1960s Prints and Multiples

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reprod...

Original Hawaii Now, Fly United Air Lines Jets. Archival linen-backed in very fine condition, ready to frame. There is no restoration on this mint original United Airlines vintage...

Yosl Bergner (Israeli 1920-2017) Untitled, 1961 Oil on canvas Dimensions: 19 5/8 x 24 3/8 in. Framed, 32.25 x 28 inches Hand signed in Hebrew and dated lower left Bears gallery stamp...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Classic James Bond 007 c1964 (framed) board game w/ great colour graphics Board Sz: 18 1/8"H x 15 1/2"W Frame Sz: 23 1/4"H x 20 1/2"W

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Silkscreen, 1969 Handsigned by the artist in pencil and numbered 8/75 Catalog : [Chenivesse 47] 49.00 cm. x 61.00 cm. 19.29 in. x 24.02 in. (paper) 39.50 cm. x 48.00 cm. 15.55 in. ...

Medium: lithograph (after the painting). Printed in Paris in 1964 at the Fernand Mourlot atelier and published in an edition of 2000. Size: 10 x 7 1/2 inches (255 x 188 mm). Signed i...

Leonor Fini - Young Beauty - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Uns...

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: Epreuve d'Artiste Hand Signed Charles Lapicque was one of the great painters of the “Ecole de Paris...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Homme couche et femme assise (Reclining Man and Seated Woman), from the folio Picasso, La flute double, ...

Medium: original lithograph. Printed in Paris in 1963 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 240 mm). Not signed.

This is an original lithograph created by Marc Chagall in 1959, printed by Mourlot and published in Chagall Lithographe II (André Sauret, Paris, 1963). The catalog documents Chagall’...

Hans Bellmer, Les Marionettes I, etching with hand coloring, 1969, edition 150. Signed and annotated 'HC' in pencil. A fine impression on brown Roma hand-made laid paper; the full sheet with margins (1 to 2 5/8 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 13/16 x 11 1/8 inches; sheet size 15 5/8 x 13 1/4 inches. A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...

Lithograph realized by Gino Severini in 1964-65. Image dimension: 29.5x23-1 Sheet dimension: 48.5x35.2 cm. Hand signed and numbered in pencil. Edition 25/85.

Playful and bold, this original circa 1960 poster for Nain d’Alsace – Bières Fines from Saint-Quentin bursts with vintage charm and mid-century flair. Illustrated by Seguin, a French...

Robert SAVARY Paris : Theatre de l'Atelier in Montmartre, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent con...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 12 (Plate No. 12), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters...

Salvador Dali (1904-1989) - Le Vieil Hippy (The Old Hippy) Drypoint etching from 1969. The edition 25/145 on Arches paper. Dimensions of work: 66 x 51 cm. Hand signed. Publisher...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 167) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 560 mm)...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Linda Stein, Twelve Nudes 360.056 - Contemporary Limited Edition Fine Art Screen Print Linda Stein has been practicing art for the last six decades. This limited edition screen pr...

Salvador Dali Cobea (Pisum Sensuale) from Flora Dalinae, 1968 Etching and drypoint on Japon paper Hand signed lower right Edition 163/175 Image 58 x 38.5 cm Sheet 76.7 x 56 cm Printe...

Framed 24.50 x 21 in No. 366 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of harmf...

Original lithograph poster created in 1968 for an exhibition of engraved works by Georges Braque, published by Maeght Éditeur. Titled Villa Medici, the poster exemplifies Braque’s re...

Signed and numbered etching by an Unknown Artist. Paper Size: 20.75 x 25 inches ( 53 x 64 cm ) Image Size: 14.75 x 20.5 inches ( 37 x 52 cm ) Framed: Framing available upon request....

1966 exhibition poster for Ernst's Gallerie Alphonse Chave show. Paper Size: 28.5 x 18.75 inches ( 72 x 48 cm ) Image Size: 18.5 x 15.25 inches ( 47 x 39 cm ) Framed: Framing avai...

Screen printed poster designed by Stanley Mouse, depicting a classic car under a text bubble in a psychedelic font. The text gives the details of the ev...

Purgatory, Plate- 13 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Good condi...

Ira Moskowitz, Polish/American (1912 - 2001) - Reading the Torah, Medium: Hand Colored Etching, signed and numbered, Edition: 5/120, Size: 11 x 13.5 in. (27.94 x 34.29 cm), Frame S...

Joan Miro FEMME V/VI, from the Femmes Portfolio, 1965 Edition: 50; 10 HC Image size: 33.5 x 19 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght, Paris Re...

This beautiful artwork is hand-signed. It comes from the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes matting. Hans Bel...

Wifredo Lam, Cuban (1902 - 1982) - Cigognes Ciseaux Gigognes (Nesting Scissor Storks), Portfolio: Phases no 11, Year: 1966, Medium: Lithograph, Edition: 1000, Size: 10.75 x 16.5 in....

This exquisite lithograph after Marc Chagall (1887–1985), titled La Tour Eiffel (The Eiffel Tower), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ...

This luminous original 1967 French travel poster, created by the celebrated painter Yves Brayer, was commissioned by SNCF (Société Nationale des Chemins de fer Français) to promote r...

Artist: Warrington Colescott Title Custard's Last Stand Year: 1969 Print - Lithograph Size: 20'' x 25½ inches Edition: Signed in pencil, titled and marked 48/200 Unframed Warring...

Artist: Mel Ramos Medium: Lithograph Title: Tiger Girl Portfolio: 1¢ Life Year: 1963 Edition Size: 2000 Framed Size: 22.5 x 18 inches Image Size: 16 1/4 x 1...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Sans titre (Untitled), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, Painters of T...

Coloured lithograph on japanese paper, edited in 1969. Limited edition of 10 copies, numbered p.d.a (prova d'artista) in lower left corner. Hand signed by artist in pencil in the low...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

Victor Vasarely (1906-1997) - Zeta Silkscreen / Serigraph from 1969. Edition III/VIII. Dimensions of work: 46 x 40 cm. Hand signed. Reference: Catalogue Raisonné Vol I par Pedro...

Original Australia Sports Poster – Vintage Australian Rules Football– Iconic AFL, archival linen-backed, very fine condition, ready to frame. Printed for the Australian Tourist Com...

SIgned in płatę and signed and numbered in pencil

Pablo Picasso (1881-1973) - Le cocu magnifique The complete set of 12 unsigned and unnumbered etchings (as issued). Signed in pencil by the artist and author on the justification. ...

Hand signed and numbered. Edition of 100 prints. Very good conditions.

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of the twentieth century. Neum...

Joan Miró Untitled from Derriere le Miroir, 1956 Original lithograph. Unsigned Size 37.7 x 27.6 cm Published in Paris by Maeght Reference: Mourlot 226 FREE SHIPPING

Medium: original lithograph. Signed by the artist in blue pencil. Printed by Imprimerie Clot, Bramsen et Georges on Arches paper in a limited edition of 100. This lithograph was publ...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 11 1/2 inches (408 x 290 mm). Ther...

Signed lower right, 'Ynez Johnston' (American, b. 1920) and dated 1964; additionally inscribed 'imp' lower right, titled lower center 'Tribal Coast' with number and limitation, 198/2...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Morte Au Morceau (Death in Pieces), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological intensity that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1899–1943) Title: Morte Au Morceau (Death in Pieces), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also numbered in pencil 12 from the edition of 40, at the l...

Artist: Marc Chagall Medium: Original lithograph on Arches wove paper Title: Le Cirque Year: 1967 From the Edition of 250 Framed Size: 29 x 25 inches Image ...

Joan Miró Untitled from Derriere le Miroir, 1956 Original lithograph. Unsigned Size 37.7 x 55.3 cm Published in Paris by Maeght Reference: Mourlot 226 There is a centre fold with te...

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

Blasco MENTOR Lovers in Venice, 1966 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excellent condition

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature Morte Aux Fruits (Still Life with Fruits), from the folio Raoul Dufy, IV (Raoul Dufy, IV), Collection Pierre Lev...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...