1960s Prints and Multiples

Blasco MENTOR Lovers in Venice, 1966 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excellent condition

Framed 25.75 x 21.75 in No. 286 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Cha...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Sheet size: 16 1/4 x 22 3/4 inches (408 x 578 mm)...

Vintage Poster. Title: Flipper – The Fabulous Dolphin Italian Title: Flipper Year: 1963 Dimensions: 104 × 69 cm Description: Original vintage Italian poster...

Edouard MAC AVOY Theater : Tragedy of Love, 1966 Original lithograph Handsigned in pencil On Rives vellum 37 x 28 cm (c. 15 x 11 inch) Excellent condition

Lithograph and stencil on grand vélin de Mandeure paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettres de Nicolas de Staël à Pierre ...

Lithograph from the book ' The Posters of Toulouse-Lautrec', lithography by Mourlot Freres. Features four colors: yellow, red. dark blue and deep grey. This is the smallest of Laut...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Joseph, from the album Marc Chagall, The Jerusalem Windows, origina...

Erotic scene is an artwork realized by Filippo De Pisis (1896, Ferrara - 1956, Milano) in the 1960s. Black and white lithograph. Good conditions.

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

This original etching is hand signed in pencil by the artist "Picasso" at the lower right margin. It is dated in the plate “18.1.38” [18th January 1938]. It is also hand numbered ...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Ascot, from the folio Raoul Dufy, IV (Raoul Dufy, IV), Collection Pierre Levy, 1969, originates from the edition publis...

This exquisite lithograph after Rene Magritte (1898–1967), titled Une Porte souvre sur la Nuit Veloutee (A Door Opens onto the Velvety Night), from the folio Les Enfants Trouves de M...

This exquisite lithograph after Francis Bacon (1909–1992), titled Three Studies for Portrait of Lucian Freud, originates from the historic 1966 folio Derriere le Miroir, No. 162. Pub...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

This is an above the edition impression of an original lithograph by Marc Chagall, printed in 1963 by Mourlot and published by André Sauret, Paris. It appears as page 93 in Chagall L...

Apparuerunt Illis Dispertitae Linguae is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 19...

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

Framed 25 x 33.25 in No. 577 in the Catalogue Raisonne of Chagall's lithographs This is the lithograph cover from Volume III of the Lithographs of Marc Chagall. Julien Cain, Boston...

Original 1968 Cold War Superman Style Poster by Roman Cieslewicz USSR / CCCP USA. Created as the cover of the French left-wing art magazine ‘Opus Internatio...

This original 1960s Pan American World Airways poster, titled "Japan by Jet Clipper," was created by artist Aaron Fine. The artwork features a vibrant depiction of a traditional Japa...

Etching in colors on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. E...

Claes Oldenburg "Prints: To Benefit the Foundation for Contemporary Performance Arts" (Punching Bag) Kornblee Gallery, New York, 1967 Exhibition Poster 22 x 20 inches Signed

The Judgement of Paris ( Three Graces ) is an original limited edition Epreuve d'Artiste ( EA ) etching on Rives BFK by Salvador Dali from the Mythology Suite. ( ref: Field 63-3.I / Michler & Lopsinger 123 ). Salvador Dalí’s mythology...

This laser-cut steel drawing multiple is incised with the artist signature “Wesselmann”, verso. It is also numbered out of an edition of six. This is one of six artists proofs aside ...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme IV/VI (Woman IV/VI), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published and print...

This exquisite lithograph after Rene Magritte (1898–1967), titled La Traversee Difficile (The Difficult Crossing), from the folio Les Enfants Trouves de Magritte (The Found Children ...

Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...

Roy Lichtenstein Mirror Images Offset Lithograph 2000 33.07 x 23.22 inches (84 x 59 cm) Unsigned as issued Publisher: VG Bild-Kunst, Bonn - Germany COA provided The exhibition in Wo...

Myril Adler "Night Magic" c.1960s Intaglio etching collage, ink on paper 3"x6" framed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Be...

Artist: Warrington Colescott Title Fracas at Calamity's Place Year: 1969 Medium: Lithograph Dimensions: 22.5” x 29.5” inches Edition: Signed, titled, and numbered 32/40 About the A...

This exquisite lithograph after Rene Magritte (1898–1967), titled Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Roger de la Fresnaye National Day Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 65 x 50 cm (c. 26 x 20 inch) Excelle...

