soutines landscape vision, capturing in lithographic form the turbulent rhythm, chromatic intensity, and psychological tension characteristic of his mature periods in Cagnes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a moment of renewed international interest in his oeuvre. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural dynamism of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Linda Plotkin, American (1938 - ) - Afterlight, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 76/175, Image Size: 26.5 x 19.75 i...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Halo Freedom - Rick Griffin original 1966 poster. Benefit for Haight Ashbury Legal Organization, an On-scene summer long guarantee of your Freedom. Indian Agent Excellent / mint condition. The image is to resemble a distressed old photograph, but this poster is meint as stated. No damage, no pinholes, no bent corners… just very fine indeed! PERFORMERS: Grateful Dead, Jefferson Airplane, Big Brother and the Holding Company, Quicksilver Messenger Service, Charlatans Haight Ashbury Legal Organization. Winterland Concert HALO (Haight Ashbury Legal Organization) Original First Printing, not a reproduction. Concert featuring: The Jefferson Airplane, Janis Joplin with Big Brother & The Holding Company, Quicksilver Messenger Service, The Charlatans...

Medium: original lithograph. This Beaudin lithograph was printed in Paris in 1961 by the Mourlot Freres atelier and published by Editions Verve. Size: 11 1/2 x 8 3/8 inches (293 x 21...

The circa 1960 original poster by Georges Braque, titled Trois Oiseaux, is a classic representation of the artist's distinctive style. Braque, one of the pioneers of Cubism alongside...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 1 (Plate No. 1), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 3 (Plate No. 3), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 8 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Joan MIRO The King's Feast, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE : Ca...

Signed lower center, in pencil, '(nach) Luigi Kasimir' (Austro-Hungarian, 1881-1962) by a member of the artist's family workshop. Paper dimensions: 17.5 x 24 inches Austrian etcher ...