Harry Bertoia, Untitled (Abstraction), monotype, c. 1960, a unique impression. Signed 'HB' in pencil, lower right sheet corner, verso. Inscribed '1852' (the artist’s inventory number) in pencil, lower right sheet corner, recto. A superb, painterly impression, on cream wove Japan paper, the full sheet, in excellent condition. Unmatted, unframed. Sheet size 12 x 39 inches (30 x 99 cm). Provenance: Val Bertoia; Private Collection; Rago Auctions, Lambertville, NJ. Literature: 'Harry Bertoia: Monoprints,' Nancy N. Schiffer, Schiffer Publishing LTD, 2011; pg. 253. This work is included in the Harry Bertoia Foundation digital resource, Harry Bertoia Catalogue Raisonné, number TD.MO.1584. ABOUT THE ARTIST Harry Bertoia (1915-1978) was a visionary Italian-American artist, sculptor, and designer. Born in San Lorenzo, Italy, Bertoia immigrated to the United States with his family at age fifteen, settling in Detroit, Michigan. From an early age, Bertoia demonstrated a keen interest in art and design, studying painting and drawing at the Cass Technical High School in Detroit. Later, he attended the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he studied under renowned designers Eliel Saarinen and Charles Eames. At Cranbrook, Bertoia first began to explore the possibilities of working with metal, a medium that would come to define his artistic career. In the 1940s, Bertoia moved to California to work for Charles and Ray Eames, contributing to the development of innovative molded plywood furniture. However, his experimentation with metal wire sculpture would ultimately catapult him to international acclaim. Bertoia's iconic "Sonambient" sculptures, consisting of delicate metal rods arranged in various configurations, created ethereal sounds when touched or moved, transforming the act of sculpture into a multisensory experience. Bertoia's talent and innovation caught the attention of Florence Knoll, the founder of Knoll Associates, a leading furniture design company. In 1950, Bertoia began collaborating with Knoll, producing a series of iconic wire chairs that became emblematic of mid-century modern design. His "Diamond Chair," with its geometric form and airy construction, remains a classic of modern furniture design. Bertoia continued to explore sculpture as a means of artistic expression, experimenting with new forms and materials. His work was characterized by organicism and fluidity, with forms that evoked natural phenomena such as waves, leaves, and clouds. A decade before Harry Bertoia began creating three-dimensional sculpture, he dedicated his creative efforts to producing experimental prints at the Cranbrook Academy in Bloomfield Hills, Michigan, pursuing a passion that would continue for the rest of his life. With these spontaneous works, he worked intuitively, testing different tools and techniques to achieve his desired effects. Rather than using a traditional mechanical pressing process, he would apply ink to a glass or smooth Masonite plate with a sheet of paper laid directly on top. Then, tools such as brayers, dog hair brushes, styluses, and different parts of his hands were employed to draw or “press” the images on the back of the sheet. Rice paper was typically used due to its semi-translucent nature, offering Bertoia limited visibility of the effects of his experimentation, but ultimately, the unpredictable nature of the process was an integral aspect of the results, which never ceased to delight him. Each work was a singular composition with abstract imagery ranging from linear, structural compositions to fantastic surrealistic forms to poetic tonal landscapes. He received little input from other artists, developing his unique vision with rare purity and a deep personal resonance. From his first year of printmaking in 1940, Bertoia quickly amassed an extensive collection of unique works. The compositions were strongly tied to the non-objective movement, which, while popular in Europe, was still in its nascent stages in the US. There were few proponents of this new art form to be found in the 1940s, and it was Hilla Rebay, then Director of the Guggenheim Museum of Non-Objective Art, who gave Bertoia the encouragement and promotion he needed. In 1943, Bertoia sent approximately 100 monotypes to Rebay for review. After receiving the prints, she responded with a surprising offer to buy them all. Rebay then began including them in the museum’s exhibitions. The Guggenheim shows succeeded in putting Bertoia’s name out into the world. He began exhibiting his works regularly at the Neierndorf Gallery in New York and was provided a stipend to ensure a steady supply of prints until Karl Neierndorf died in 1947. By the 1950s...

Untitled (From the Sotomagie Portfolio), 1967 Denise Rene Editeur, Paris (Based on Soto's Work Répétition et Progression, 1951, Oil on Plywood) Silkscreen 23 7/8 x 23 7/8 in (60.5 x ...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 22 inches (378 x 555 mm). There is a...

André DERAIN Near Saint Paul de Vence Original lithograph in colors (printed in Atelier Lucien Detruit) Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) I...

This work is hand signed in pencil by the artist "L. Fontana" in the lower right image. It is also hand numbered in pencil from the edition of 80, in the lower left image. It was pr...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 185 mm). Not signed. C...

Medium: original soft ground etching. Signed in pencil and annotated "Artist's Proof". Printed in 1967 for the Dreigroschen Film portfolio and published by Touchstone Publishers. Thi...

Paper Size: 14.5 x 10.5 inches ( 36.83 x 26.67 cm ) Image Size: 13.25 x 9.5 inches ( 33.655 x 24.13 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemen...

Artist: Richard Mortensen Title: Red, Blue and Yellow Composition Year: 1962 Medium: Screenprint, signed, titled and numbered in pencil Edition: 62/75 Image Size: 19.75 x 12.75 inche...

This original lithograph in colours is hand signed by the artist in pencil “Moore” at the lower left margin. It is hand numbered in pencil from the edition of 180, at the lower left ...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

This charming 1962 original travel poster by André Dignimont was commissioned by the SNCF (Société Nationale des Chemins de Fer Français) to celebrate Parisian elegance, highlighting...

Akira Kito Enfant 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Signed in the Stone Annotated verso Publisher: Mourlot, Paris Printer: Mourlot, Par...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme nue couchee et joueur de flute (Reclining Nude Woman and Flute Player), from the folio Picasso, La...

Artist: Ben Shahn, American (1898 - 1969) Title: The First Word of Verse Arises from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Siz...

Untitled (From the Sotomagie Portfolio), 1967 Denise Rene Editeur, Paris Based on Soto's Work Rotation, 1952, Oil on Plywood Silkscreen 23 7/8 x 23 7/8 in (60.5 x 60.5 cm) Editioned ...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

GIORGIO DE CHIRICO 1888-1978 Vólos, Greece 1888 - 1978 Rome (Italian) Title: The Invincible Chariot La biga invincibile, 1969 Technique: Original Hand Signed and Numbered Lithogr...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Storing Up, originates from the distinguished 1962 folio The Four Seasons: Pai...

Original Bernard Villemot Vintage Poster – “Visitez le Val de Loire”, 1967, Linen Backed, Excellent Condition. Grade A condition. Ready to frame. An iconic original vintage trave...

Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes...